{"id":1871,"date":"2020-04-09T16:06:35","date_gmt":"2020-04-09T14:06:35","guid":{"rendered":"https:\/\/historiamatica.ca\/cine-histoire\/?page_id=1871"},"modified":"2020-07-03T15:25:27","modified_gmt":"2020-07-03T13:25:27","slug":"collection-criterion","status":"publish","type":"page","link":"https:\/\/historiamatica.ca\/cine-histoire\/collection-criterion\/","title":{"rendered":"Collection Criterion"},"content":{"rendered":"

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Vous trouverez ici-bas tous les films faisant partie de la c\u00e9l\u00e8bre Collection Criterion, qui s’affaire \u00e0 pr\u00e9server et restaurer les films importants de l’Humanit\u00e9, que ce soit pour leur valeur esth\u00e9tique, culturelle ou historique. Consultez la liste officielle ici<\/a>.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
#<\/strong><\/td>\nTitre original<\/strong><\/td>\nAnn\u00e9e<\/strong><\/td>\nPays<\/strong><\/td>\nR\u00e9alisateur<\/strong><\/td>\n<\/tr>\n
1<\/strong><\/td>\nLa Grande Illusion (Grand Illusion)<\/a><\/strong><\/td>\n1937<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
2<\/strong><\/td>\nShichinin no Samurai (Seven Samurai)<\/a><\/strong><\/td>\n1954<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
3<\/strong><\/td>\nThe Lady Vanishes<\/a><\/strong><\/td>\n1938<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
4<\/strong><\/td>\nAmarcord<\/a><\/strong><\/td>\n1973<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
5<\/strong><\/td>\nLes 400 coups (The 400 Blows)<\/a><\/strong><\/td>\n1959<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
6<\/strong><\/td>\nLa Belle et la B\u00eate (Beauty and the Beast)<\/a><\/strong><\/td>\n1946<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Cocteau<\/strong><\/td>\n<\/tr>\n
7<\/strong><\/td>\nA Night to Remember<\/a><\/strong><\/td>\n1958<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRoy Ward Baker<\/strong><\/td>\n<\/tr>\n
8<\/strong><\/td>\nDip huet seung hung (The Killer)<\/a><\/strong><\/td>\n1989<\/strong><\/td>\nHong Kong<\/strong><\/td>\nJohn Woo<\/strong><\/td>\n<\/tr>\n
9<\/strong><\/td>\nLat sau san taam (Hard Boilded)<\/a><\/strong><\/td>\n1992<\/strong><\/td>\nHong Kong<\/strong><\/td>\nJohn Woo<\/strong><\/td>\n<\/tr>\n
10<\/strong><\/td>\nWalkabout<\/a><\/strong><\/td>\n1971<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nNicolas Roeg<\/strong><\/td>\n<\/tr>\n
11<\/strong><\/td>\nDet sjunde inseglet (The Seventh Seal)<\/a><\/strong><\/td>\n1957<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
12<\/strong><\/td>\nThis Is Spinal Tap<\/strong><\/a><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRob Reiner<\/strong><\/td>\n<\/tr>\n
13<\/strong><\/td>\nThe Silence of the Lambs<\/strong><\/a><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJonathan Demme<\/strong><\/td>\n<\/tr>\n
14<\/strong><\/td>\nSamurai I: Musashi Miyamoto<\/strong><\/a><\/td>\n1954<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Inagaki<\/strong><\/td>\n<\/tr>\n
15<\/strong><\/td>\nSamurai II: Ichij\u00f4ji no kett\u00f4 (Duel at Ichijoji Temple)<\/strong><\/a><\/td>\n1955<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Inagaki<\/strong><\/td>\n<\/tr>\n
16<\/strong><\/td>\nSamurai III: kett\u00f4 Ganry\u00fbjima (Duel at Ganryu Island)<\/strong><\/a><\/td>\n1956<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Inagaki<\/strong><\/td>\n<\/tr>\n
17<\/strong><\/td>\nSal\u00f2 o le 120 giornate di Sodoma (Sal\u00f2, or the 120 Days of Sodom<\/strong><\/a><\/td>\n1976<\/strong><\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
18<\/strong><\/td>\nThe Naked Kiss<\/strong><\/a><\/td>\n1964<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSamuel Fuller<\/strong><\/td>\n<\/tr>\n
19<\/strong><\/td>\nShock Corridor<\/strong><\/a><\/td>\n1963<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSamuel Fuller<\/strong><\/td>\n<\/tr>\n
20<\/strong><\/td>\nSid & Nancy<\/strong><\/a><\/td>\n1986<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAlex Cox<\/strong><\/td>\n<\/tr>\n
21<\/strong><\/td>\nDead Ringers<\/strong><\/a><\/td>\n1988<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Cronenberg<\/strong><\/td>\n<\/tr>\n
22<\/strong><\/td>\nSummertime<\/strong><\/a><\/td>\n1955<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
23<\/strong><\/td>\nRoboCop<\/strong><\/a><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Verhoeven<\/strong><\/td>\n<\/tr>\n
24<\/strong><\/td>\nTengoku to jigoku (High and Low)<\/strong><\/a><\/td>\n1963<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
25<\/strong><\/td>\nAlphaville, une \u00e9trange aventure de Lemmy Caution (Alphaville)<\/strong><\/a><\/td>\n1965<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
26<\/strong><\/td>\nThe Long Good Friday<\/strong><\/a><\/td>\n1979<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nJohn Mackenzie<\/strong><\/td>\n<\/tr>\n
27<\/strong><\/td>\nFlesh for Frankenstein<\/strong><\/a><\/td>\n1973<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Morrissey<\/strong><\/td>\n<\/tr>\n
28<\/strong><\/td>\nBlood for Dracula<\/strong><\/a><\/td>\n1974<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Morrissey<\/strong><\/td>\n<\/tr>\n
29<\/strong><\/td>\nPicnic at Hanging Rock<\/strong><\/a><\/td>\n1975<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPeter Weir<\/strong><\/td>\n<\/tr>\n
30<\/strong><\/td>\nM – Eine Stadt sucht einen M\u00f6rder (M)<\/strong><\/a><\/td>\n1931<\/strong><\/td>\nAllemagne<\/strong><\/td>\nFritz Lang<\/strong><\/td>\n<\/tr>\n
31<\/strong><\/td>\nGreat Expectations<\/strong><\/a><\/td>\n1946<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
32<\/strong><\/td>\nOliver Twist<\/strong><\/a><\/td>\n1948<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
33<\/strong><\/td>\nNanook of the North<\/strong><\/a><\/td>\n1922<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Flaherty<\/strong><\/td>\n<\/tr>\n
34<\/strong><\/td>\nAndrei Rublev (\u0410\u043d\u0434\u0440\u0435\u0439 \u0420\u0443\u0431\u043b\u0435\u0432)<\/strong><\/a><\/td>\n1966<\/strong><\/td>\nRussie<\/strong><\/td>\nAndrei Tarkovsky<\/strong><\/td>\n<\/tr>\n
35<\/strong><\/td>\nLes diaboliques<\/strong><\/a><\/td>\n1955<\/strong><\/td>\nFrance<\/strong><\/td>\nHenri-Georges Clouzot<\/strong><\/td>\n<\/tr>\n
36<\/strong><\/td>\nThe Wages of Fear (Le salaire de la peur)<\/strong><\/td>\n1953<\/strong><\/td>\nFrance<\/strong><\/td>\nHenri-Georges Clouzot<\/strong><\/td>\n<\/tr>\n
37<\/strong><\/td>\nTime Bandits<\/strong><\/td>\n1981<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Gilliam<\/strong><\/td>\n<\/tr>\n
38<\/strong><\/td>\nBranded to Kill (Koroshi no rakuin)<\/strong><\/td>\n1967<\/strong><\/td>\nJapon<\/strong><\/td>\nSeijun Suzuki<\/strong><\/td>\n<\/tr>\n
39<\/strong><\/td>\nTokyo Drifter (T\u00f4ky\u00f4 nagaremono)<\/strong><\/td>\n1966<\/strong><\/td>\nJapon<\/strong><\/td>\nSeijun Suzuki<\/strong><\/td>\n<\/tr>\n
40<\/strong><\/td>\nArmageddon<\/strong><\/td>\n1998<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMichael Bay<\/strong><\/td>\n<\/tr>\n
41<\/strong><\/td>\nHenry V<\/strong><\/td>\n1944<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nLaurence Olivier<\/strong><\/td>\n<\/tr>\n
42<\/strong><\/td>\nFishing with John<\/strong><\/td>\n1992<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Lurie<\/strong><\/td>\n<\/tr>\n
43<\/strong><\/td>\nLord of the Flies<\/strong><\/td>\n1963<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nPeter Brook<\/strong><\/td>\n<\/tr>\n
44<\/strong><\/td>\nThe Red Shoes<\/strong><\/td>\n1948<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
45<\/strong><\/td>\nTaste of Cherry (Ta’m e guilass)<\/strong><\/td>\n1997<\/strong><\/td>\nIran<\/strong><\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
46<\/strong><\/td>\nThe Most Dangerous Game<\/strong><\/td>\n1932<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErnest B. Shoedsack et Irving Pichel<\/strong><\/td>\n<\/tr>\n
47<\/strong><\/td>\nInsomnia<\/strong><\/td>\n1997<\/strong><\/td>\nNorv\u00e8ge<\/strong><\/td>\nErik Skjoldbjaerg<\/strong><\/td>\n<\/tr>\n
48<\/strong><\/td>\nBlack Orpheus (Orfeu Negro)<\/strong><\/td>\n1959<\/strong><\/td>\nFrance<\/strong><\/td>\nMarcel Camus<\/strong><\/td>\n<\/tr>\n
49<\/strong><\/td>\nNights of Cabiria (Le notti di Cabiria)<\/strong><\/td>\n1957<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
50<\/strong><\/td>\nAnd the Ship Sails On (E la nave va)<\/strong><\/td>\n1984<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
51<\/strong><\/td>\nBrazil<\/strong><\/td>\n1985<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Gilliam<\/strong><\/td>\n<\/tr>\n
52<\/strong><\/td>\nYojimbo (Y\u00f4jinb\u00f4)<\/strong><\/td>\n1961<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
53<\/strong><\/td>\nSanjuro (Tsubaki Sanj\u00fbr\u00f4)<\/strong><\/td>\n1962<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
54<\/strong><\/td>\nFor All Mankind<\/strong><\/td>\n1989<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAl Reinert<\/strong><\/td>\n<\/tr>\n
55<\/strong><\/td>\nThe Bubearable Lightness of Being<\/strong><\/td>\n1988<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPhilip Kaufman<\/strong><\/td>\n<\/tr>\n
56<\/strong><\/td>\nThe 39 Steps<\/strong><\/td>\n1935<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
57<\/strong><\/td>\nCharade<\/strong><\/td>\n1963<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Donen<\/strong><\/td>\n<\/tr>\n
58<\/strong><\/td>\nPeeping Tom<\/strong><\/td>\n1960<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell<\/strong><\/td>\n<\/tr>\n
59<\/strong><\/td>\nThe Night Porter (Il portiere di notte)<\/strong><\/td>\n1974<\/strong><\/td>\nItalie<\/strong><\/td>\nLiliana Cavani<\/strong><\/td>\n<\/tr>\n
60<\/strong><\/td>\nAutumn Sonata (H\u00f6stsonaten)<\/strong><\/td>\n1978<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
61<\/strong><\/td>\nMonty Python’s Life of Brian<\/strong><\/td>\n1979<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nTerry Jones<\/strong><\/td>\n<\/tr>\n
62<\/strong><\/td>\nThe Passion of Joan of Arc (La passion de Jeanne d’Arc)<\/strong><\/td>\n1928<\/strong><\/td>\nFrance<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
63<\/strong><\/td>\nCarnival of Souls<\/strong><\/td>\n1962<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nHerk Harvey<\/strong><\/td>\n<\/tr>\n
64<\/strong><\/td>\nThe Third Man<\/strong><\/td>\n1949<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nCarol Reed<\/strong><\/td>\n<\/tr>\n
65<\/strong><\/td>\nRushmore<\/strong><\/td>\n1998<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
66<\/strong><\/td>\nThe Orphic Trilogy (La trilogie d’Orph\u00e9e)<\/strong><\/td>\n1930-1959<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Cocteau<\/strong><\/td>\n<\/tr>\n
67<\/strong><\/td>\nThe Blood of a Poet (Le sang d’un po\u00e8te)<\/strong><\/td>\n1930<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Cocteau<\/strong><\/td>\n<\/tr>\n
68<\/strong><\/td>\nOrpheus (Orph\u00e9e)<\/strong><\/td>\n1950<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Cocteau<\/strong><\/td>\n<\/tr>\n
69<\/strong><\/td>\nTestament of Orpheus (Le testament d’Orph\u00e9e ou ne me demandez pas pourquoi)<\/strong><\/td>\n1959<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Cocteau<\/strong><\/td>\n<\/tr>\n
70<\/strong><\/td>\nThe Last Tempation of Christ<\/strong><\/td>\n1988<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMartin Scorsese<\/strong><\/td>\n<\/tr>\n
71<\/strong><\/td>\nThe Magic Flute (Trollfl\u00f6jten)<\/strong><\/td>\n1975<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
72<\/strong><\/td>\nLe million<\/strong><\/td>\n1931<\/strong><\/td>\nFrance<\/strong><\/td>\nRen\u00e9 Clair<\/strong><\/td>\n<\/tr>\n
73<\/strong><\/td>\nCl\u00e9o from 5 to 7 (Cl\u00e9o de 5 \u00e0 7)<\/strong><\/td>\n1962<\/strong><\/td>\nFrance<\/strong><\/td>\nAgn\u00e8s Varda<\/strong><\/td>\n<\/tr>\n
74<\/strong><\/td>\nVagabond (Sans toit ni loi)<\/strong><\/td>\n1985<\/strong><\/td>\nFrance<\/strong><\/td>\nAgn\u00e8s Varda<\/strong><\/td>\n<\/tr>\n
75<\/strong><\/td>\nChasing Amy<\/strong><\/td>\n1997<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nKevin Smith<\/strong><\/td>\n<\/tr>\n
76<\/strong><\/td>\nBrief Encounter<\/strong><\/td>\n1945<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
77<\/strong><\/td>\nAnd God Created Woman (Et Dieu\u2026 cr\u00e9a la femme)<\/strong><\/td>\n1956<\/strong><\/td>\nFrance<\/strong><\/td>\nRoger Vadim<\/strong><\/td>\n<\/tr>\n
78<\/strong><\/td>\nThe Bank Dick<\/strong><\/td>\n1940<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nEdward Cline<\/strong><\/td>\n<\/tr>\n
79<\/strong><\/td>\nW.C. Fields – Six Short Films<\/strong><\/td>\n1933<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMonte Brice, Clyde Bruckman, Edwin Middleton, Leslie Pearce et Arthur Ripley<\/strong><\/td>\n<\/tr>\n
80<\/strong><\/td>\nThe Element of Crime (Forbrydelsens element)<\/strong><\/td>\n1984<\/strong><\/td>\nDanemark<\/strong><\/td>\nLars von Trier<\/strong><\/td>\n<\/tr>\n
81<\/strong><\/td>\nVariety Lights (Luci del variet\u00e0)<\/strong><\/td>\n1950<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
82<\/strong><\/td>\nHamlet<\/strong><\/td>\n1948<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nLaurence Olivier<\/strong><\/td>\n<\/tr>\n
83<\/strong><\/td>\nThe Harder They Come<\/strong><\/td>\n1973<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPerry Henzell<\/strong><\/td>\n<\/tr>\n
84<\/strong><\/td>\nGood Morning (Ohay\u00f4)<\/strong><\/td>\n1959<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
85<\/strong><\/td>\nPygmalion<\/strong><\/td>\n1938<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAnthony Asquith et Leslie Howard<\/strong><\/td>\n<\/tr>\n
86<\/strong><\/td>\nEisenstein: The Sound Years<\/strong><\/td>\n<\/td>\nRussie<\/strong><\/td>\nSergei Eisenstein<\/strong><\/td>\n<\/tr>\n
87<\/strong><\/td>\nAlexander Nevsky (\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u041d\u0435\u0432\u0441\u043a\u0438\u0439)<\/strong><\/td>\n1938<\/strong><\/td>\nRussie<\/strong><\/td>\nSergei Eisenstein<\/strong><\/td>\n<\/tr>\n
88<\/strong><\/td>\nIvan the Terrible, part II (\u0418\u0432\u0430\u043d \u0413\u0440\u043e\u0437\u043d\u044b\u0439. \u0421\u043a\u0430\u0437 \u0432\u0442\u043e\u0440\u043e\u0439: \u0411\u043e\u044f\u0440\u0441\u043a\u0438\u0439 \u0437\u0430\u0433\u043e\u0432\u043e\u0440)<\/strong><\/td>\n1958<\/strong><\/td>\nRussie<\/strong><\/td>\nSergei Eisenstein<\/strong><\/td>\n<\/tr>\n
89<\/strong><\/td>\nSisters<\/strong><\/td>\n1973<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBrian De Palma<\/strong><\/td>\n<\/tr>\n
90<\/strong><\/td>\nKwaidan (Kaidan)<\/strong><\/td>\n1965<\/strong><\/td>\nJapon<\/strong><\/td>\nMasaki Kobayashi<\/strong><\/td>\n<\/tr>\n
91<\/strong><\/td>\nThe Blob<\/strong><\/td>\n1958<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nIrvin S. Yeaworth Jr.<\/strong><\/td>\n<\/tr>\n
92<\/strong><\/td>\nFriend Without a Face<\/strong><\/td>\n1958<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nArthur Crabtree<\/strong><\/td>\n<\/tr>\n
93<\/strong><\/td>\nBlack Narcissus<\/strong><\/td>\n1947<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
94<\/strong><\/td>\nI Know Where I’m Going!<\/strong><\/td>\n1945<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
95<\/strong><\/td>\nAll That Heavenb Allows<\/strong><\/td>\n1955<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDouglas Sirk<\/strong><\/td>\n<\/tr>\n
96<\/strong><\/td>\nWritten of the Wind<\/strong><\/td>\n1956<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDouglas Sirk<\/strong><\/td>\n<\/tr>\n
97<\/strong><\/td>\nDo the Right Thing<\/strong><\/td>\n1989<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSpike Lee<\/strong><\/td>\n<\/tr>\n
98<\/strong><\/td>\nL’avventura<\/strong><\/td>\n1960<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
99<\/strong><\/td>\nGimme Shelter<\/strong><\/td>\n1970<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Maysles, Albert Maysles et Charlotte Zwerin<\/strong><\/td>\n<\/tr>\n
100<\/strong><\/td>\nBeastie Boys Video Anthology<\/strong><\/td>\n2000<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
101<\/strong><\/td>\nCries and Whispers (Viskningar och rop)<\/strong><\/td>\n1972<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
102<\/strong><\/td>\nThe Discreet Charm of the Bourgeoisie (Le charme discret de la bourgeoisie)<\/strong><\/td>\n1972<\/strong><\/td>\nFrance<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
103<\/strong><\/td>\nThe Lady Eve<\/strong><\/td>\n1941<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPreston Sturges<\/strong><\/td>\n<\/tr>\n
104<\/strong><\/td>\nDouble Suicide (Shinj\u00fb: Ten no Amijima)<\/strong><\/td>\n1969<\/strong><\/td>\nJapon<\/strong><\/td>\nMasahiro Shinoda<\/strong><\/td>\n<\/tr>\n
105<\/strong><\/td>\nSpartacus<\/strong><\/td>\n1960<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Kubrick<\/strong><\/td>\n<\/tr>\n
106<\/strong><\/td>\nCoup de torchon<\/strong><\/td>\n1981<\/strong><\/td>\nFrance<\/strong><\/td>\nBertrand Tavernier<\/strong><\/td>\n<\/tr>\n
107<\/strong><\/td>\nMona Lisa<\/strong><\/td>\n1986<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nNeil Jordan<\/strong><\/td>\n<\/tr>\n
108<\/strong><\/td>\nThe Rock<\/strong><\/td>\n1996<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMichael Bay<\/strong><\/td>\n<\/tr>\n
109<\/strong><\/td>\nThe Scarlet Empress<\/strong><\/td>\n1934<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
110<\/strong><\/td>\nMonsieur Hulot’s Holiday (Les vacances de Monsiel Hulot)<\/strong><\/td>\n1953<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
111<\/strong><\/td>\nMon oncle<\/strong><\/td>\n1958<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
112<\/strong><\/td>\nPlayTime<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
113<\/strong><\/td>\nBig Deal on Madonna Street (I soliti ignoti)<\/strong><\/td>\n1958<\/strong><\/td>\nItalie<\/strong><\/td>\nMario Monicelli<\/strong><\/td>\n<\/tr>\n
114<\/strong><\/td>\nMy Man Godfrey<\/strong><\/td>\n1936<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGregory La Cava<\/strong><\/td>\n<\/tr>\n
115<\/strong><\/td>\nRififi (Du rififi chez les hommes)<\/strong><\/td>\n1955<\/strong><\/td>\nFrance<\/strong><\/td>\nJules Dassin<\/strong><\/td>\n<\/tr>\n
116<\/strong><\/td>\nThe Hidden Fortress (Kakushi-toride no san-akunin)<\/strong><\/td>\n1958<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
117<\/strong><\/td>\nDiary of a Chambermaid (Le journal d’une femme de chambre)<\/strong><\/td>\n1964<\/strong><\/td>\nFrance<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
118<\/strong><\/td>\nSullivan’s Travels<\/strong><\/td>\n1941<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPreston Sturges<\/strong><\/td>\n<\/tr>\n
119<\/strong><\/td>\nWithnail and I<\/strong><\/td>\n1986<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nBruce Robinson<\/strong><\/td>\n<\/tr>\n
120<\/strong><\/td>\nHow to Get Ahead in Advertising<\/strong><\/td>\n1988<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nBruce Robinson<\/strong><\/td>\n<\/tr>\n
121<\/strong><\/td>\nBilly Liar<\/strong><\/td>\n1963<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nJohn Sclesinger<\/strong><\/td>\n<\/tr>\n
122<\/strong><\/td>\nSalesman<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlbert Maysles, David Maysles et Charlotte Zwerin<\/strong><\/td>\n<\/tr>\n
123<\/strong><\/td>\nGrey Gardens<\/strong><\/td>\n1976<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlbert Maysles, David Maysles, Ellen Hovde et Muffie Meyer<\/strong><\/td>\n<\/tr>\n
124<\/strong><\/td>\nCarl Theodor Dreyer Box Set<\/strong><\/td>\n<\/td>\nDanemark<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
125<\/strong><\/td>\nDay of Wrath (Vredens dag)<\/strong><\/td>\n1943<\/strong><\/td>\nDanemark<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
126<\/strong><\/td>\nOrdet<\/strong><\/td>\n1955<\/strong><\/td>\nDanemark<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
127<\/strong><\/td>\nGertrud<\/strong><\/td>\n1964<\/strong><\/td>\nDanemark<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
128<\/strong><\/td>\nCarl Th. Dreyer – My Metier (Min metier)<\/strong><\/td>\n1995<\/strong><\/td>\nDanemark<\/strong><\/td>\nTorben Skjodt Jensen<\/strong><\/td>\n<\/tr>\n
129<\/strong><\/td>\nLe trou<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Becker<\/strong><\/td>\n<\/tr>\n
130<\/strong><\/td>\nThe Shop on Main Street (Obchod na korze)<\/strong><\/td>\n1965<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nJan Kadar et Elmar Klos<\/strong><\/td>\n<\/tr>\n
131<\/strong><\/td>\nClosely Watched Trains (Ostre sledovan\u00e9 vlaky)<\/strong><\/td>\n1966<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nJiri Menzel<\/strong><\/td>\n<\/tr>\n
132<\/strong><\/td>\nThe Ruling Class<\/strong><\/td>\n1972<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nPeter Medak<\/strong><\/td>\n<\/tr>\n
133<\/strong><\/td>\nThe Vanishing (Spoorloos)<\/strong><\/td>\n1988<\/strong><\/td>\nPays-Bas<\/strong><\/td>\nGeorge Sluizer<\/strong><\/td>\n<\/tr>\n
134<\/strong><\/td>\nH\u00e4xan<\/strong><\/td>\n1922<\/strong><\/td>\nDanemark<\/strong><\/td>\nBenjamin Christensen<\/strong><\/td>\n<\/tr>\n
135<\/strong><\/td>\nRebecca<\/strong><\/td>\n1940<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
136<\/strong><\/td>\nSpellbound<\/strong><\/td>\n1945<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
137<\/strong><\/td>\nNotorious<\/strong><\/td>\n1946<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
138<\/strong><\/td>\nRashomon (Rash\u00f4mon)<\/strong><\/td>\n1950<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
139<\/strong><\/td>\nWild Strawberries (Smultronst\u00e4llet)<\/strong><\/td>\n1957<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
140<\/strong><\/td>\n8 1\/2<\/strong><\/td>\n1963<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
141<\/strong><\/td>\nChildren of Paradise (Les enfants du paradis)<\/strong><\/td>\n1945<\/strong><\/td>\nFrance<\/strong><\/td>\nMarcel Carn\u00e9<\/strong><\/td>\n<\/tr>\n
142<\/strong><\/td>\nThe Last Wave<\/strong><\/td>\n1977<\/strong><\/td>\nAustralie<\/strong><\/td>\nPeter Weir<\/strong><\/td>\n<\/tr>\n
143<\/strong><\/td>\nThat Obscure Object of Desire (Cet obscur objet de d\u00e9sir)<\/strong><\/td>\n1977<\/strong><\/td>\nFrance<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
144<\/strong><\/td>\nLoves of a Blonde (L\u00e1sky jedn\u00e9 plavovl\u00e1sky)<\/strong><\/td>\n1965<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nMilos Forman<\/strong><\/td>\n<\/tr>\n
145<\/strong><\/td>\nThe Firemen’s Ball (Hor\u00ed, m\u00e1 panenko)<\/strong><\/td>\n1967<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nMilos Forman<\/strong><\/td>\n<\/tr>\n
146<\/strong><\/td>\nThe Cranes Are Flying (\u041b\u0435\u0442\u044f\u0442 \u0436\u0443\u0440\u0430\u0432\u043b\u0438)<\/strong><\/td>\n1957<\/strong><\/td>\nRussie<\/strong><\/td>\nMikhail Kalatozov<\/strong><\/td>\n<\/tr>\n
147<\/strong><\/td>\nIn the Mood for Love (Faa yeung nin wa)<\/strong><\/td>\n2000<\/strong><\/td>\nHong Kong<\/strong><\/td>\nWong Kar-wai<\/strong><\/td>\n<\/tr>\n
148<\/strong><\/td>\nBallad of a Soldier (Ballada o soldate)<\/strong><\/td>\n1959<\/strong><\/td>\nRussie<\/strong><\/td>\nGrigori Chukhrai<\/strong><\/td>\n<\/tr>\n
149<\/strong><\/td>\nJuliet of the Spirits (Giulietta degli spiriti)<\/strong><\/td>\n1965<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
150<\/strong><\/td>\nBob le flambeur<\/strong><\/td>\n1956<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
151<\/strong><\/td>\nTraffic<\/strong><\/td>\n2000<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
152<\/strong><\/td>\nGeorge Washington<\/strong><\/td>\n2000<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Gordon Green<\/strong><\/td>\n<\/tr>\n
153<\/strong><\/td>\nGeneral Idi Amin Dada: A Self-Portrait ((G\u00e9n\u00e9ral Idi Amin Dada: Autoportrait)<\/strong><\/td>\n1974<\/strong><\/td>\nFrance<\/strong><\/td>\nBarbet Schroeder<\/strong><\/td>\n<\/tr>\n
154<\/strong><\/td>\nThe Horse’s Mouth<\/strong><\/td>\n1958<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRonald Neame<\/strong><\/td>\n<\/tr>\n
155<\/strong><\/td>\nTokyo Olympiad (T\u00f4ky\u00f4 orinpikku)<\/strong><\/td>\n1965<\/strong><\/td>\nJapon<\/strong><\/td>\nKon Ichikawa<\/strong><\/td>\n<\/tr>\n
156<\/strong><\/td>\nHearts and Minds<\/strong><\/td>\n1974<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPeter Davis<\/strong><\/td>\n<\/tr>\n
157<\/strong><\/td>\nThe Royal Tenenbaums<\/strong><\/td>\n2001<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
158<\/strong><\/td>\nThe Importance of Being Earnest<\/strong><\/td>\n1952<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAnthony Asquith<\/strong><\/td>\n<\/tr>\n
159<\/strong><\/td>\nRed Beard (Akahige)<\/strong><\/td>\n1965<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
160<\/strong><\/td>\n\u00c0 nous la libert\u00e9<\/strong><\/td>\n1931<\/strong><\/td>\nFrance<\/strong><\/td>\nRen\u00e9 Clair<\/strong><\/td>\n<\/tr>\n
161<\/strong><\/td>\nUnder the Roofs of Paris (Sous les toits de Paris)<\/strong><\/td>\n1930<\/strong><\/td>\nFrance<\/strong><\/td>\nRen\u00e9 Clair<\/strong><\/td>\n<\/tr>\n
162<\/strong><\/td>\nRatcatcher<\/strong><\/td>\n1999<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLynne Ramsay<\/strong><\/td>\n<\/tr>\n
163<\/strong><\/td>\nHopscotch<\/strong><\/td>\n1980<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRonald Neame<\/strong><\/td>\n<\/tr>\n
164<\/strong><\/td>\nSolaris (\u0421\u043e\u043b\u044f\u0440\u0438\u0441)<\/strong><\/td>\n1972<\/strong><\/td>\nRussie<\/strong><\/td>\nAndrei Tarkovsky<\/strong><\/td>\n<\/tr>\n
165<\/strong><\/td>\nMan Bites Dog (C’est arriv\u00e9 pr\u00e8s de chez vous)<\/strong><\/td>\n1992<\/strong><\/td>\nFrance<\/strong><\/td>\nR\u00e9my Belvaux, Andr\u00e9 Bonzel et Benoit Poelvoorde<\/strong><\/td>\n<\/tr>\n
166<\/strong><\/td>\nDown by Law<\/strong><\/td>\n1986<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJim Jarmusch<\/strong><\/td>\n<\/tr>\n
167<\/strong><\/td>\nThe Complete Monterey Pop Festival<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
168<\/strong><\/td>\nMonterey Pop<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nD.A. Pennebaker<\/strong><\/td>\n<\/tr>\n
169<\/strong><\/td>\nJimi Plays Monterey & Shake! Otis at Monterey<\/strong><\/td>\n1986<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nD.A. Pennebaker et Chris Hegedus<\/strong><\/td>\n<\/tr>\n
170<\/strong><\/td>\nTrouble in Paradise<\/strong><\/td>\n1932<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErnst Lubitsch<\/strong><\/td>\n<\/tr>\n
171<\/strong><\/td>\nContempt (Le m\u00e9pris)<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
172<\/strong><\/td>\nP\u00e9p\u00e9 le moko<\/strong><\/td>\n1937<\/strong><\/td>\nFrance<\/strong><\/td>\nJulien Duvivier<\/strong><\/td>\n<\/tr>\n
173<\/strong><\/td>\nThe Life and Death of Colonel Blimp<\/strong><\/td>\n1943<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
174<\/strong><\/td>\nBand of Outsiders (Bande \u00e0 part)<\/strong><\/td>\n1964<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
175<\/strong><\/td>\nFear and Loathing in Las Vegas<\/strong><\/td>\n1998<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Gilliam<\/strong><\/td>\n<\/tr>\n
176<\/strong><\/td>\nThe Killers<\/strong><\/td>\n1946<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDon Siegel et Robert Siodmak<\/strong><\/td>\n<\/tr>\n
177<\/strong><\/td>\nThe Lost Honor of Katharina Blum ((Die verlorene Ehre der Katharina Blum)<\/strong><\/td>\n1975<\/strong><\/td>\nAllemagne<\/strong><\/td>\nVolker Schl\u00f6ndorff et Margarethe von Trotta<\/strong><\/td>\n<\/tr>\n
178<\/strong><\/td>\nMy Life as a Dog (Mitt liv som hund)<\/strong><\/td>\n1985<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nLasse Hallstr\u00f6m<\/strong><\/td>\n<\/tr>\n
179<\/strong><\/td>\nI Am Curious\u2026 Box Set ((Jag \u00e4r nyfiken)<\/strong><\/td>\n<\/td>\nSu\u00e8de<\/strong><\/td>\nVilgot Sj\u00f6man<\/strong><\/td>\n<\/tr>\n
180<\/strong><\/td>\nI Am Curious – Yellow (Jag \u00e4r nyfiken – en film i gult)<\/strong><\/td>\n1967<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nVilgot Sj\u00f6man<\/strong><\/td>\n<\/tr>\n
181<\/strong><\/td>\nI Am Curious – Blue (Jag \u00e4r nyfiken – en film i bl\u00e5tt)<\/strong><\/td>\n1967<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nVilgot Sj\u00f6man<\/strong><\/td>\n<\/tr>\n
182<\/strong><\/td>\nStraw Dogs<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSam Peckinpah<\/strong><\/td>\n<\/tr>\n
183<\/strong><\/td>\nLes dames du Bois de Boulogne<\/strong><\/td>\n1945<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
184<\/strong><\/td>\nBy Brakhage: An Anthology, Volume One<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStan Brakhage<\/strong><\/td>\n<\/tr>\n
185<\/strong><\/td>\nThe Adventures of Antoine Doinel (Les aventures d’Antoine Doinel)<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
186<\/strong><\/td>\nStolen Kisses (Baisers vol\u00e9s)<\/strong><\/td>\n1968<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
187<\/strong><\/td>\nBed and Board (Domicile conjugal)<\/strong><\/td>\n1970<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
188<\/strong><\/td>\nLove on the Run (L’amour en fuite)<\/strong><\/td>\n1979<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
189<\/strong><\/td>\nThe White Sheik (Lo sceicco bianco)<\/strong><\/td>\n1952<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
190<\/strong><\/td>\nThrone of Blood (Kumonosu-j\u00f4)<\/strong><\/td>\n1957<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
191<\/strong><\/td>\nJubilee<\/strong><\/td>\n1978<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDerek Jarman<\/strong><\/td>\n<\/tr>\n
192<\/strong><\/td>\nCoup de gr\u00e2ce (Der Fangschu\u00df)<\/strong><\/td>\n1976<\/strong><\/td>\nAllemagne<\/strong><\/td>\nVolker Schl\u00f6ndorff<\/strong><\/td>\n<\/tr>\n
193<\/strong><\/td>\nQuai des Orf\u00e8vres<\/strong><\/td>\n1947<\/strong><\/td>\nFrance<\/strong><\/td>\nHenri-Georges Clouzot<\/strong><\/td>\n<\/tr>\n
194<\/strong><\/td>\nIl posto<\/strong><\/td>\n1961<\/strong><\/td>\nItalie<\/strong><\/td>\nErmanno Olmi<\/strong><\/td>\n<\/tr>\n
195<\/strong><\/td>\nI fidanzati<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nErmanno Olmi<\/strong><\/td>\n<\/tr>\n
196<\/strong><\/td>\nHiroshima mon amour<\/strong><\/td>\n1959<\/strong><\/td>\nFrance<\/strong><\/td>\nAlain Resnais<\/strong><\/td>\n<\/tr>\n
197<\/strong><\/td>\nNight and Fog (Nuit et brouillard)<\/strong><\/td>\n1955<\/strong><\/td>\nFrance<\/strong><\/td>\nAlain Resnais<\/strong><\/td>\n<\/tr>\n
198<\/strong><\/td>\nAli: Fear Eats the Soul (Angst essen Seele auf)<\/strong><\/td>\n1974<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
199<\/strong><\/td>\nSchizopolis<\/strong><\/td>\n1996<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
200<\/strong><\/td>\nThe Honeymoon Killers<\/strong><\/td>\n1969<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLeonard Kastle<\/strong><\/td>\n<\/tr>\n
201<\/strong><\/td>\nUmberto D.<\/strong><\/td>\n1952<\/strong><\/td>\nItalie<\/strong><\/td>\nVittorio De Sica<\/strong><\/td>\n<\/tr>\n
202<\/strong><\/td>\nIndiscretion of an American Wife (Stazione Termini)<\/strong><\/td>\n1953<\/strong><\/td>\nItalie<\/strong><\/td>\nVittorio De Sica<\/strong><\/td>\n<\/tr>\n
203<\/strong><\/td>\nThe BRD Trilogy<\/strong><\/td>\n<\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
204<\/strong><\/td>\nThe Marriage of Maria Braun (Die Ehe der Maria Braun)<\/strong><\/td>\n1978<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
205<\/strong><\/td>\nVeronika Voss (Die Sehnsucht der Veronika Voss)<\/strong><\/td>\n1982<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
206<\/strong><\/td>\nLola<\/strong><\/td>\n1981<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
207<\/strong><\/td>\nThe Pornographers (Erogotoshi-tachi yori: Junruigaku ny\u00fbmon)<\/strong><\/td>\n1966<\/strong><\/td>\nJapon<\/strong><\/td>\nShohei Imamura<\/strong><\/td>\n<\/tr>\n
208<\/strong><\/td>\nA Film Trilogy by Ingmar Bergman<\/strong><\/td>\n<\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
209<\/strong><\/td>\nThrough a Glass Darkly (S\u00e5som i en spegel)<\/strong><\/td>\n1961<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
210<\/strong><\/td>\nWinter Light (Nattvardsg\u00e4sterna)<\/strong><\/td>\n1963<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
211<\/strong><\/td>\nThe Silence (Tystnaden)<\/strong><\/td>\n1963<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
212<\/strong><\/td>\nIngmar Bergman Makes a Movie (Ingmar Bergman g\u00f6r en film)<\/strong><\/td>\n1962<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nVilgot Sj\u00f6man<\/strong><\/td>\n<\/tr>\n
213<\/strong><\/td>\nRichard III<\/strong><\/td>\n1955<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nLaurence Olivier<\/strong><\/td>\n<\/tr>\n
214<\/strong><\/td>\nThe Devil and Daniel Webster<\/strong><\/td>\n1941<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWilliam Dieterle<\/strong><\/td>\n<\/tr>\n
215<\/strong><\/td>\nKnife in the Water (N\u00f3z w wodzie)<\/strong><\/td>\n1962<\/strong><\/td>\nPologne<\/strong><\/td>\nRoman Polanski<\/strong><\/td>\n<\/tr>\n
216<\/strong><\/td>\nThe Rules of the Game (La r\u00e8gle du jeu)<\/strong><\/td>\n1939<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
217<\/strong><\/td>\nTokyo Story (T\u00f4ky\u00f4 monogatari)<\/strong><\/td>\n1953<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
218<\/strong><\/td>\nLe cercle rouge<\/strong><\/td>\n1970<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
219<\/strong><\/td>\nLa strada<\/strong><\/td>\n1954<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
220<\/strong><\/td>\nNaked Lunch<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Cronenberg<\/strong><\/td>\n<\/tr>\n
221<\/strong><\/td>\nIkiru<\/strong><\/td>\n1952<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
222<\/strong><\/td>\nDiary of a Country Priest (Journal d’un cur\u00e9 de campagne)<\/strong><\/td>\n1951<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
223<\/strong><\/td>\nMa\u00eetresse<\/strong><\/td>\n1976<\/strong><\/td>\nFrance<\/strong><\/td>\nBarbet Schroeder<\/strong><\/td>\n<\/tr>\n
224<\/strong><\/td>\nPickup on South Street<\/strong><\/td>\n1953<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSamuel Fuller<\/strong><\/td>\n<\/tr>\n
225<\/strong><\/td>\nTunes of Glory<\/strong><\/td>\n1960<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRonald Neame<\/strong><\/td>\n<\/tr>\n
226<\/strong><\/td>\nOnibaba<\/strong><\/td>\n1964<\/strong><\/td>\nJapon<\/strong><\/td>\nKaneto Shindo<\/strong><\/td>\n<\/tr>\n
227<\/strong><\/td>\nLe corbeau<\/strong><\/td>\n1943<\/strong><\/td>\nFrance<\/strong><\/td>\nHenri-Georges Clouzot<\/strong><\/td>\n<\/tr>\n
228<\/strong><\/td>\nSalvatore Giuliano<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nFrancesco Rosi<\/strong><\/td>\n<\/tr>\n
229<\/strong><\/td>\nScenes from a Marriage (Scener ur ett \u00e4ktenskap)<\/strong><\/td>\n1973<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
230<\/strong><\/td>\n3 Women<\/strong><\/td>\n1977<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
231<\/strong><\/td>\nThe Testament of Dr. Mabuse (Das Testament des Dr. Mabuse)<\/strong><\/td>\n1933<\/strong><\/td>\nAllemagne<\/strong><\/td>\nFritz Lang<\/strong><\/td>\n<\/tr>\n
232<\/strong><\/td>\nA Story of Floating Weeds\/Floating Weeds: Two Films by Yasujiro Ozu (Ukikusa monogatari\/Ukikusa)<\/strong><\/td>\n<\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
233<\/strong><\/td>\nStray Dog (Nora inu)<\/strong><\/td>\n1949<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
234<\/strong><\/td>\nThe Tin Drum (Die Blechtrommel)<\/strong><\/td>\n1979<\/strong><\/td>\nAllemagne<\/strong><\/td>\nVolker Schl\u00f6ndorff<\/strong><\/td>\n<\/tr>\n
235<\/strong><\/td>\nThe Leopard (Il gattopardo)<\/strong><\/td>\n1963<\/strong><\/td>\nItalie<\/strong><\/td>\nLuchino Visconti<\/strong><\/td>\n<\/tr>\n
236<\/strong><\/td>\nMamma Roma<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
237<\/strong><\/td>\nSmiles of a Summer Night (Sommarnattens leende)<\/strong><\/td>\n1955<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
238<\/strong><\/td>\nA Woman Is a Woman (Une femme est une femme)<\/strong><\/td>\n1961<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
239<\/strong><\/td>\nThe Lower Depths (Les bas-fonds\/Donzoko)<\/strong><\/td>\n1939\/1957<\/strong><\/td>\nFrance\/Japon<\/strong><\/td>\nJean Renoir et Akira Kurosawa<\/strong><\/td>\n<\/tr>\n
240<\/strong><\/td>\nEarly Summer (Bakush\u00fb)<\/strong><\/td>\n1951<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
241<\/strong><\/td>\nStage and Spectacle: Three Films by Jean Renoir (Sc\u00e8ne et spectacle)<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
242<\/strong><\/td>\nThe Golden Coach (Le carosse d’or)<\/strong><\/td>\n1953<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
243<\/strong><\/td>\nFrench Cancan<\/strong><\/td>\n1955<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
244<\/strong><\/td>\nElena and Her Men (Elena et les hommes)<\/strong><\/td>\n1956<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
245<\/strong><\/td>\nPort of Shadows (Le quai des brumes)<\/strong><\/td>\n1938<\/strong><\/td>\nFrance<\/strong><\/td>\nMarcel Carn\u00e9<\/strong><\/td>\n<\/tr>\n
246<\/strong><\/td>\nI vitelloni<\/strong><\/td>\n1953<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
247<\/strong><\/td>\nSlacker<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
248<\/strong><\/td>\nVideodrome<\/strong><\/td>\n1983<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Cronenberg<\/strong><\/td>\n<\/tr>\n
249<\/strong><\/td>\nThe Battle of Algiers (La battaglia di Algeri)<\/strong><\/td>\n1966<\/strong><\/td>\nItalie<\/strong><\/td>\nGillo Pontecorvo<\/strong><\/td>\n<\/tr>\n
250<\/strong><\/td>\nJohn Cassavetes: Five Films<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
251<\/strong><\/td>\nShadows<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
252<\/strong><\/td>\nFaces<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
253<\/strong><\/td>\nA Woman Under the Influence<\/strong><\/td>\n1974<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
254<\/strong><\/td>\nThe Killing of a Chinese Bookie<\/strong><\/td>\n1976<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
255<\/strong><\/td>\nOpening Night<\/strong><\/td>\n1977<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
256<\/strong><\/td>\nA Constant Forge<\/strong><\/td>\n2000<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharles Kiselyak<\/strong><\/td>\n<\/tr>\n
257<\/strong><\/td>\nSecret Honor<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
258<\/strong><\/td>\nTanner ’88<\/strong><\/td>\n1988<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
259<\/strong><\/td>\nFat Girl<\/strong><\/td>\n2001<\/strong><\/td>\nFrance<\/strong><\/td>\nCatherine Breillat<\/strong><\/td>\n<\/tr>\n
260<\/strong><\/td>\nEyes Without a Face<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nGeorges Franju<\/strong><\/td>\n<\/tr>\n
261<\/strong><\/td>\nFanny and Alexander Box Set<\/strong><\/td>\n<\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
262<\/strong><\/td>\nFanny and Alexander – The Television Version<\/strong><\/td>\n1983<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
263<\/strong><\/td>\nFanny and Alexander – The Theatrical Version<\/strong><\/td>\n1982<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
264<\/strong><\/td>\nThe Making of Fanny and Alexander<\/strong><\/td>\n1982<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
265<\/strong><\/td>\nShort Cuts<\/strong><\/td>\n1993<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
266<\/strong><\/td>\nThe King of Kings<\/strong><\/td>\n1927<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCecil B. DeMille<\/strong><\/td>\n<\/tr>\n
267<\/strong><\/td>\nKagemusha<\/strong><\/td>\n1980<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
268<\/strong><\/td>\nYouth of the Beast<\/strong><\/td>\n1963<\/strong><\/td>\nJapon<\/strong><\/td>\nSeijun Suzuki<\/strong><\/td>\n<\/tr>\n
269<\/strong><\/td>\nFighting Elegy<\/strong><\/td>\n1966<\/strong><\/td>\nJapon<\/strong><\/td>\nSeijun Suzuki<\/strong><\/td>\n<\/tr>\n
270<\/strong><\/td>\nCasque d’or<\/strong><\/td>\n1952<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Becker<\/strong><\/td>\n<\/tr>\n
271<\/strong><\/td>\nTouchez pas au grisbi<\/strong><\/td>\n1954<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Becker<\/strong><\/td>\n<\/tr>\n
272<\/strong><\/td>\nLa commare secca<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nBernardo Bertolucci<\/strong><\/td>\n<\/tr>\n
273<\/strong><\/td>\nThieves’ Highway<\/strong><\/td>\n1949<\/strong><\/td>\nFrance<\/strong><\/td>\nJules Dassin<\/strong><\/td>\n<\/tr>\n
274<\/strong><\/td>\nNight and the City<\/strong><\/td>\n1950<\/strong><\/td>\nFrance<\/strong><\/td>\nJules Dassin<\/strong><\/td>\n<\/tr>\n
275<\/strong><\/td>\nTout va bien<\/strong><\/td>\n1972<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
276<\/strong><\/td>\nThe River<\/strong><\/td>\n1951<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
277<\/strong><\/td>\nMy Own Private Idaho<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGus Van Sant<\/strong><\/td>\n<\/tr>\n
278<\/strong><\/td>\nL’eclisse<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
279<\/strong><\/td>\nYoung T\u00f6rless<\/strong><\/td>\n1966<\/strong><\/td>\nAllemagne<\/strong><\/td>\nVolker Schl\u00f6ndorff<\/strong><\/td>\n<\/tr>\n
280<\/strong><\/td>\nThe Sword of Doom<\/strong><\/td>\n1966<\/strong><\/td>\nJapon<\/strong><\/td>\nKihachi Okamoto<\/strong><\/td>\n<\/tr>\n
281<\/strong><\/td>\nJules and Jim<\/strong><\/td>\n1962<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
282<\/strong><\/td>\nAndrzej Wajda: Three War Films<\/strong><\/td>\n<\/td>\nPologne<\/strong><\/td>\nAndrzej Wajda<\/strong><\/td>\n<\/tr>\n
283<\/strong><\/td>\nA Generation<\/strong><\/td>\n1955<\/strong><\/td>\nPologne<\/strong><\/td>\nAndrzej Wajda<\/strong><\/td>\n<\/tr>\n
284<\/strong><\/td>\nKanal<\/strong><\/td>\n1957<\/strong><\/td>\nPologne<\/strong><\/td>\nAndrzej Wajda<\/strong><\/td>\n<\/tr>\n
285<\/strong><\/td>\nAshes and Diamonds<\/strong><\/td>\n1958<\/strong><\/td>\nPologne<\/strong><\/td>\nAndrzej Wajda<\/strong><\/td>\n<\/tr>\n
286<\/strong><\/td>\nDivorce Italian Style<\/strong><\/td>\n1961<\/strong><\/td>\nItalie<\/strong><\/td>\nPietro Germi<\/strong><\/td>\n<\/tr>\n
287<\/strong><\/td>\nBurden of Dreams<\/strong><\/td>\n1982<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLes Blank<\/strong><\/td>\n<\/tr>\n
288<\/strong><\/td>\nF for Fake<\/strong><\/td>\n1975<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOrson Welles<\/strong><\/td>\n<\/tr>\n
289<\/strong><\/td>\nHoop Dreams<\/strong><\/td>\n1994<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteve James<\/strong><\/td>\n<\/tr>\n
290<\/strong><\/td>\nThe Phantom of Liberty<\/strong><\/td>\n1974<\/strong><\/td>\nFrance<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
291<\/strong><\/td>\nHeaven Can Wait<\/strong><\/td>\n1943<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErnst Lubitsch<\/strong><\/td>\n<\/tr>\n
292<\/strong><\/td>\nUnfaithfully Yours<\/strong><\/td>\n1948<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPreston Sturges<\/strong><\/td>\n<\/tr>\n
293<\/strong><\/td>\nThe Flowers of St. Francis<\/strong><\/td>\n1950<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
294<\/strong><\/td>\nThe Browning Version<\/strong><\/td>\n1951<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAnthony Asquith<\/strong><\/td>\n<\/tr>\n
295<\/strong><\/td>\nCrazed Fruit<\/strong><\/td>\n1956<\/strong><\/td>\nJapon<\/strong><\/td>\nK\u00f4 Nakahira<\/strong><\/td>\n<\/tr>\n
296<\/strong><\/td>\nLe notti bianche<\/strong><\/td>\n1957<\/strong><\/td>\nItalie<\/strong><\/td>\nLuchino Visconti<\/strong><\/td>\n<\/tr>\n
297<\/strong><\/td>\nAu hasard Balthazar<\/strong><\/td>\n1966<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
298<\/strong><\/td>\nGate of Flesh<\/strong><\/td>\n1964<\/strong><\/td>\nJapon<\/strong><\/td>\nSeijun Suzuki<\/strong><\/td>\n<\/tr>\n
299<\/strong><\/td>\nStory of a Prostitute<\/strong><\/td>\n1965<\/strong><\/td>\nJapon<\/strong><\/td>\nSeijun Suzuki<\/strong><\/td>\n<\/tr>\n
300<\/strong><\/td>\nThe Life Aquatic with Steve Zissou<\/strong><\/td>\n2004<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
301<\/strong><\/td>\nAn Angel at My Table<\/strong><\/td>\n1990<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJane Campion<\/strong><\/td>\n<\/tr>\n
302<\/strong><\/td>\nHarakiri<\/strong><\/td>\n1962<\/strong><\/td>\nJapon<\/strong><\/td>\nMasaki Kobayashi<\/strong><\/td>\n<\/tr>\n
303<\/strong><\/td>\nBad Timing<\/strong><\/td>\n1980<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nNicolas Roeg<\/strong><\/td>\n<\/tr>\n
304<\/strong><\/td>\nThe Man Who Fell to Earth<\/strong><\/td>\n1976<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNicolas Roeg<\/strong><\/td>\n<\/tr>\n
305<\/strong><\/td>\nBoudu Saved from Drowning<\/strong><\/td>\n1932<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
306<\/strong><\/td>\nLe samoura\u00ef<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
307<\/strong><\/td>\nNaked<\/strong><\/td>\n1993<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMike Leigh<\/strong><\/td>\n<\/tr>\n
308<\/strong><\/td>\nMasculin f\u00e9minin<\/strong><\/td>\n1966<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
309<\/strong><\/td>\nUgetsu<\/strong><\/td>\n1953<\/strong><\/td>\nJapon<\/strong><\/td>\nKenji Mizoguchi<\/strong><\/td>\n<\/tr>\n
310<\/strong><\/td>\nSamurai Rebellion<\/strong><\/td>\n1967<\/strong><\/td>\nJapon<\/strong><\/td>\nMasaki Kobayashi<\/strong><\/td>\n<\/tr>\n
311<\/strong><\/td>\nSword of the Beast<\/strong><\/td>\n1965<\/strong><\/td>\nJapon<\/strong><\/td>\nHideo Gosha<\/strong><\/td>\n<\/tr>\n
312<\/strong><\/td>\nSamurai Spy<\/strong><\/td>\n1965<\/strong><\/td>\nJapon<\/strong><\/td>\nMasahiro Shinoda<\/strong><\/td>\n<\/tr>\n
313<\/strong><\/td>\nKill!<\/strong><\/td>\n1968<\/strong><\/td>\nJapon<\/strong><\/td>\nKihachi Okamoto<\/strong><\/td>\n<\/tr>\n
314<\/strong><\/td>\nPickpocket<\/strong><\/td>\n1959<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
315<\/strong><\/td>\nShoot the Piano Player<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
316<\/strong><\/td>\nRan<\/strong><\/td>\n1985<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
317<\/strong><\/td>\nThe Tales of Hoffmann<\/strong><\/td>\n1951<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
318<\/strong><\/td>\nForbidden Games<\/strong><\/td>\n1952<\/strong><\/td>\nFrance<\/strong><\/td>\nRen\u00e9 Cl\u00e9ment<\/strong><\/td>\n<\/tr>\n
319<\/strong><\/td>\nThe Bad Sleep Well<\/strong><\/td>\n1960<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
320<\/strong><\/td>\nYoung Mr. Lincoln<\/strong><\/td>\n1939<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Ford<\/strong><\/td>\n<\/tr>\n
321<\/strong><\/td>\nThe Virgin Spring<\/strong><\/td>\n1960<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
322<\/strong><\/td>\nThe Complete Mr. Arkadin<\/strong><\/td>\n1955<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOrson Welles<\/strong><\/td>\n<\/tr>\n
323<\/strong><\/td>\nThe Children Are Watching Us<\/strong><\/td>\n1944<\/strong><\/td>\nItalie<\/strong><\/td>\nVittorio De Sica<\/strong><\/td>\n<\/tr>\n
324<\/strong><\/td>\nLa b\u00eate humaine<\/strong><\/td>\n1938<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
325<\/strong><\/td>\nKind Hearts and Coronets<\/strong><\/td>\n1949<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRobert Hamer<\/strong><\/td>\n<\/tr>\n
326<\/strong><\/td>\nMetropolitan<\/strong><\/td>\n1990<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWhit Stillman<\/strong><\/td>\n<\/tr>\n
327<\/strong><\/td>\n3 Films by Louis Malle<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
328<\/strong><\/td>\nMurmur of the Heart<\/strong><\/td>\n1971<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
329<\/strong><\/td>\nLacombe, Lucien<\/strong><\/td>\n1974<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
330<\/strong><\/td>\nAu revoir les enfants<\/strong><\/td>\n1987<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
331<\/strong><\/td>\nLate Spring<\/strong><\/td>\n1949<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
332<\/strong><\/td>\nViridiana<\/strong><\/td>\n1961<\/strong><\/td>\nEspagne<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
333<\/strong><\/td>\nFists in the Pocket<\/strong><\/td>\n1965<\/strong><\/td>\nItalie<\/strong><\/td>\nMarco Bellocchio<\/strong><\/td>\n<\/tr>\n
334<\/strong><\/td>\nHarian County USA<\/strong><\/td>\n1976<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBarbara Kopple<\/strong><\/td>\n<\/tr>\n
335<\/strong><\/td>\nElevator to the Gallows<\/strong><\/td>\n1958<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
336<\/strong><\/td>\nDazed and Confused<\/strong><\/td>\n1993<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
337<\/strong><\/td>\n\u00c0 nos amours<\/strong><\/td>\n1983<\/strong><\/td>\nFrance<\/strong><\/td>\nMaurice Pialat<\/strong><\/td>\n<\/tr>\n
338<\/strong><\/td>\nEquinox<\/strong><\/td>\n1970<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJack Woods<\/strong><\/td>\n<\/tr>\n
339<\/strong><\/td>\nYi Yi<\/strong><\/td>\n2000<\/strong><\/td>\nTa\u00efwan<\/strong><\/td>\nEdward Yang<\/strong><\/td>\n<\/tr>\n
340<\/strong><\/td>\nKoko: A Talking Gorilla<\/strong><\/td>\n1978<\/strong><\/td>\nFrance<\/strong><\/td>\nBarbet Schroeder<\/strong><\/td>\n<\/tr>\n
341<\/strong><\/td>\nA Canterbury Tale<\/strong><\/td>\n1944<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
342<\/strong><\/td>\nSix Moral Tales<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
343<\/strong><\/td>\nThe Bakery Girl of Monceau<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
344<\/strong><\/td>\nSuzanne’s Career<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
345<\/strong><\/td>\nMy Night at Maud’s<\/strong><\/td>\n1969<\/strong><\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
346<\/strong><\/td>\nLa collectionneuse<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
347<\/strong><\/td>\nClaire’s Knee<\/strong><\/td>\n1970<\/strong><\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
348<\/strong><\/td>\nLove in the Afternoon<\/strong><\/td>\n1972<\/strong><\/td>\nFrance<\/strong><\/td>\nEric Rohmer<\/strong><\/td>\n<\/tr>\n
349<\/strong><\/td>\nKicking and Screaming<\/strong><\/td>\n1995<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNoah Baumbach<\/strong><\/td>\n<\/tr>\n
350<\/strong><\/td>\nSeduced and Abandoned<\/strong><\/td>\n1964<\/strong><\/td>\nItalie<\/strong><\/td>\nPietro Germi<\/strong><\/td>\n<\/tr>\n
351<\/strong><\/td>\nThe Spirit of the Beehive<\/strong><\/td>\n1973<\/strong><\/td>\nEspagne<\/strong><\/td>\nVictor Erice<\/strong><\/td>\n<\/tr>\n
352<\/strong><\/td>\nJigoku<\/strong><\/td>\n1960<\/strong><\/td>\nJapon<\/strong><\/td>\nNubuo Nakagawa<\/strong><\/td>\n<\/tr>\n
353<\/strong><\/td>\nSolo con tu pareja<\/strong><\/td>\n1991<\/strong><\/td>\nMexique<\/strong><\/td>\nAlfonso Cuaron<\/strong><\/td>\n<\/tr>\n
354<\/strong><\/td>\nClean, Shaven<\/strong><\/td>\n1994<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLodge Kerrigan<\/strong><\/td>\n<\/tr>\n
355<\/strong><\/td>\nHands over the City<\/strong><\/td>\n1963<\/strong><\/td>\nItalie<\/strong><\/td>\nFrancesco Rosi<\/strong><\/td>\n<\/tr>\n
356<\/strong><\/td>\nSweetie<\/strong><\/td>\n1989<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJane Campion<\/strong><\/td>\n<\/tr>\n
357<\/strong><\/td>\nThe Fallen Idol<\/strong><\/td>\n1948<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nCarol Reed<\/strong><\/td>\n<\/tr>\n
358<\/strong><\/td>\nPandora’s Box<\/strong><\/td>\n1929<\/strong><\/td>\nAllemagne<\/strong><\/td>\nGeorg Wilhelm Pabst<\/strong><\/td>\n<\/tr>\n
359<\/strong><\/td>\nThe Double Life of V\u00e9ronique<\/strong><\/td>\n1991<\/strong><\/td>\nFrance<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
360<\/strong><\/td>\nSymbiopsychotaxiplasm<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWilliam Greaves<\/strong><\/td>\n<\/tr>\n
361<\/strong><\/td>\nThe Beales of Grey Gardens<\/strong><\/td>\n2006<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlbert Maysles et David Maysles<\/strong><\/td>\n<\/tr>\n
362<\/strong><\/td>\nBorder Radio<\/strong><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAllison Anders, Dean Lent et Kurt Voss<\/strong><\/td>\n<\/tr>\n
363<\/strong><\/td>\nMouchette<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
364<\/strong><\/td>\nMonsters and Madmen<\/strong><\/td>\n<\/td>\n<\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
365<\/strong><\/td>\nFirst Man into Space<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Day<\/strong><\/td>\n<\/tr>\n
366<\/strong><\/td>\nThe Atomic Submarine<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSpencer G. Bennet<\/strong><\/td>\n<\/tr>\n
367<\/strong><\/td>\nThe Haunted Strangler<\/strong><\/td>\n1958<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Day<\/strong><\/td>\n<\/tr>\n
368<\/strong><\/td>\nCorridors of Blood<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Day<\/strong><\/td>\n<\/tr>\n
369<\/strong><\/td>\nPaul Robeson: Portraits of the Artist<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
370<\/strong><\/td>\nThe Emperor Jones<\/strong><\/td>\n1933<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDudley Murphy<\/strong><\/td>\n<\/tr>\n
371<\/strong><\/td>\nBody and Soul<\/strong><\/td>\n1925<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOscar Micheaux<\/strong><\/td>\n<\/tr>\n
372<\/strong><\/td>\nSanders of the River<\/strong><\/td>\n1935<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nZoltan Korda<\/strong><\/td>\n<\/tr>\n
373<\/strong><\/td>\nThe Proud Valley<\/strong><\/td>\n1940<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nPen Tennyson<\/strong><\/td>\n<\/tr>\n
374<\/strong><\/td>\nBicycle Thieves<\/strong><\/td>\n1948<\/strong><\/td>\nItalie<\/strong><\/td>\nVittorio De Sica<\/strong><\/td>\n<\/tr>\n
375<\/strong><\/td>\nGreen for Danger<\/strong><\/td>\n1946<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nSidney Gilliat<\/strong><\/td>\n<\/tr>\n
376<\/strong><\/td>\n49th Parallel<\/strong><\/td>\n1941<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell<\/strong><\/td>\n<\/tr>\n
377<\/strong><\/td>\nWhen a Woman Ascends the Stairs<\/strong><\/td>\n1960<\/strong><\/td>\nJapon<\/strong><\/td>\nMikio Naruse<\/strong><\/td>\n<\/tr>\n
378<\/strong><\/td>\nFires on the Plain<\/strong><\/td>\n1959<\/strong><\/td>\nJapon<\/strong><\/td>\nKon Ichikawa<\/strong><\/td>\n<\/tr>\n
379<\/strong><\/td>\nThe Burmese Harp<\/strong><\/td>\n1956<\/strong><\/td>\nJapon<\/strong><\/td>\nKon Ichikawa<\/strong><\/td>\n<\/tr>\n
380<\/strong><\/td>\nThe Naked City<\/strong><\/td>\n1948<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJules Dassin<\/strong><\/td>\n<\/tr>\n
381<\/strong><\/td>\nLa haine<\/strong><\/td>\n1995<\/strong><\/td>\nFrance<\/strong><\/td>\nMathieu Kassovitz<\/strong><\/td>\n<\/tr>\n
382<\/strong><\/td>\nOverlord<\/strong><\/td>\n1975<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nStuart Cooper<\/strong><\/td>\n<\/tr>\n
383<\/strong><\/td>\nBrute Force<\/strong><\/td>\n1947<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJules Dassin<\/strong><\/td>\n<\/tr>\n
384<\/strong><\/td>\nVengeance Is Mine<\/strong><\/td>\n1979<\/strong><\/td>\nJapon<\/strong><\/td>\nShohei Imamura<\/strong><\/td>\n<\/tr>\n
385<\/strong><\/td>\nArmy of Shadows<\/strong><\/td>\n1969<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
386<\/strong><\/td>\nSansho the Bailiff<\/strong><\/td>\n1954<\/strong><\/td>\nJapon<\/strong><\/td>\nKenji Mizoguchi<\/strong><\/td>\n<\/tr>\n
387<\/strong><\/td>\nLa jet\u00e9e\/Sans Soleil<\/strong><\/td>\n<\/td>\n<\/td>\nChris Marker<\/strong><\/td>\n<\/tr>\n
388<\/strong><\/td>\nThe Two of Us<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nClaude Berri<\/strong><\/td>\n<\/tr>\n
389<\/strong><\/td>\nWR: Mysteries of the Organism<\/strong><\/td>\n1971<\/strong><\/td>\nYougoslavie<\/strong><\/td>\nDusan Makavejev<\/strong><\/td>\n<\/tr>\n
390<\/strong><\/td>\nSweet Movie<\/strong><\/td>\n1947<\/strong><\/td>\nFrance<\/strong><\/td>\nDusan Makavejev<\/strong><\/td>\n<\/tr>\n
391<\/strong><\/td>\nIf\u2026<\/strong><\/td>\n1968<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nLindsay Anderson<\/strong><\/td>\n<\/tr>\n
392<\/strong><\/td>\nThree Films by Hiroshi Teshigahara<\/strong><\/td>\n<\/td>\n<\/td>\nHiroshi Teshigahara<\/strong><\/td>\n<\/tr>\n
393<\/strong><\/td>\nPitfall<\/strong><\/td>\n1962<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Teshigahara<\/strong><\/td>\n<\/tr>\n
394<\/strong><\/td>\nWoman in the Dunes<\/strong><\/td>\n1964<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Teshigahara<\/strong><\/td>\n<\/tr>\n
395<\/strong><\/td>\nThe Face of Another<\/strong><\/td>\n1966<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Teshigahara<\/strong><\/td>\n<\/tr>\n
396<\/strong><\/td>\nAce in the Hole<\/strong><\/td>\n1951<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBilly Wilder<\/strong><\/td>\n<\/tr>\n
397<\/strong><\/td>\nIvan’s Childhood<\/strong><\/td>\n1962<\/strong><\/td>\nRussie<\/strong><\/td>\nAndrei Tarkovsky<\/strong><\/td>\n<\/tr>\n
398<\/strong><\/td>\nLes enfants terribles<\/strong><\/td>\n1950<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
399<\/strong><\/td>\nHouse of Games<\/strong><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Mamet<\/strong><\/td>\n<\/tr>\n
400<\/strong><\/td>\nStranger Than Paradise<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJim Jarmusch<\/strong><\/td>\n<\/tr>\n
401<\/strong><\/td>\nNight on Earth<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJim Jarmusch<\/strong><\/td>\n<\/tr>\n
402<\/strong><\/td>\nThe Milky Way<\/strong><\/td>\n1969<\/strong><\/td>\nFrance<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
403<\/strong><\/td>\nCria cuervos\u2026<\/strong><\/td>\n1976<\/strong><\/td>\nEspagne<\/strong><\/td>\nCarlos Saura<\/strong><\/td>\n<\/tr>\n
404<\/strong><\/td>\nRobinson Crusoe on Mars<\/strong><\/td>\n1964<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nByron Haskin<\/strong><\/td>\n<\/tr>\n
405<\/strong><\/td>\nThe Threepenny Opera<\/strong><\/td>\n1931<\/strong><\/td>\nAllemagne<\/strong><\/td>\nGeorg Wilhelm Pabst<\/strong><\/td>\n<\/tr>\n
406<\/strong><\/td>\nMartha Graham: Dance on Film<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNathan Kroll<\/strong><\/td>\n<\/tr>\n
407<\/strong><\/td>\nMala Noche<\/strong><\/td>\n1985<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nGus Van Sant<\/strong><\/td>\n<\/tr>\n
408<\/strong><\/td>\nBreathless<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
409<\/strong><\/td>\nDays of Heaven<\/strong><\/td>\n1978<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerrence Malick<\/strong><\/td>\n<\/tr>\n
410<\/strong><\/td>\nUnder the Volcano<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Huston<\/strong><\/td>\n<\/tr>\n
411<\/strong><\/td>\nBerlin Alexanderplatz<\/strong><\/td>\n1980<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
412<\/strong><\/td>\nSawdust and Tinsel<\/strong><\/td>\n1953<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
413<\/strong><\/td>\nDrunken Angel<\/strong><\/td>\n1948<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
414<\/strong><\/td>\nTwo-Lane Blacktop<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMonte Hellman<\/strong><\/td>\n<\/tr>\n
415<\/strong><\/td>\nThe Naked Prey<\/strong><\/td>\n1965<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCornel Wilde<\/strong><\/td>\n<\/tr>\n
416<\/strong><\/td>\nMiss Julie<\/strong><\/td>\n1951<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nAlf Sj\u00f6berg<\/strong><\/td>\n<\/tr>\n
417<\/strong><\/td>\nThis Sporting Life<\/strong><\/td>\n1963<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nLindsay Anderson<\/strong><\/td>\n<\/tr>\n
418<\/strong><\/td>\n4 by Agn\u00e8s Varda<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nAgn\u00e8s Varda<\/strong><\/td>\n<\/tr>\n
419<\/strong><\/td>\nLa pointe courte<\/strong><\/td>\n1956<\/strong><\/td>\nFrance<\/strong><\/td>\nAgn\u00e8s Varda<\/strong><\/td>\n<\/tr>\n
420<\/strong><\/td>\nLe bonheur<\/strong><\/td>\n1965<\/strong><\/td>\nFrance<\/strong><\/td>\nAgn\u00e8s Varda<\/strong><\/td>\n<\/tr>\n
421<\/strong><\/td>\nPierrot le fou<\/strong><\/td>\n1965<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
422<\/strong><\/td>\nThe Last Emperor<\/strong><\/td>\n1987<\/strong><\/td>\nItalie<\/strong><\/td>\nBernardo Bertolucci<\/strong><\/td>\n<\/tr>\n
423<\/strong><\/td>\nWalker<\/strong><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlex Cox<\/strong><\/td>\n<\/tr>\n
424<\/strong><\/td>\nMafioso<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nAlberto Lattuada<\/strong><\/td>\n<\/tr>\n
425<\/strong><\/td>\nAntonio Gaudi<\/strong><\/td>\n1984<\/strong><\/td>\nJapon<\/strong><\/td>\nHiroshi Teshigahara<\/strong><\/td>\n<\/tr>\n
426<\/strong><\/td>\nThe Ice Storm<\/strong><\/td>\n1997<\/strong><\/td>\nHong Kong<\/strong><\/td>\nAng Lee<\/strong><\/td>\n<\/tr>\n
427<\/strong><\/td>\nDeath of a Cyclist<\/strong><\/td>\n1955<\/strong><\/td>\nEspagne<\/strong><\/td>\nJuan Antonio Bardem<\/strong><\/td>\n<\/tr>\n
428<\/strong><\/td>\nBlast of Silence<\/strong><\/td>\n1961<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAllen Baron<\/strong><\/td>\n<\/tr>\n
429<\/strong><\/td>\nThe Lovers<\/strong><\/td>\n1958<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
430<\/strong><\/td>\nThe Fire Within<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
431<\/strong><\/td>\nThe Thief of Bagdad<\/strong><\/td>\n1940<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nTim Whelan, Michael Powell et Ludwig Berger<\/strong><\/td>\n<\/tr>\n
432<\/strong><\/td>\nMishima: A Life in Four Chapters<\/strong><\/td>\n1985<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Schrader<\/strong><\/td>\n<\/tr>\n
433<\/strong><\/td>\nPatriotism<\/strong><\/td>\n1966<\/strong><\/td>\nJapon<\/strong><\/td>\nYukio Mishima et Domoto Masaki<\/strong><\/td>\n<\/tr>\n
434<\/strong><\/td>\nClasse tous risques<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nClaude Sautet<\/strong><\/td>\n<\/tr>\n
435<\/strong><\/td>\nThe Furies<\/strong><\/td>\n1950<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAnthony Mann<\/strong><\/td>\n<\/tr>\n
436<\/strong><\/td>\nBefore the Rain<\/strong><\/td>\n1994<\/strong><\/td>\nMac\u00e9doine<\/strong><\/td>\nMilcho Manchevski<\/strong><\/td>\n<\/tr>\n
437<\/strong><\/td>\nVampyr<\/strong><\/td>\n1932<\/strong><\/td>\nFrance<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
438<\/strong><\/td>\nMon oncle Antoine<\/strong><\/td>\n1971<\/strong><\/td>\nCanada<\/strong><\/td>\nClaude Jutra<\/strong><\/td>\n<\/tr>\n
439<\/strong><\/td>\nTrafic<\/strong><\/td>\n1971<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
440<\/strong><\/td>\nBrand upon the Brain!<\/strong><\/td>\n2006<\/strong><\/td>\nFrance<\/strong><\/td>\nGuy Maddin<\/strong><\/td>\n<\/tr>\n
441<\/strong><\/td>\nThe Small Back Room<\/strong><\/td>\n1949<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
442<\/strong><\/td>\nTwenty-Four Eyes<\/strong><\/td>\n1954<\/strong><\/td>\nJapon<\/strong><\/td>\nKeisuke Kinoshita<\/strong><\/td>\n<\/tr>\n
443<\/strong><\/td>\nLa ronde<\/strong><\/td>\n1950<\/strong><\/td>\nFrance<\/strong><\/td>\nMax Ophuls<\/strong><\/td>\n<\/tr>\n
444<\/strong><\/td>\nLe plaisir<\/strong><\/td>\n1952<\/strong><\/td>\nFrance<\/strong><\/td>\nMax Ophuls<\/strong><\/td>\n<\/tr>\n
445<\/strong><\/td>\nThe Earrings of Madame de \u2026<\/strong><\/td>\n1953<\/strong><\/td>\nFrance<\/strong><\/td>\nMax Ophuls<\/strong><\/td>\n<\/tr>\n
446<\/strong><\/td>\nAn Autumn Afternoon<\/strong><\/td>\n1962<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
447<\/strong><\/td>\nLe doulos<\/strong><\/td>\n1962<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
448<\/strong><\/td>\nLe deuxi\u00e8me souffle<\/strong><\/td>\n1966<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
449<\/strong><\/td>\nMissing<\/strong><\/td>\n1982<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCosta-Gavras<\/strong><\/td>\n<\/tr>\n
450<\/strong><\/td>\nBottle Rocket<\/strong><\/td>\n1996<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
451<\/strong><\/td>\nFanfan la Tulipe<\/strong><\/td>\n1952<\/strong><\/td>\nFrance<\/strong><\/td>\nChristian-Jacque<\/strong><\/td>\n<\/tr>\n
452<\/strong><\/td>\nThe Spy Who Came in from the Cold<\/strong><\/td>\n1965<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMartin Ritt<\/strong><\/td>\n<\/tr>\n
453<\/strong><\/td>\nChungking Express<\/strong><\/td>\n1994<\/strong><\/td>\nHong Kong<\/strong><\/td>\nWong Kar-wai<\/strong><\/td>\n<\/tr>\n
454<\/strong><\/td>\nEuropa<\/strong><\/td>\n1991<\/strong><\/td>\nDanemark<\/strong><\/td>\nLars von Trier<\/strong><\/td>\n<\/tr>\n
455<\/strong><\/td>\nWhite Dog<\/strong><\/td>\n1982<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSamuel Fuller<\/strong><\/td>\n<\/tr>\n
456<\/strong><\/td>\nThe Taking of Power by Louis XIV<\/strong><\/td>\n1966<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
457<\/strong><\/td>\nMagnificent Obsession<\/strong><\/td>\n1954<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDouglas Sirk<\/strong><\/td>\n<\/tr>\n
458<\/strong><\/td>\nEl Norte<\/strong><\/td>\n1983<\/strong><\/td>\nGuatemala<\/strong><\/td>\nGregory Nava<\/strong><\/td>\n<\/tr>\n
459<\/strong><\/td>\nThe Exterminating Angel<\/strong><\/td>\n1962<\/strong><\/td>\nMexique<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
460<\/strong><\/td>\nSimon of the Desert<\/strong><\/td>\n1965<\/strong><\/td>\nMexique<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
461<\/strong><\/td>\nHobson’s Choice<\/strong><\/td>\n1954<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
462<\/strong><\/td>\nThe Last Metro<\/strong><\/td>\n1980<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
463<\/strong><\/td>\nIl Generale Della Rovere<\/strong><\/td>\n1959<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
464<\/strong><\/td>\nDanton<\/strong><\/td>\n1983<\/strong><\/td>\nFrance<\/strong><\/td>\nAndrej Wajda<\/strong><\/td>\n<\/tr>\n
465<\/strong><\/td>\nDodes’ka-den<\/strong><\/td>\n1970<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
466<\/strong><\/td>\nIn the Realm of the Senses<\/strong><\/td>\n1976<\/strong><\/td>\nJapon<\/strong><\/td>\nNagisa Oshima<\/strong><\/td>\n<\/tr>\n
467<\/strong><\/td>\nEmpire of Passion<\/strong><\/td>\n1978<\/strong><\/td>\nJapon<\/strong><\/td>\nNagisa Oshima<\/strong><\/td>\n<\/tr>\n
468<\/strong><\/td>\nScience Is Fiction: 23 Films by Jean Painlev\u00e9<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nJean Painlev\u00e9<\/strong><\/td>\n<\/tr>\n
469<\/strong><\/td>\nThe Hit<\/strong><\/td>\n1984<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nStephen Frears<\/strong><\/td>\n<\/tr>\n
470<\/strong><\/td>\nWise Blood<\/strong><\/td>\n1979<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Huston<\/strong><\/td>\n<\/tr>\n
471<\/strong><\/td>\nPigs, Pimps & Prostitutes: 3 Films by Shohei Imamura<\/strong><\/td>\n<\/td>\nJapon<\/strong><\/td>\nShohei Imamura<\/strong><\/td>\n<\/tr>\n
472<\/strong><\/td>\nPigs and Battleships<\/strong><\/td>\n1962<\/strong><\/td>\nJapon<\/strong><\/td>\nShohei Imamura<\/strong><\/td>\n<\/tr>\n
473<\/strong><\/td>\nThe Insect Woman<\/strong><\/td>\n1963<\/strong><\/td>\nJapon<\/strong><\/td>\nShohei Imamura<\/strong><\/td>\n<\/tr>\n
474<\/strong><\/td>\nIntentions of Murder<\/strong><\/td>\n1964<\/strong><\/td>\nJapon<\/strong><\/td>\nShohei Imamura<\/strong><\/td>\n<\/tr>\n
475<\/strong><\/td>\nThe Friends of Eddie Coyle<\/strong><\/td>\n1973<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPeter Yates<\/strong><\/td>\n<\/tr>\n
476<\/strong><\/td>\nThe Curious Case of Benjamin Button<\/strong><\/td>\n2008<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Fincher<\/strong><\/td>\n<\/tr>\n
477<\/strong><\/td>\nBergman Island<\/strong><\/td>\n2006<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nMarie Nyrer\u00f6d<\/strong><\/td>\n<\/tr>\n
478<\/strong><\/td>\nLast Year at Marienbad<\/strong><\/td>\n1961<\/strong><\/td>\nFrance<\/strong><\/td>\nAlain Resnais<\/strong><\/td>\n<\/tr>\n
479<\/strong><\/td>\nMy Dinner with Andr\u00e9<\/strong><\/td>\n1981<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
480<\/strong><\/td>\nThe Human Condition<\/strong><\/td>\n1959<\/strong><\/td>\nJapon<\/strong><\/td>\nMasaki Kobayashi<\/strong><\/td>\n<\/tr>\n
481<\/strong><\/td>\nMade in U.S.A.<\/strong><\/td>\n1966<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
482<\/strong><\/td>\n2 or 3 Things I Know About Her<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
483<\/strong><\/td>\nRepulsion<\/strong><\/td>\n1965<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRoman Polanski<\/strong><\/td>\n<\/tr>\n
484<\/strong><\/td>\nJeanne Dielman, 23, quai du Commerce, 1080 Bruxelles<\/strong><\/td>\n1975<\/strong><\/td>\nFrance<\/strong><\/td>\nChantal Akerman<\/strong><\/td>\n<\/tr>\n
485<\/strong><\/td>\nThe Last Days of Disco<\/strong><\/td>\n1998<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWhit Stillman<\/strong><\/td>\n<\/tr>\n
486<\/strong><\/td>\nHomicide<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Mamet<\/strong><\/td>\n<\/tr>\n
487<\/strong><\/td>\nThat Hamilton Woman<\/strong><\/td>\n1941<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAlexander Korda<\/strong><\/td>\n<\/tr>\n
488<\/strong><\/td>\nHowards End<\/strong><\/td>\n1992<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nJames Ivory<\/strong><\/td>\n<\/tr>\n
489<\/strong><\/td>\nMonsoon Wedding<\/strong><\/td>\n2001<\/strong><\/td>\nInde<\/strong><\/td>\nMira Nair<\/strong><\/td>\n<\/tr>\n
490<\/strong><\/td>\nWings of Desire<\/strong><\/td>\n1987<\/strong><\/td>\nAllemagne<\/strong><\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
491<\/strong><\/td>\nZ<\/strong><\/td>\n1969<\/strong><\/td>\nFrance<\/strong><\/td>\nCosta-Gavras<\/strong><\/td>\n<\/tr>\n
492<\/strong><\/td>\nA Christmas Tale<\/strong><\/td>\n2008<\/strong><\/td>\nFrance<\/strong><\/td>\nArnaud Desplechin<\/strong><\/td>\n<\/tr>\n
493<\/strong><\/td>\nGomorrah<\/strong><\/td>\n2008<\/strong><\/td>\nItalie<\/strong><\/td>\nMatteo Garrone<\/strong><\/td>\n<\/tr>\n
494<\/strong><\/td>\nDownhill Racer<\/strong><\/td>\n1969<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMichael Ritchie<\/strong><\/td>\n<\/tr>\n
495<\/strong><\/td>\nThe Golden Age of Television<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
496<\/strong><\/td>\nChe<\/strong><\/td>\n2008<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
497<\/strong><\/td>\nRome Open City<\/strong><\/td>\n1945<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
498<\/strong><\/td>\nPaisan<\/strong><\/td>\n1946<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
499<\/strong><\/td>\nGermany Year Zero<\/strong><\/td>\n1948<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
500<\/strong><\/td>\nRoberto Rossellini’s War Trilogy<\/strong><\/td>\n<\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
501<\/strong><\/td>\nParis, Texas<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
502<\/strong><\/td>\nRevanche<\/strong><\/td>\n2008<\/strong><\/td>\nFrance<\/strong><\/td>\nG\u00f6tz Spielmann<\/strong><\/td>\n<\/tr>\n
503<\/strong><\/td>\nLola Mont\u00e8s<\/strong><\/td>\n1955<\/strong><\/td>\nFrance<\/strong><\/td>\nMax Ophuls<\/strong><\/td>\n<\/tr>\n
504<\/strong><\/td>\nHunger<\/strong><\/td>\n2008<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nSteve McQueen<\/strong><\/td>\n<\/tr>\n
505<\/strong><\/td>\nMake Way for Tomorrow<\/strong><\/td>\n1937<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLeo McCarey<\/strong><\/td>\n<\/tr>\n
506<\/strong><\/td>\nDillinger is Dead<\/strong><\/td>\n1969<\/strong><\/td>\nItalie<\/strong><\/td>\nMarco Ferreri<\/strong><\/td>\n<\/tr>\n
507<\/strong><\/td>\nBigger Than Life<\/strong><\/td>\n1956<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNicholas Ray<\/strong><\/td>\n<\/tr>\n
508<\/strong><\/td>\nLetters from Fontainhas: Three Films by Pedro Costa<\/strong><\/td>\n<\/td>\nPortugal<\/strong><\/td>\nPedro Costa<\/strong><\/td>\n<\/tr>\n
509<\/strong><\/td>\nOssos<\/strong><\/td>\n1997<\/strong><\/td>\nPortugal<\/strong><\/td>\nPedro Costa<\/strong><\/td>\n<\/tr>\n
510<\/strong><\/td>\nIn Vanda’s Room<\/strong><\/td>\n2000<\/strong><\/td>\nPortugal<\/strong><\/td>\nPedro Costa<\/strong><\/td>\n<\/tr>\n
511<\/strong><\/td>\nColossal Youth<\/strong><\/td>\n2006<\/strong><\/td>\nPortugal<\/strong><\/td>\nPedro Costa<\/strong><\/td>\n<\/tr>\n
512<\/strong><\/td>\nVivre sa vie<\/strong><\/td>\n1962<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
513<\/strong><\/td>\nSummer Hours<\/strong><\/td>\n2008<\/strong><\/td>\nFrance<\/strong><\/td>\nOlivier Assayas<\/strong><\/td>\n<\/tr>\n
514<\/strong><\/td>\nRide with the Devil<\/strong><\/td>\n1999<\/strong><\/td>\nHong Kong<\/strong><\/td>\nAng Lee<\/strong><\/td>\n<\/tr>\n
515<\/strong><\/td>\nThe Fugitive Kind<\/strong><\/td>\n1960<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSidney Lumet<\/strong><\/td>\n<\/tr>\n
516<\/strong><\/td>\nStagecoach<\/strong><\/td>\n1939<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Ford<\/strong><\/td>\n<\/tr>\n
517<\/strong><\/td>\nBy Brakhage: An Anthology, Volume Two<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStan Brakhage<\/strong><\/td>\n<\/tr>\n
518<\/strong><\/td>\nBy Brakhage: An Anthology Volumes One and Two<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStan Brakhage<\/strong><\/td>\n<\/tr>\n
519<\/strong><\/td>\nClose-up<\/strong><\/td>\n1990<\/strong><\/td>\nIran<\/strong><\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
520<\/strong><\/td>\nEverlasting Moments<\/strong><\/td>\n2008<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nJan Troell<\/strong><\/td>\n<\/tr>\n
521<\/strong><\/td>\nMystery Train<\/strong><\/td>\n1989<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJim Jarmusch<\/strong><\/td>\n<\/tr>\n
522<\/strong><\/td>\nRed Desert<\/strong><\/td>\n1964<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
523<\/strong><\/td>\nNight Train to Munich<\/strong><\/td>\n1940<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nCarol Reed<\/strong><\/td>\n<\/tr>\n
524<\/strong><\/td>\nThe Only Son\/There Was a Father: Two Films by Yasujiro Ozu<\/strong><\/td>\n<\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
525<\/strong><\/td>\nThe Only Son<\/strong><\/td>\n1936<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
526<\/strong><\/td>\nThere Was a Father<\/strong><\/td>\n1942<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
527<\/strong><\/td>\nThe Secret of the Grain<\/strong><\/td>\n2007<\/strong><\/td>\nFrance<\/strong><\/td>\nAbdellatif Kechiche<\/strong><\/td>\n<\/tr>\n
528<\/strong><\/td>\n3 Silent Classics by Josef von Sternberg<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
529<\/strong><\/td>\nUnderworld<\/strong><\/td>\n1927<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
530<\/strong><\/td>\nThe Last Command<\/strong><\/td>\n1928<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
531<\/strong><\/td>\nThe Docks of New York<\/strong><\/td>\n1928<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
532<\/strong><\/td>\nLouie Bluie<\/strong><\/td>\n1985<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Zwigoff<\/strong><\/td>\n<\/tr>\n
533<\/strong><\/td>\nCrumb<\/strong><\/td>\n1995<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Zwigoff<\/strong><\/td>\n<\/tr>\n
534<\/strong><\/td>\nL’enfance nue<\/strong><\/td>\n1968<\/strong><\/td>\nFrance<\/strong><\/td>\nMaurice Pialat<\/strong><\/td>\n<\/tr>\n
535<\/strong><\/td>\nMerry Christmas Mr. Lawrence<\/strong><\/td>\n1983<\/strong><\/td>\nJapon<\/strong><\/td>\nNagisa Oshima<\/strong><\/td>\n<\/tr>\n
536<\/strong><\/td>\nThe Thin Red Line<\/strong><\/td>\n1998<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerrence Malick<\/strong><\/td>\n<\/tr>\n
537<\/strong><\/td>\nThe Magician<\/strong><\/td>\n1958<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
538<\/strong><\/td>\nPaths of Glory<\/strong><\/td>\n1957<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Kubrick<\/strong><\/td>\n<\/tr>\n
539<\/strong><\/td>\nHouse of Games<\/strong><\/td>\n1977<\/strong><\/td>\nJapon<\/strong><\/td>\nNobuhiko Obayashi<\/strong><\/td>\n<\/tr>\n
540<\/strong><\/td>\nThe Darjeeling Limited<\/strong><\/td>\n2007<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
541<\/strong><\/td>\nThe Night of the Hunter<\/strong><\/td>\n1955<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharles Laughton<\/strong><\/td>\n<\/tr>\n
542<\/strong><\/td>\nAntichrist<\/strong><\/td>\n2009<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLars von Trier<\/strong><\/td>\n<\/tr>\n
543<\/strong><\/td>\nModern Times<\/strong><\/td>\n1936<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
544<\/strong><\/td>\nHead<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBob Rafelson<\/strong><\/td>\n<\/tr>\n
545<\/strong><\/td>\nEasy Rider<\/strong><\/td>\n1969<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDennis Hopper<\/strong><\/td>\n<\/tr>\n
546<\/strong><\/td>\nFive Easy Pieces<\/strong><\/td>\n1970<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBob Rafelson<\/strong><\/td>\n<\/tr>\n
547<\/strong><\/td>\nDrive, He Said<\/strong><\/td>\n1970<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJack Nicholson<\/strong><\/td>\n<\/tr>\n
548<\/strong><\/td>\nA Safe Place<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nHenry Jaglom<\/strong><\/td>\n<\/tr>\n
549<\/strong><\/td>\nThe Last Picture Show<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPeter Bogdanovich<\/strong><\/td>\n<\/tr>\n
550<\/strong><\/td>\nThe King of Marvin Gardens<\/strong><\/td>\n1972<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBob Rafelson<\/strong><\/td>\n<\/tr>\n
551<\/strong><\/td>\nCronos<\/strong><\/td>\n1993<\/strong><\/td>\nMexique<\/strong><\/td>\nGuillermo del Toro<\/strong><\/td>\n<\/tr>\n
552<\/strong><\/td>\nBroadcast News<\/strong><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJames L. Brooks<\/strong><\/td>\n<\/tr>\n
553<\/strong><\/td>\nFish Tank<\/strong><\/td>\n2009<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAndrea Arnold<\/strong><\/td>\n<\/tr>\n
554<\/strong><\/td>\nStill Walking<\/strong><\/td>\n2008<\/strong><\/td>\nJapon<\/strong><\/td>\nHirokazu Kore-eda<\/strong><\/td>\n<\/tr>\n
555<\/strong><\/td>\nSweet Smell of Success<\/strong><\/td>\n1957<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlexander Mackendrick<\/strong><\/td>\n<\/tr>\n
556<\/strong><\/td>\nSenso<\/strong><\/td>\n1954<\/strong><\/td>\nItalie<\/strong><\/td>\nLuchino Visconti<\/strong><\/td>\n<\/tr>\n
557<\/strong><\/td>\nThe Times of Harvey Milk<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Epstein<\/strong><\/td>\n<\/tr>\n
558<\/strong><\/td>\nTopsy-Turvy<\/strong><\/td>\n1999<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMike Leigh<\/strong><\/td>\n<\/tr>\n
559<\/strong><\/td>\nThe Mikado<\/strong><\/td>\n1939<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nVictor Schertzinger<\/strong><\/td>\n<\/tr>\n
560<\/strong><\/td>\nWhite Material<\/strong><\/td>\n2009<\/strong><\/td>\nFrance<\/strong><\/td>\nClaire Denis<\/strong><\/td>\n<\/tr>\n
561<\/strong><\/td>\nKes<\/strong><\/td>\n1970<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nKen Loach<\/strong><\/td>\n<\/tr>\n
562<\/strong><\/td>\nBlow Out<\/strong><\/td>\n1981<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBrian De Palma<\/strong><\/td>\n<\/tr>\n
563<\/strong><\/td>\nSomething Wild<\/strong><\/td>\n1986<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJonathan Demme<\/strong><\/td>\n<\/tr>\n
564<\/strong><\/td>\nPale Flower<\/strong><\/td>\n1964<\/strong><\/td>\nJapon<\/strong><\/td>\nMasahiro Shinoda<\/strong><\/td>\n<\/tr>\n
565<\/strong><\/td>\nThe Great Dictator<\/strong><\/td>\n1940<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
566<\/strong><\/td>\nInsignificance<\/strong><\/td>\n1985<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nNicolas Roeg<\/strong><\/td>\n<\/tr>\n
567<\/strong><\/td>\nThe Makioka Sisters<\/strong><\/td>\n1983<\/strong><\/td>\nJapon<\/strong><\/td>\nKon Ichikawa<\/strong><\/td>\n<\/tr>\n
568<\/strong><\/td>\nKiss Me Deadly<\/strong><\/td>\n1955<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Aldrich<\/strong><\/td>\n<\/tr>\n
569<\/strong><\/td>\nPeople on Sunday<\/strong><\/td>\n1930<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRobert Siodmak et Edgar G. Ulmer<\/strong><\/td>\n<\/tr>\n
570<\/strong><\/td>\nZazie dans le m\u00e9tro<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
571<\/strong><\/td>\nBlack Moon<\/strong><\/td>\n1975<\/strong><\/td>\nFrance<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
572<\/strong><\/td>\nL\u00e9on Morin, Priest<\/strong><\/td>\n1961<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
573<\/strong><\/td>\nThe Music Room<\/strong><\/td>\n1958<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
574<\/strong><\/td>\nLife During Wartime<\/strong><\/td>\n2010<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nTodd Solondz<\/strong><\/td>\n<\/tr>\n
575<\/strong><\/td>\nThe Killing<\/strong><\/td>\n1956<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Kubrick<\/strong><\/td>\n<\/tr>\n
576<\/strong><\/td>\nSecret Sunshine<\/strong><\/td>\n2007<\/strong><\/td>\nCor\u00e9e du Sud<\/strong><\/td>\nLee Chang-dong<\/strong><\/td>\n<\/tr>\n
577<\/strong><\/td>\nCul-de-sac<\/strong><\/td>\n1966<\/strong><\/td>\nFrance<\/strong><\/td>\nRoman Polanski<\/strong><\/td>\n<\/tr>\n
578<\/strong><\/td>\nThe Complete Jean Vigo<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
579<\/strong><\/td>\nThe Phantom Carriage<\/strong><\/td>\n1921<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nVictor Sj\u00f6str\u00f6m<\/strong><\/td>\n<\/tr>\n
580<\/strong><\/td>\nLe beau Serge<\/strong><\/td>\n1958<\/strong><\/td>\nFrance<\/strong><\/td>\nClaude Chabrol<\/strong><\/td>\n<\/tr>\n
581<\/strong><\/td>\nLes cousins<\/strong><\/td>\n1959<\/strong><\/td>\nFrance<\/strong><\/td>\nClaude Chabrol<\/strong><\/td>\n<\/tr>\n
582<\/strong><\/td>\nCarlos<\/strong><\/td>\n2010<\/strong><\/td>\nFrance<\/strong><\/td>\nOlivier Assayas<\/strong><\/td>\n<\/tr>\n
583<\/strong><\/td>\nThe Four Feathers<\/strong><\/td>\n1939<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nZoltan Korda<\/strong><\/td>\n<\/tr>\n
584<\/strong><\/td>\nKuroneko<\/strong><\/td>\n1968<\/strong><\/td>\nJapon<\/strong><\/td>\nKaneto Shindo<\/strong><\/td>\n<\/tr>\n
585<\/strong><\/td>\nIdentification of a Woman<\/strong><\/td>\n1982<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
586<\/strong><\/td>\nIsland of Lost Souls<\/strong><\/td>\n1932<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErie C. Kenton<\/strong><\/td>\n<\/tr>\n
587<\/strong><\/td>\nThree Colors<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
588<\/strong><\/td>\nThree Colors: Blue<\/strong><\/td>\n1993<\/strong><\/td>\nFrance<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
589<\/strong><\/td>\nThree Colors: White<\/strong><\/td>\n1994<\/strong><\/td>\nFrance<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
590<\/strong><\/td>\nThree Colors: Red<\/strong><\/td>\n1994<\/strong><\/td>\nFrance<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
591<\/strong><\/td>\n12 Angry Men<\/strong><\/td>\n1957<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSidney Lumet<\/strong><\/td>\n<\/tr>\n
592<\/strong><\/td>\nDesign for Living<\/strong><\/td>\n1933<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErnst Lubitsch<\/strong><\/td>\n<\/tr>\n
593<\/strong><\/td>\nBelle de jour<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nLuis Bunuel<\/strong><\/td>\n<\/tr>\n
594<\/strong><\/td>\nGodzilla<\/strong><\/td>\n1954<\/strong><\/td>\nJapon<\/strong><\/td>\nIshiro Honda<\/strong><\/td>\n<\/tr>\n
595<\/strong><\/td>\nThe Moment of Truth<\/strong><\/td>\n1965<\/strong><\/td>\nItalie<\/strong><\/td>\nFrancesco Rosi<\/strong><\/td>\n<\/tr>\n
596<\/strong><\/td>\nThree Outlaw Samurai<\/strong><\/td>\n1964<\/strong><\/td>\nJapon<\/strong><\/td>\nHideo Gosha<\/strong><\/td>\n<\/tr>\n
597<\/strong><\/td>\nTiny Furniture<\/strong><\/td>\n2010<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLena Dunham<\/strong><\/td>\n<\/tr>\n
598<\/strong><\/td>\nWorld on a Wire<\/strong><\/td>\n1973<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
599<\/strong><\/td>\nVanya on 42nd Street<\/strong><\/td>\n1994<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLouis Malle<\/strong><\/td>\n<\/tr>\n
600<\/strong><\/td>\nAnatomy of a Murder<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOtto Preminger<\/strong><\/td>\n<\/tr>\n
601<\/strong><\/td>\nLetter Never Sent<\/strong><\/td>\n1959<\/strong><\/td>\nRussie<\/strong><\/td>\nMikhail Kalatozov<\/strong><\/td>\n<\/tr>\n
602<\/strong><\/td>\nThe War Room<\/strong><\/td>\n1993<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nChris Hegedus et D.A. Pennebaker<\/strong><\/td>\n<\/tr>\n
603<\/strong><\/td>\nDavid Lean Directs No\u00ebl Coward<\/strong><\/td>\n<\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
604<\/strong><\/td>\nIn Which We Serve<\/strong><\/td>\n1942<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean et No\u00ebl Coward<\/strong><\/td>\n<\/tr>\n
605<\/strong><\/td>\nThis Happy Breed<\/strong><\/td>\n1944<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
606<\/strong><\/td>\nBlithe Spirit<\/strong><\/td>\n1945<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDavid Lean<\/strong><\/td>\n<\/tr>\n
607<\/strong><\/td>\nA Hollis Frampton Doyssey<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nHollis Frampton<\/strong><\/td>\n<\/tr>\n
608<\/strong><\/td>\nHarold and Maude<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nHal Ashby<\/strong><\/td>\n<\/tr>\n
609<\/strong><\/td>\niAlambrista!<\/strong><\/td>\n1977<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRobert M. Young<\/strong><\/td>\n<\/tr>\n
610<\/strong><\/td>\nThe Organizer<\/strong><\/td>\n1963<\/strong><\/td>\nItalie<\/strong><\/td>\nMario Monicelli<\/strong><\/td>\n<\/tr>\n
611<\/strong><\/td>\nBeing John Malkovich<\/strong><\/td>\n1999<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSpike Jonze<\/strong><\/td>\n<\/tr>\n
612<\/strong><\/td>\nCertified Copy<\/strong><\/td>\n2010<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
613<\/strong><\/td>\nSummer Interlude<\/strong><\/td>\n1951<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
614<\/strong><\/td>\nSummer with Monika<\/strong><\/td>\n1953<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
615<\/strong><\/td>\nThe Gold Rush<\/strong><\/td>\n1942<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
616<\/strong><\/td>\nShallow Grave<\/strong><\/td>\n1994<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nDanny Boyle<\/strong><\/td>\n<\/tr>\n
617<\/strong><\/td>\nAnd Everything Is Going Fine<\/strong><\/td>\n2010<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
618<\/strong><\/td>\nGray’s Anatomy<\/strong><\/td>\n1997<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
619<\/strong><\/td>\nLe Havre<\/strong><\/td>\n2011<\/strong><\/td>\nFrance<\/strong><\/td>\nAki Kaurism\u00e4ki<\/strong><\/td>\n<\/tr>\n
620<\/strong><\/td>\nLa promesse<\/strong><\/td>\n1996<\/strong><\/td>\nBelgique<\/strong><\/td>\nLuc Dardenne et Jean-Pierre Dardenne<\/strong><\/td>\n<\/tr>\n
621<\/strong><\/td>\nRosetta<\/strong><\/td>\n19999<\/strong><\/td>\nBelgique<\/strong><\/td>\nLuc Dardenne et Jean-Pierre Dardenne<\/strong><\/td>\n<\/tr>\n
622<\/strong><\/td>\nWeekend<\/strong><\/td>\n2011<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAndrew Haigh<\/strong><\/td>\n<\/tr>\n
623<\/strong><\/td>\nLonesome<\/strong><\/td>\n1928<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Fejos<\/strong><\/td>\n<\/tr>\n
624<\/strong><\/td>\nQuadrophenia<\/strong><\/td>\n1979<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nFranc Roddam<\/strong><\/td>\n<\/tr>\n
625<\/strong><\/td>\nEating Raoul<\/strong><\/td>\n1982<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Bartel<\/strong><\/td>\n<\/tr>\n
626<\/strong><\/td>\nLes visiteurs du soir<\/strong><\/td>\n1942<\/strong><\/td>\nFrance<\/strong><\/td>\nMarcel Carn\u00e9<\/strong><\/td>\n<\/tr>\n
627<\/strong><\/td>\nThe Game<\/strong><\/td>\n1997<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Fincher<\/strong><\/td>\n<\/tr>\n
628<\/strong><\/td>\nThe Forgiveness of Blood<\/strong><\/td>\n2011<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJoshua Marston<\/strong><\/td>\n<\/tr>\n
629<\/strong><\/td>\nSunday Bloody Sunday<\/strong><\/td>\n1971<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nJohn Schlesinger<\/strong><\/td>\n<\/tr>\n
630<\/strong><\/td>\nRosemary’s Baby<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRoman Polanski<\/strong><\/td>\n<\/tr>\n
631<\/strong><\/td>\nTrilogy of Life<\/strong><\/td>\n<\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
632<\/strong><\/td>\nThe Decameron<\/strong><\/td>\n1971<\/strong><\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
633<\/strong><\/td>\nThe Canterbury Tales<\/strong><\/td>\n1972<\/strong><\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
634<\/strong><\/td>\nArabian Nights<\/strong><\/td>\n1974<\/strong><\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
635<\/strong><\/td>\nWeekend<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
636<\/strong><\/td>\nHeaven’s Gate<\/strong><\/td>\n1980<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMichael Cimino<\/strong><\/td>\n<\/tr>\n
637<\/strong><\/td>\nPurple Noon<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nRen\u00e9 Cl\u00e9ment<\/strong><\/td>\n<\/tr>\n
638<\/strong><\/td>\nFollowing<\/strong><\/td>\n1999<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nChristopher Nolan<\/strong><\/td>\n<\/tr>\n
639<\/strong><\/td>\nThe Qatsi Trilogy<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGodfrey Reggio<\/strong><\/td>\n<\/tr>\n
640<\/strong><\/td>\nKoyaanisqatsi<\/strong><\/td>\n1983<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGodfrey Reggio<\/strong><\/td>\n<\/tr>\n
641<\/strong><\/td>\nPowaqqatsi<\/strong><\/td>\n1988<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGodfrey Reggio<\/strong><\/td>\n<\/tr>\n
642<\/strong><\/td>\nNaqoyqatsi<\/strong><\/td>\n2002<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGodfrey Reggio<\/strong><\/td>\n<\/tr>\n
643<\/strong><\/td>\nThe Man Who Knew Too Much<\/strong><\/td>\n1934<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
644<\/strong><\/td>\nPina<\/strong><\/td>\n2011<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
645<\/strong><\/td>\nThe Ballad of Narayama<\/strong><\/td>\n1958<\/strong><\/td>\nJapon<\/strong><\/td>\nKeisuke Kinoshita<\/strong><\/td>\n<\/tr>\n
646<\/strong><\/td>\nThe Kid with a Bike<\/strong><\/td>\n2011<\/strong><\/td>\nBelgique<\/strong><\/td>\nLuc Dardenne et Jean-Pierre Dardenne<\/strong><\/td>\n<\/tr>\n
647<\/strong><\/td>\nOn the Waterfront<\/strong><\/td>\n1957<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nElia Kazan<\/strong><\/td>\n<\/tr>\n
648<\/strong><\/td>\nChronicle of a Summer<\/strong><\/td>\n1961<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Rouch et Edgar Morin<\/strong><\/td>\n<\/tr>\n
649<\/strong><\/td>\nMinistry of Fear<\/strong><\/td>\n1944<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nFritz Lang<\/strong><\/td>\n<\/tr>\n
650<\/strong><\/td>\nA Man Escaped<\/strong><\/td>\n1956<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
651<\/strong><\/td>\nBadlands<\/strong><\/td>\n1973<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerrence Malick<\/strong><\/td>\n<\/tr>\n
652<\/strong><\/td>\nMonsieur Verdoux<\/strong><\/td>\n1947<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
653<\/strong><\/td>\nGate of Hell<\/strong><\/td>\n1953<\/strong><\/td>\nJapon<\/strong><\/td>\nTeinosuke Kinugasa<\/strong><\/td>\n<\/tr>\n
654<\/strong><\/td>\nRepo Man<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlex Cox<\/strong><\/td>\n<\/tr>\n
655<\/strong><\/td>\nPierre Etaix<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
656<\/strong><\/td>\nJubal<\/strong><\/td>\n1956<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDelmer Daves<\/strong><\/td>\n<\/tr>\n
657<\/strong><\/td>\n3:10 to Yuma<\/strong><\/td>\n1957<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDelmer Daves<\/strong><\/td>\n<\/tr>\n
658<\/strong><\/td>\nMedium Cool<\/strong><\/td>\n1969<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nHaskell Wexler<\/strong><\/td>\n<\/tr>\n
659<\/strong><\/td>\nLife Is Sweet<\/strong><\/td>\n1990<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMike Leigh<\/strong><\/td>\n<\/tr>\n
660<\/strong><\/td>\nThings to Come<\/strong><\/td>\n1936<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nWilliam Cameron Menzies<\/strong><\/td>\n<\/tr>\n
661<\/strong><\/td>\nMarketa Lazarova<\/strong><\/td>\n1967<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nFrantisek Vlacil<\/strong><\/td>\n<\/tr>\n
662<\/strong><\/td>\nSafety Last!<\/strong><\/td>\n1923<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nFred Newmeyer et Sam Taylor<\/strong><\/td>\n<\/tr>\n
663<\/strong><\/td>\nShoah<\/strong><\/td>\n1985<\/strong><\/td>\nFrance<\/strong><\/td>\nClaude Lanzmann<\/strong><\/td>\n<\/tr>\n
664<\/strong><\/td>\nThe Life of Oharu<\/strong><\/td>\n1952<\/strong><\/td>\nJapon<\/strong><\/td>\nKenji Mizoguchi<\/strong><\/td>\n<\/tr>\n
665<\/strong><\/td>\nBabette’s Feast<\/strong><\/td>\n1987<\/strong><\/td>\nDanemark<\/strong><\/td>\nGabriel Axel<\/strong><\/td>\n<\/tr>\n
666<\/strong><\/td>\nThe Devil’s Backbone<\/strong><\/td>\n2001<\/strong><\/td>\nMexique<\/strong><\/td>\nGuillermo del Toro<\/strong><\/td>\n<\/tr>\n
667<\/strong><\/td>\nSeconds<\/strong><\/td>\n1966<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Frankenheimer<\/strong><\/td>\n<\/tr>\n
668<\/strong><\/td>\nThe Big City<\/strong><\/td>\n1963<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
669<\/strong><\/td>\nCharulata<\/strong><\/td>\n1964<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
670<\/strong><\/td>\nTo Be or Not to Be<\/strong><\/td>\n1942<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErnst Lubitsch<\/strong><\/td>\n<\/tr>\n
671<\/strong><\/td>\nLa Cage aux Folles<\/strong><\/td>\n1978<\/strong><\/td>\nFrance<\/strong><\/td>\nEdouard Molinaro<\/strong><\/td>\n<\/tr>\n
672<\/strong><\/td>\n3 Films by Roberto Rossellini Starring Ingrid Bergman<\/strong><\/td>\n<\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
673<\/strong><\/td>\nStomboli<\/strong><\/td>\n1950<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
674<\/strong><\/td>\nEurope ’51<\/strong><\/td>\n1952<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
675<\/strong><\/td>\nJourney to Italy<\/strong><\/td>\n1954<\/strong><\/td>\nItalie<\/strong><\/td>\nRoberto Rossellini<\/strong><\/td>\n<\/tr>\n
676<\/strong><\/td>\nI Married a Witch<\/strong><\/td>\n1942<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRen\u00e9 Clair<\/strong><\/td>\n<\/tr>\n
677<\/strong><\/td>\nThe Uninvited<\/strong><\/td>\n1944<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLewis Allen<\/strong><\/td>\n<\/tr>\n
678<\/strong><\/td>\nLa notte<\/strong><\/td>\n1961<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
679<\/strong><\/td>\nZatoichi: The Blind Swordsman<\/strong><\/td>\n<\/td>\nJapon<\/strong><\/td>\n<\/td>\n<\/tr>\n
680<\/strong><\/td>\nCity Lights<\/strong><\/td>\n1931<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
681<\/strong><\/td>\nFrances Ha<\/strong><\/td>\n2013<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNoah Baumbach<\/strong><\/td>\n<\/tr>\n
682<\/strong><\/td>\nInvestigation of a Citizen Above Suspicion<\/strong><\/td>\n1970<\/strong><\/td>\nItalie<\/strong><\/td>\nElio Petri<\/strong><\/td>\n<\/tr>\n
683<\/strong><\/td>\nNashville<\/strong><\/td>\n1975<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
684<\/strong><\/td>\nMartin Scorsese’s World Cinema Project<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
685<\/strong><\/td>\nTouki bouki<\/strong><\/td>\n1973<\/strong><\/td>\n<\/td>\nDjibril Diop Mamb\u00e9ty<\/strong><\/td>\n<\/tr>\n
686<\/strong><\/td>\nRedes<\/strong><\/td>\n1936<\/strong><\/td>\nMexique<\/strong><\/td>\nEmilio Gomez Muriel et Fred Zinnemann<\/strong><\/td>\n<\/tr>\n
687<\/strong><\/td>\nA River Called Titas<\/strong><\/td>\n1973<\/strong><\/td>\n<\/td>\nRitwik Ghatak<\/strong><\/td>\n<\/tr>\n
688<\/strong><\/td>\nDry Summer<\/strong><\/td>\n1964<\/strong><\/td>\n<\/td>\nMetin Erksan<\/strong><\/td>\n<\/tr>\n
689<\/strong><\/td>\nTrances<\/strong><\/td>\n1981<\/strong><\/td>\n<\/td>\nAhmed El Maanouni<\/strong><\/td>\n<\/tr>\n
690<\/strong><\/td>\nThe Housemaid<\/strong><\/td>\n1960<\/strong><\/td>\n<\/td>\nKim Ki-young<\/strong><\/td>\n<\/tr>\n
691<\/strong><\/td>\nThief<\/strong><\/td>\n1981<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMichael Mann<\/strong><\/td>\n<\/tr>\n
692<\/strong><\/td>\nIt’s a Mad, Mad, Mad, Mad World<\/strong><\/td>\n1963<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Kramer<\/strong><\/td>\n<\/tr>\n
693<\/strong><\/td>\nLa vie de boh\u00e8me<\/strong><\/td>\n1992<\/strong><\/td>\nFrance<\/strong><\/td>\nAki Kaurism\u00e4ki<\/strong><\/td>\n<\/tr>\n
694<\/strong><\/td>\nThe Long Day Closes<\/strong><\/td>\n1992<\/strong><\/td>\n<\/td>\nTerence Davies<\/strong><\/td>\n<\/tr>\n
695<\/strong><\/td>\nBlue Is the Warmest Color<\/strong><\/td>\n2013<\/strong><\/td>\nFrance<\/strong><\/td>\nAbdellatif Kechiche<\/strong><\/td>\n<\/tr>\n
696<\/strong><\/td>\nForeign Correspondent<\/strong><\/td>\n1940<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
697<\/strong><\/td>\nTess<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nRoman Polanski<\/strong><\/td>\n<\/tr>\n
698<\/strong><\/td>\nKing of the hill<\/strong><\/td>\n1993<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
699<\/strong><\/td>\nA Brief History of Time<\/strong><\/td>\n1991<\/strong><\/td>\n<\/td>\nErrol Morris<\/strong><\/td>\n<\/tr>\n
700<\/strong><\/td>\nFantastic Mr. Fox<\/strong><\/td>\n2009<\/strong><\/td>\n<\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
701<\/strong><\/td>\nPersona<\/strong><\/td>\n1966<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
702<\/strong><\/td>\nThe Great Beauty<\/strong><\/td>\n2013<\/strong><\/td>\nItalie<\/strong><\/td>\nPaolo Sorrentino<\/strong><\/td>\n<\/tr>\n
703<\/strong><\/td>\nThe Freshman<\/strong><\/td>\n1925<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nFred Newmeyer et Sam Taylor<\/strong><\/td>\n<\/tr>\n
704<\/strong><\/td>\nRiot in Cell Block 11<\/strong><\/td>\n1954<\/strong><\/td>\n<\/td>\nDon Siegel<\/strong><\/td>\n<\/tr>\n
705<\/strong><\/td>\nBreaking the Waves<\/strong><\/td>\n1996<\/strong><\/td>\nDanemark<\/strong><\/td>\nLars von Trier<\/strong><\/td>\n<\/tr>\n
706<\/strong><\/td>\nMaster of the House<\/strong><\/td>\n1925<\/strong><\/td>\nDanemark<\/strong><\/td>\nCarl Th. Dreyer<\/strong><\/td>\n<\/tr>\n
707<\/strong><\/td>\nIl sorpasso<\/strong><\/td>\n1962<\/strong><\/td>\nItalie<\/strong><\/td>\nDino Risi<\/strong><\/td>\n<\/tr>\n
708<\/strong><\/td>\nLike Someone in Love<\/strong><\/td>\n2012<\/strong><\/td>\n<\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
709<\/strong><\/td>\nRed River<\/strong><\/td>\n1948<\/strong><\/td>\n<\/td>\nHoward Hawks<\/strong><\/td>\n<\/tr>\n
710<\/strong><\/td>\nJudex<\/strong><\/td>\n1963<\/strong><\/td>\n<\/td>\nGeorges Franju<\/strong><\/td>\n<\/tr>\n
711<\/strong><\/td>\nA Hard Day’s Night<\/strong><\/td>\n1964<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nRichard Lester<\/strong><\/td>\n<\/tr>\n
712<\/strong><\/td>\nScanners<\/strong><\/td>\n1981<\/strong><\/td>\n<\/td>\nDavid Cronenberg<\/strong><\/td>\n<\/tr>\n
713<\/strong><\/td>\nThe Essential Jacques Demy<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
714<\/strong><\/td>\nLola<\/strong><\/td>\n1961<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
715<\/strong><\/td>\nBay of Angels<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
716<\/strong><\/td>\nThe Umbrellas of Cherbourg<\/strong><\/td>\n1964<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
717<\/strong><\/td>\nThe Young Girls of Rochefort<\/strong><\/td>\n1967<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
718<\/strong><\/td>\nDonkey Skin<\/strong><\/td>\n1970<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
719<\/strong><\/td>\nUne chambre en ville<\/strong><\/td>\n1982<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Demy<\/strong><\/td>\n<\/tr>\n
720<\/strong><\/td>\nThe Big Chill<\/strong><\/td>\n1983<\/strong><\/td>\n<\/td>\nLawrence Kasdan<\/strong><\/td>\n<\/tr>\n
721<\/strong><\/td>\nLove Streams<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
722<\/strong><\/td>\nTie Me Up! Tie Me Down!<\/strong><\/td>\n1990<\/strong><\/td>\n<\/td>\nPedro Almodovar<\/strong><\/td>\n<\/tr>\n
723<\/strong><\/td>\nY tu mama tambien<\/strong><\/td>\n2001<\/strong><\/td>\nMexique<\/strong><\/td>\nAlfonso Cuaron<\/strong><\/td>\n<\/tr>\n
724<\/strong><\/td>\nAll That Jazz<\/strong><\/td>\n1979<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBob Fosse<\/strong><\/td>\n<\/tr>\n
725<\/strong><\/td>\nEraserhead<\/strong><\/td>\n1977<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Lynch<\/strong><\/td>\n<\/tr>\n
726<\/strong><\/td>\nMacbeth<\/strong><\/td>\n1971<\/strong><\/td>\n<\/td>\nRoman Polanski<\/strong><\/td>\n<\/tr>\n
727<\/strong><\/td>\nThe Innocents<\/strong><\/td>\n1961<\/strong><\/td>\n<\/td>\nJac Clayton<\/strong><\/td>\n<\/tr>\n
728<\/strong><\/td>\nSundays and Cyb\u00e8le<\/strong><\/td>\n1962<\/strong><\/td>\nFrance<\/strong><\/td>\nSerge Bourguignon<\/strong><\/td>\n<\/tr>\n
729<\/strong><\/td>\nThe Complete Jacques Tati<\/strong><\/td>\n<\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
730<\/strong><\/td>\nJour de f\u00eate<\/strong><\/td>\n1949<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
731<\/strong><\/td>\nParade<\/strong><\/td>\n1974<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tati<\/strong><\/td>\n<\/tr>\n
732<\/strong><\/td>\nMy Darling Clementine<\/strong><\/td>\n1946<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Ford<\/strong><\/td>\n<\/tr>\n
733<\/strong><\/td>\nLa dolce vita<\/strong><\/td>\n1960<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
734<\/strong><\/td>\nThe Shooting<\/strong><\/td>\n1966<\/strong><\/td>\n<\/td>\nMonte Hellman<\/strong><\/td>\n<\/tr>\n
735<\/strong><\/td>\nRide in the Whirlwind<\/strong><\/td>\n1966<\/strong><\/td>\n<\/td>\nMonte Hellman<\/strong><\/td>\n<\/tr>\n
736<\/strong><\/td>\nIt Happened One Night<\/strong><\/td>\n1934<\/strong><\/td>\n<\/td>\nFrank Capra<\/strong><\/td>\n<\/tr>\n
737<\/strong><\/td>\nLes Blank: Always for Pleasure<\/strong><\/td>\n1968<\/strong><\/td>\n<\/td>\nLes Blank<\/strong><\/td>\n<\/tr>\n
738<\/strong><\/td>\nTootsie<\/strong><\/td>\n1982<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSydney Pollack<\/strong><\/td>\n<\/tr>\n
739<\/strong><\/td>\nSafe<\/strong><\/td>\n1995<\/strong><\/td>\n<\/td>\nTodd Haynes<\/strong><\/td>\n<\/tr>\n
740<\/strong><\/td>\nThe Bitter Tears of Petra von Kant<\/strong><\/td>\n1972<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
741<\/strong><\/td>\nMy Winnipeg<\/strong><\/td>\n2007<\/strong><\/td>\n<\/td>\nGuy Maddin<\/strong><\/td>\n<\/tr>\n
742<\/strong><\/td>\nThe Palm Beach Story<\/strong><\/td>\n1942<\/strong><\/td>\n<\/td>\nPreston Sturges<\/strong><\/td>\n<\/tr>\n
743<\/strong><\/td>\nLa Ci\u00e9naga<\/strong><\/td>\n2001<\/strong><\/td>\n<\/td>\nLucrecia Martel<\/strong><\/td>\n<\/tr>\n
744<\/strong><\/td>\nEvery Man for Himself<\/strong><\/td>\n1980<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
745<\/strong><\/td>\nDon’t Look Now<\/strong><\/td>\n1973<\/strong><\/td>\n<\/td>\nNicolas Roeg<\/strong><\/td>\n<\/tr>\n
746<\/strong><\/td>\nA Day in the Country<\/strong><\/td>\n1936<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
747<\/strong><\/td>\nFellini Satyricon<\/strong><\/td>\n1969<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
748<\/strong><\/td>\nWatership Down<\/strong><\/td>\n1978<\/strong><\/td>\n<\/td>\nMartin Rosen<\/strong><\/td>\n<\/tr>\n
749<\/strong><\/td>\nThe Soft Skin<\/strong><\/td>\n1964<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
750<\/strong><\/td>\nRide the Pink Horse<\/strong><\/td>\n1947<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Montgomery<\/strong><\/td>\n<\/tr>\n
751<\/strong><\/td>\nGates of Heaven<\/strong><\/td>\n1978<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErrol Morris<\/strong><\/td>\n<\/tr>\n
752<\/strong><\/td>\nVernon, Florida<\/strong><\/td>\n1981<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErrol Morris<\/strong><\/td>\n<\/tr>\n
753<\/strong><\/td>\nThe Thin Blue Line<\/strong><\/td>\n1988<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErrol Morris<\/strong><\/td>\n<\/tr>\n
754<\/strong><\/td>\nOdd Man Out<\/strong><\/td>\n1947<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nCarol Reed<\/strong><\/td>\n<\/tr>\n
755<\/strong><\/td>\nLe silence de la mer<\/strong><\/td>\n1949<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Pierre Melville<\/strong><\/td>\n<\/tr>\n
756<\/strong><\/td>\nLimelight<\/strong><\/td>\n1952<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
757<\/strong><\/td>\nThe Rose<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nMark Rydell<\/strong><\/td>\n<\/tr>\n
758<\/strong><\/td>\nThe Merchant of Four Seasons<\/strong><\/td>\n1971<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
759<\/strong><\/td>\nThe Confession<\/strong><\/td>\n1970<\/strong><\/td>\n<\/td>\nCosta-Gavras<\/strong><\/td>\n<\/tr>\n
760<\/strong><\/td>\nState of Siege<\/strong><\/td>\n1972<\/strong><\/td>\n<\/td>\nCosta-Gavras<\/strong><\/td>\n<\/tr>\n
761<\/strong><\/td>\nValerie and Her Week of Wonders<\/strong><\/td>\n1970<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nJaromil Jires<\/strong><\/td>\n<\/tr>\n
762<\/strong><\/td>\nA Master Builder<\/strong><\/td>\n2014<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJonathan Demme<\/strong><\/td>\n<\/tr>\n
763<\/strong><\/td>\nThe Bridge<\/strong><\/td>\n1959<\/strong><\/td>\nAllemagne<\/strong><\/td>\nBernhard Wicki<\/strong><\/td>\n<\/tr>\n
764<\/strong><\/td>\nThe Fisher King<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Gilliam<\/strong><\/td>\n<\/tr>\n
765<\/strong><\/td>\nThe Black Stallion<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nCarroll Ballard<\/strong><\/td>\n<\/tr>\n
766<\/strong><\/td>\nHere Is Your Life<\/strong><\/td>\n1966<\/strong><\/td>\n<\/td>\nJan Troell<\/strong><\/td>\n<\/tr>\n
767<\/strong><\/td>\nMy Beautiful Laundrette<\/strong><\/td>\n1985<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nStephen Frears<\/strong><\/td>\n<\/tr>\n
768<\/strong><\/td>\nThe French Lieutenant’s Woman<\/strong><\/td>\n1981<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nKarel Reisz<\/strong><\/td>\n<\/tr>\n
769<\/strong><\/td>\nDay for Night<\/strong><\/td>\n1973<\/strong><\/td>\nFrance<\/strong><\/td>\nFran\u00e7ois Truffaut<\/strong><\/td>\n<\/tr>\n
770<\/strong><\/td>\nDressed to Kill<\/strong><\/td>\n1980<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBrian De Palma<\/strong><\/td>\n<\/tr>\n
771<\/strong><\/td>\nTwo Days, One Night<\/strong><\/td>\n2014<\/strong><\/td>\nBelgique<\/strong><\/td>\nLuc Dardenne et Jean-Pierre Dardenne<\/strong><\/td>\n<\/tr>\n
772<\/strong><\/td>\nBlind Chance<\/strong><\/td>\n1981<\/strong><\/td>\nPologne<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
773<\/strong><\/td>\nBreaker Morant<\/strong><\/td>\n1980<\/strong><\/td>\n<\/td>\nBruce Beresford<\/strong><\/td>\n<\/tr>\n
774<\/strong><\/td>\nMister Johnson<\/strong><\/td>\n1990<\/strong><\/td>\n<\/td>\nBruce Beresford<\/strong><\/td>\n<\/tr>\n
775<\/strong><\/td>\nA Room with a View<\/strong><\/td>\n1986<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nJames Ivory<\/strong><\/td>\n<\/tr>\n
776<\/strong><\/td>\nMoonrise Kingdom<\/strong><\/td>\n2012<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
777<\/strong><\/td>\nThe Brood<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nDavid Cronenberg<\/strong><\/td>\n<\/tr>\n
778<\/strong><\/td>\nA Special Day<\/strong><\/td>\n1977<\/strong><\/td>\nItalie<\/strong><\/td>\nEttore Scola<\/strong><\/td>\n<\/tr>\n
779<\/strong><\/td>\nMulholland Dr.<\/strong><\/td>\n2001<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Lynch<\/strong><\/td>\n<\/tr>\n
780<\/strong><\/td>\nCode Unknown<\/strong><\/td>\n2000<\/strong><\/td>\n<\/td>\nMichael Haneke<\/strong><\/td>\n<\/tr>\n
781<\/strong><\/td>\nIn Cold Blood<\/strong><\/td>\n1967<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Brooks<\/strong><\/td>\n<\/tr>\n
782<\/strong><\/td>\nThe Apu Trilogy<\/strong><\/td>\n<\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
783<\/strong><\/td>\nPather Panchali<\/strong><\/td>\n1955<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
784<\/strong><\/td>\nAparajito<\/strong><\/td>\n1956<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
785<\/strong><\/td>\nApur Sansar<\/strong><\/td>\n1959<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
786<\/strong><\/td>\nDon’t Look Back<\/strong><\/td>\n1967<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nD.A. Pennebaker<\/strong><\/td>\n<\/tr>\n
787<\/strong><\/td>\nJellyfish Eyes<\/strong><\/td>\n2013<\/strong><\/td>\nJapon<\/strong><\/td>\nTakashi Murakami<\/strong><\/td>\n<\/tr>\n
788<\/strong><\/td>\nSpeedy<\/strong><\/td>\n1928<\/strong><\/td>\n<\/td>\nTed Wilde<\/strong><\/td>\n<\/tr>\n
789<\/strong><\/td>\nBurroughs: The Movie<\/strong><\/td>\n1983<\/strong><\/td>\n<\/td>\nHoward Brookner<\/strong><\/td>\n<\/tr>\n
790<\/strong><\/td>\nLady Snowblood<\/strong><\/td>\n1973<\/strong><\/td>\nJapon<\/strong><\/td>\nToshiya Fujita<\/strong><\/td>\n<\/tr>\n
791<\/strong><\/td>\nLady Snowblood: Love Song of Vengeance<\/strong><\/td>\n1974<\/strong><\/td>\nJapon<\/strong><\/td>\nToshiya Fujita<\/strong><\/td>\n<\/tr>\n
792<\/strong><\/td>\nBitter Rice<\/strong><\/td>\n1949<\/strong><\/td>\nItalie<\/strong><\/td>\nGiuseppe De Santis<\/strong><\/td>\n<\/tr>\n
793<\/strong><\/td>\nThe American Friend<\/strong><\/td>\n1977<\/strong><\/td>\n<\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
794<\/strong><\/td>\nInside Llewyn Davis<\/strong><\/td>\n2013<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJoel Coen et Ethan Coen<\/strong><\/td>\n<\/tr>\n
795<\/strong><\/td>\nGilda<\/strong><\/td>\n1946<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharles Vidor<\/strong><\/td>\n<\/tr>\n
796<\/strong><\/td>\nThe Emigrants<\/strong><\/td>\n1971<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nJan Troell<\/strong><\/td>\n<\/tr>\n
797<\/strong><\/td>\nThe New Land<\/strong><\/td>\n1972<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nJan Troell<\/strong><\/td>\n<\/tr>\n
798<\/strong><\/td>\nDeath by Hanging<\/strong><\/td>\n1968<\/strong><\/td>\nJapon<\/strong><\/td>\nNagisa Oshima<\/strong><\/td>\n<\/tr>\n
799<\/strong><\/td>\nThe Kid<\/strong><\/td>\n1921<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharlie Chaplin<\/strong><\/td>\n<\/tr>\n
800<\/strong><\/td>\nThe Graduate<\/strong><\/td>\n1967<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMike Nichols<\/strong><\/td>\n<\/tr>\n
801<\/strong><\/td>\nI Knew Her Well<\/strong><\/td>\n1965<\/strong><\/td>\nItalie<\/strong><\/td>\nAntonio Pietrangeli<\/strong><\/td>\n<\/tr>\n
802<\/strong><\/td>\nParis Belongs to Us<\/strong><\/td>\n1961<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Rivette<\/strong><\/td>\n<\/tr>\n
803<\/strong><\/td>\nThe Manchurian Candidate<\/strong><\/td>\n1962<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Frankenheimer<\/strong><\/td>\n<\/tr>\n
804<\/strong><\/td>\nA Brighter Summer Day<\/strong><\/td>\n1991<\/strong><\/td>\n<\/td>\nEdward Yang<\/strong><\/td>\n<\/tr>\n
805<\/strong><\/td>\nA Poem Is a Naked Person<\/strong><\/td>\n1974<\/strong><\/td>\n<\/td>\nLes Blank<\/strong><\/td>\n<\/tr>\n
806<\/strong><\/td>\nOnly Angels Have Wings<\/strong><\/td>\n1939<\/strong><\/td>\n<\/td>\nHoward Hawks<\/strong><\/td>\n<\/tr>\n
807<\/strong><\/td>\nBarcelona<\/strong><\/td>\n1994<\/strong><\/td>\n<\/td>\nWhit Stillman<\/strong><\/td>\n<\/tr>\n
808<\/strong><\/td>\nThe Kennedy Films of Rebert Drew & Associates<\/strong><\/td>\n<\/td>\n<\/td>\nRobert Drew<\/strong><\/td>\n<\/tr>\n
809<\/strong><\/td>\nPhoenix<\/strong><\/td>\n2014<\/strong><\/td>\n<\/td>\nChristian Petzold<\/strong><\/td>\n<\/tr>\n
810<\/strong><\/td>\nIn a Lonely Place<\/strong><\/td>\n1950<\/strong><\/td>\n<\/td>\nNicholas Ray<\/strong><\/td>\n<\/tr>\n
811<\/strong><\/td>\nThe Naked Island<\/strong><\/td>\n1960<\/strong><\/td>\nJapon<\/strong><\/td>\nKaneto Shindo<\/strong><\/td>\n<\/tr>\n
812<\/strong><\/td>\nThe Player<\/strong><\/td>\n1992<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
813<\/strong><\/td>\nWim Wenders: The Road Trilogy<\/strong><\/td>\n<\/td>\n<\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
814<\/strong><\/td>\nAlice in the Cities<\/strong><\/td>\n1974<\/strong><\/td>\n<\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
815<\/strong><\/td>\nWrong Move<\/strong><\/td>\n1975<\/strong><\/td>\n<\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
816<\/strong><\/td>\nKings of the Road<\/strong><\/td>\n1976<\/strong><\/td>\n<\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
817<\/strong><\/td>\nLe amiche<\/strong><\/td>\n1955<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
818<\/strong><\/td>\nLa chienne<\/strong><\/td>\n1931<\/strong><\/td>\nFrance<\/strong><\/td>\nJean Renoir<\/strong><\/td>\n<\/tr>\n
819<\/strong><\/td>\nHere Comes Mr. Jordan<\/strong><\/td>\n1941<\/strong><\/td>\n<\/td>\nAlexander Hall<\/strong><\/td>\n<\/tr>\n
820<\/strong><\/td>\nFantastic Planet<\/strong><\/td>\n1973<\/strong><\/td>\nFrance<\/strong><\/td>\nRen\u00e9 Laloux<\/strong><\/td>\n<\/tr>\n
821<\/strong><\/td>\nDr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb<\/strong><\/td>\n1964<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Kubrick<\/strong><\/td>\n<\/tr>\n
822<\/strong><\/td>\nClouds of Sils Maria<\/strong><\/td>\n2014<\/strong><\/td>\nFrance<\/strong><\/td>\nOlivier Assayas<\/strong><\/td>\n<\/tr>\n
823<\/strong><\/td>\nThe In-Laws<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nArthur Hiller<\/strong><\/td>\n<\/tr>\n
824<\/strong><\/td>\nMuriel, or The Time of Return<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nAlain Resnais<\/strong><\/td>\n<\/tr>\n
825<\/strong><\/td>\nA Touch of Zen<\/strong><\/td>\n1971<\/strong><\/td>\n<\/td>\nKing Hu<\/strong><\/td>\n<\/tr>\n
826<\/strong><\/td>\nThe New World<\/strong><\/td>\n2005<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerrence Malick<\/strong><\/td>\n<\/tr>\n
827<\/strong><\/td>\nMcCabe & Mrs. Miller<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Altman<\/strong><\/td>\n<\/tr>\n
828<\/strong><\/td>\nIngrid Bergman: In Her Own Words<\/strong><\/td>\n2015<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nStig Bj\u00f6rkman<\/strong><\/td>\n<\/tr>\n
829<\/strong><\/td>\nA Taste of Honey<\/strong><\/td>\n1961<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nTony Richardson<\/strong><\/td>\n<\/tr>\n
830<\/strong><\/td>\nChimes at Midnight<\/strong><\/td>\n1966<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOrson Welles<\/strong><\/td>\n<\/tr>\n
831<\/strong><\/td>\nThe Immortal Story<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOrson Welles<\/strong><\/td>\n<\/tr>\n
832<\/strong><\/td>\nThe Story of the Last Chrysanthemum<\/strong><\/td>\n1939<\/strong><\/td>\nJapon<\/strong><\/td>\nKenji Mizoguchi<\/strong><\/td>\n<\/tr>\n
833<\/strong><\/td>\nCat People<\/strong><\/td>\n1942<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Tourneur<\/strong><\/td>\n<\/tr>\n
834<\/strong><\/td>\nBlood Simple<\/strong><\/td>\n1984<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJoel Coen et Ethan Coen<\/strong><\/td>\n<\/tr>\n
835<\/strong><\/td>\nValley of the Dolls<\/strong><\/td>\n1967<\/strong><\/td>\n<\/td>\nMark Robson<\/strong><\/td>\n<\/tr>\n
836<\/strong><\/td>\nBeyond the Valley of the Dolls<\/strong><\/td>\n1970<\/strong><\/td>\n<\/td>\nRuss Meyer<\/strong><\/td>\n<\/tr>\n
837<\/strong><\/td>\nDekalog<\/strong><\/td>\n1988<\/strong><\/td>\nPologne<\/strong><\/td>\nKrzysztof Kieslowski<\/strong><\/td>\n<\/tr>\n
838<\/strong><\/td>\nPan’s Labyrinth<\/strong><\/td>\n2006<\/strong><\/td>\nMexique<\/strong><\/td>\nGuillermo del Toro<\/strong><\/td>\n<\/tr>\n
839<\/strong><\/td>\nBoyhood<\/strong><\/td>\n2014<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
840<\/strong><\/td>\nThe Executioner<\/strong><\/td>\n1963<\/strong><\/td>\n<\/td>\nLuis Garcia Berlanga<\/strong><\/td>\n<\/tr>\n
841<\/strong><\/td>\nLone Wolf and Cub<\/strong><\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
842<\/strong><\/td>\nAkira Kurosawa’s Dreams<\/strong><\/td>\n1990<\/strong><\/td>\nJapon<\/strong><\/td>\nAkira Kurosawa<\/strong><\/td>\n<\/tr>\n
843<\/strong><\/td>\nPunch-Drunk Love<\/strong><\/td>\n2002<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Thomas Anderson<\/strong><\/td>\n<\/tr>\n
844<\/strong><\/td>\nOne-Eyed Jacks<\/strong><\/td>\n1961<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMarlon Brando<\/strong><\/td>\n<\/tr>\n
845<\/strong><\/td>\nThe Squid and the Whale<\/strong><\/td>\n2005<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNoah Baumbach<\/strong><\/td>\n<\/tr>\n
846<\/strong><\/td>\nHeart of a Dog<\/strong><\/td>\n2015<\/strong><\/td>\n<\/td>\nLaurie Anderson<\/strong><\/td>\n<\/tr>\n
847<\/strong><\/td>\nThe Asphalt Jungle<\/strong><\/td>\n1950<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Huston<\/strong><\/td>\n<\/tr>\n
848<\/strong><\/td>\nRoma<\/strong><\/td>\n1972<\/strong><\/td>\nItalie<\/strong><\/td>\nFederico Fellini<\/strong><\/td>\n<\/tr>\n
849<\/strong><\/td>\nHis Girl Friday<\/strong><\/td>\n1940<\/strong><\/td>\n<\/td>\nHoward Hawks<\/strong><\/td>\n<\/tr>\n
850<\/strong><\/td>\nSomething Wild<\/strong><\/td>\n1961<\/strong><\/td>\n<\/td>\nJack Garfein<\/strong><\/td>\n<\/tr>\n
851<\/strong><\/td>\nFox and His Friends<\/strong><\/td>\n1975<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
852<\/strong><\/td>\nBlack Girl<\/strong><\/td>\n1966<\/strong><\/td>\n<\/td>\nOusmane Semb\u00e8ne<\/strong><\/td>\n<\/tr>\n
853<\/strong><\/td>\nCameraperson<\/strong><\/td>\n2016<\/strong><\/td>\n<\/td>\nKirsten Johnson<\/strong><\/td>\n<\/tr>\n
854<\/strong><\/td>\nThe Tree of Wooden Clogs<\/strong><\/td>\n1978<\/strong><\/td>\n<\/td>\nErmanno Olmi<\/strong><\/td>\n<\/tr>\n
855<\/strong><\/td>\nWomen on the Verge of a Nervous Breakdown<\/strong><\/td>\n1988<\/strong><\/td>\n<\/td>\nPedro Almodovar<\/strong><\/td>\n<\/tr>\n
856<\/strong><\/td>\nThe Before Trilogy<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
857<\/strong><\/td>\nBefore Sunrise<\/strong><\/td>\n1995<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
858<\/strong><\/td>\nBefore Sunset<\/strong><\/td>\n2004<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
859<\/strong><\/td>\nBeforme Midnight<\/strong><\/td>\n2013<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRichard Linklater<\/strong><\/td>\n<\/tr>\n
860<\/strong><\/td>\nMildred Pierce<\/strong><\/td>\n1945<\/strong><\/td>\n<\/td>\nMichael Curtiz<\/strong><\/td>\n<\/tr>\n
861<\/strong><\/td>\n45 Years<\/strong><\/td>\n2015<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nAndrew Haigh<\/strong><\/td>\n<\/tr>\n
862<\/strong><\/td>\nCanoa: A Shameful Memory<\/strong><\/td>\n1976<\/strong><\/td>\n<\/td>\nFelipe Cazals<\/strong><\/td>\n<\/tr>\n
863<\/strong><\/td>\nMultiple Maniacs<\/strong><\/td>\n1970<\/strong><\/td>\n<\/td>\nJohn Waters<\/strong><\/td>\n<\/tr>\n
864<\/strong><\/td>\nBeing There<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nHal Ashby<\/strong><\/td>\n<\/tr>\n
865<\/strong><\/td>\nBlow-Up<\/strong><\/td>\n1966<\/strong><\/td>\nItalie<\/strong><\/td>\nMichelangelo Antonioni<\/strong><\/td>\n<\/tr>\n
866<\/strong><\/td>\nBuena Vista Social Club<\/strong><\/td>\n1999<\/strong><\/td>\n<\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
867<\/strong><\/td>\nWoman of the Year<\/strong><\/td>\n1942<\/strong><\/td>\n<\/td>\nGeorges Stevens<\/strong><\/td>\n<\/tr>\n
868<\/strong><\/td>\nTampopo<\/strong><\/td>\n1985<\/strong><\/td>\nJapon<\/strong><\/td>\nJuzo Itami<\/strong><\/td>\n<\/tr>\n
869<\/strong><\/td>\nRumble Fish<\/strong><\/td>\n1983<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nFrancis Ford Coppola<\/strong><\/td>\n<\/tr>\n
870<\/strong><\/td>\nOthello<\/strong><\/td>\n1952<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOrson Welles<\/strong><\/td>\n<\/tr>\n
871<\/strong><\/td>\nDheepan<\/strong><\/td>\n2015<\/strong><\/td>\nFrance<\/strong><\/td>\nJacques Audiard<\/strong><\/td>\n<\/tr>\n
872<\/strong><\/td>\nGhost World<\/strong><\/td>\n2001<\/strong><\/td>\n<\/td>\nTerry Zwigoff<\/strong><\/td>\n<\/tr>\n
873<\/strong><\/td>\nMartin Scorsese’s World Cinema Project No. 2<\/strong><\/td>\n<\/td>\n<\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
874<\/strong><\/td>\nInsiang<\/strong><\/td>\n1976<\/strong><\/td>\n<\/td>\nLino Brocka<\/strong><\/td>\n<\/tr>\n
875<\/strong><\/td>\nMysterious Object at Noon<\/strong><\/td>\n2000<\/strong><\/td>\n<\/td>\nApichatpong Weerasethakul<\/strong><\/td>\n<\/tr>\n
876<\/strong><\/td>\nRevenge<\/strong><\/td>\n1989<\/strong><\/td>\n<\/td>\nErmek Shinarbaev<\/strong><\/td>\n<\/tr>\n
877<\/strong><\/td>\nLimite<\/strong><\/td>\n1931<\/strong><\/td>\n<\/td>\nMario Peixoto<\/strong><\/td>\n<\/tr>\n
878<\/strong><\/td>\nLaw of the Border<\/strong><\/td>\n1966<\/strong><\/td>\n<\/td>\nL\u00fctfi \u00d6. Akad<\/strong><\/td>\n<\/tr>\n
879<\/strong><\/td>\nTaipei Story<\/strong><\/td>\n1985<\/strong><\/td>\n<\/td>\nEdward Yang<\/strong><\/td>\n<\/tr>\n
880<\/strong><\/td>\nThey Live by Night<\/strong><\/td>\n1948<\/strong><\/td>\n<\/td>\nNicholas Ray<\/strong><\/td>\n<\/tr>\n
881<\/strong><\/td>\nThe Marseille Trilogy<\/strong><\/td>\n<\/td>\n<\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
882<\/strong><\/td>\nMarius<\/strong><\/td>\n1931<\/strong><\/td>\nFrance<\/strong><\/td>\nAlexander Korda<\/strong><\/td>\n<\/tr>\n
883<\/strong><\/td>\nFanny<\/strong><\/td>\n1932<\/strong><\/td>\nFrance<\/strong><\/td>\nMarc All\u00e9gret<\/strong><\/td>\n<\/tr>\n
884<\/strong><\/td>\nC\u00e9sar<\/strong><\/td>\n1936<\/strong><\/td>\nFrance<\/strong><\/td>\nMarcel Pagnol<\/strong><\/td>\n<\/tr>\n
885<\/strong><\/td>\nThe Lodger: A Story of the London Fog<\/strong><\/td>\n1927<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfred Hitchcock<\/strong><\/td>\n<\/tr>\n
886<\/strong><\/td>\nL’argent<\/strong><\/td>\n1983<\/strong><\/td>\nFrance<\/strong><\/td>\nRobert Bresson<\/strong><\/td>\n<\/tr>\n
887<\/strong><\/td>\nLost in America<\/strong><\/td>\n1985<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlbert Brooks<\/strong><\/td>\n<\/tr>\n
888<\/strong><\/td>\nStalker<\/strong><\/td>\n1979<\/strong><\/td>\nRussie<\/strong><\/td>\nAndrei Tarkovsky<\/strong><\/td>\n<\/tr>\n
889<\/strong><\/td>\nThe Breaking Point<\/strong><\/td>\n1950<\/strong><\/td>\n<\/td>\nMichael Curtiz<\/strong><\/td>\n<\/tr>\n
890<\/strong><\/td>\nMeantime<\/strong><\/td>\n1984<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMike Leigh<\/strong><\/td>\n<\/tr>\n
891<\/strong><\/td>\nLa poison<\/strong><\/td>\n1951<\/strong><\/td>\nFrance<\/strong><\/td>\nSacha Guitry<\/strong><\/td>\n<\/tr>\n
892<\/strong><\/td>\nFestival<\/strong><\/td>\n1967<\/strong><\/td>\n<\/td>\nMurray Lerner<\/strong><\/td>\n<\/tr>\n
893<\/strong><\/td>\nCertain Women<\/strong><\/td>\n2016<\/strong><\/td>\n<\/td>\nKelly Reichardt<\/strong><\/td>\n<\/tr>\n
894<\/strong><\/td>\nThe Piano Teacher<\/strong><\/td>\n2001<\/strong><\/td>\n<\/td>\nMichael Haneke<\/strong><\/td>\n<\/tr>\n
895<\/strong><\/td>\nDavid Lynch: The Art Life<\/strong><\/td>\n2016<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOlivia Neergaard-Holm, John Nguyen et Rick Barnes<\/strong><\/td>\n<\/tr>\n
896<\/strong><\/td>\nthe Lure<\/strong><\/td>\n2015<\/strong><\/td>\n<\/td>\nAgnieszka Smoczynska<\/strong><\/td>\n<\/tr>\n
897<\/strong><\/td>\nBarry Lyndon<\/strong><\/td>\n1975<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStanley Kubrick<\/strong><\/td>\n<\/tr>\n
898<\/strong><\/td>\nTwin Peaks: Fire Walk with Me<\/strong><\/td>\n1992<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Lynch<\/strong><\/td>\n<\/tr>\n
899<\/strong><\/td>\nPersonal Shopper<\/strong><\/td>\n2016<\/strong><\/td>\nFrance<\/strong><\/td>\nOlivier Assayas<\/strong><\/td>\n<\/tr>\n
900<\/strong><\/td>\n100 Years of Olympic Films: 1912-2012<\/strong><\/td>\n<\/td>\n<\/td>\nVarious<\/strong><\/td>\n<\/tr>\n
901<\/strong><\/td>\nThe Philadelphia Story<\/strong><\/td>\n1940<\/strong><\/td>\n<\/td>\nGeorge Cukor<\/strong><\/td>\n<\/tr>\n
902<\/strong><\/td>\nDesert Hearts<\/strong><\/td>\n1985<\/strong><\/td>\n<\/td>\nDonna Deitch<\/strong><\/td>\n<\/tr>\n
903<\/strong><\/td>\nJabberwocky<\/strong><\/td>\n1977<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerry Gilliam<\/strong><\/td>\n<\/tr>\n
904<\/strong><\/td>\nElection<\/strong><\/td>\n1999<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlexander Payne<\/strong><\/td>\n<\/tr>\n
905<\/strong><\/td>\nThe Breakfast Club<\/strong><\/td>\n1985<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Hughes<\/strong><\/td>\n<\/tr>\n
906<\/strong><\/td>\nI, Daniel Blake<\/strong><\/td>\n2016<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nKen Loach<\/strong><\/td>\n<\/tr>\n
907<\/strong><\/td>\nWestfront 1918<\/strong><\/td>\n1930<\/strong><\/td>\nAllemagne<\/strong><\/td>\nG.W. Pabst<\/strong><\/td>\n<\/tr>\n
908<\/strong><\/td>\nKameradschaft<\/strong><\/td>\n1930<\/strong><\/td>\nAllemagne<\/strong><\/td>\nG.W. Pabst<\/strong><\/td>\n<\/tr>\n
909<\/strong><\/td>\nNight of the Living Dead<\/strong><\/td>\n1968<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGeorge A. Romero<\/strong><\/td>\n<\/tr>\n
910<\/strong><\/td>\nTom Jones<\/strong><\/td>\n1963<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nTony Richardson<\/strong><\/td>\n<\/tr>\n
911<\/strong><\/td>\nThe Hero<\/strong><\/td>\n1966<\/strong><\/td>\nInde<\/strong><\/td>\nSatyajit Ray<\/strong><\/td>\n<\/tr>\n
912<\/strong><\/td>\nAn Actor’s Revenge<\/strong><\/td>\n1963<\/strong><\/td>\nJapon<\/strong><\/td>\nKon Ichikawa<\/strong><\/td>\n<\/tr>\n
913<\/strong><\/td>\nThe Age of Innocence<\/strong><\/td>\n1993<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMartin Scorsese<\/strong><\/td>\n<\/tr>\n
914<\/strong><\/td>\nBaal<\/strong><\/td>\n1970<\/strong><\/td>\nAllemagne<\/strong><\/td>\nVolker Schl\u00f6ndorff<\/strong><\/td>\n<\/tr>\n
915<\/strong><\/td>\nKing of Jazz<\/strong><\/td>\n1930<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Murray Anderson<\/strong><\/td>\n<\/tr>\n
916<\/strong><\/td>\nWomen in Love<\/strong><\/td>\n1969<\/strong><\/td>\n<\/td>\nKen Russell<\/strong><\/td>\n<\/tr>\n
917<\/strong><\/td>\nThe Awful Truth<\/strong><\/td>\n1937<\/strong><\/td>\n<\/td>\nLeo McCarey<\/strong><\/td>\n<\/tr>\n
918<\/strong><\/td>\nThe Color of Pomegranates<\/strong><\/td>\n1969<\/strong><\/td>\nRussie<\/strong><\/td>\nSergei Parajanov<\/strong><\/td>\n<\/tr>\n
919<\/strong><\/td>\nDead Man<\/strong><\/td>\n1995<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJim Jarmusch<\/strong><\/td>\n<\/tr>\n
920<\/strong><\/td>\nThe Virgin Suicides<\/strong><\/td>\n1999<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSofia Coppola<\/strong><\/td>\n<\/tr>\n
921<\/strong><\/td>\nMoonrise<\/strong><\/td>\n1948<\/strong><\/td>\n<\/td>\nFrank Borzage<\/strong><\/td>\n<\/tr>\n
922<\/strong><\/td>\nThe Other Side of Hope<\/strong><\/td>\n2017<\/strong><\/td>\nJapon<\/strong><\/td>\nAki Kaurism\u00e4ki<\/strong><\/td>\n<\/tr>\n
923<\/strong><\/td>\nBeyond the Hills<\/strong><\/td>\n2012<\/strong><\/td>\n<\/td>\nCristian Mungiu<\/strong><\/td>\n<\/tr>\n
924<\/strong><\/td>\nGraduation<\/strong><\/td>\n2016<\/strong><\/td>\n<\/td>\nCristian Mungiu<\/strong><\/td>\n<\/tr>\n
925<\/strong><\/td>\nMidnight Cowboy<\/strong><\/td>\n1969<\/strong><\/td>\n<\/td>\nJohn Schlesinger<\/strong><\/td>\n<\/tr>\n
926<\/strong><\/td>\nManila in the Claws of Light<\/strong><\/td>\n1975<\/strong><\/td>\n<\/td>\nLino Brocka<\/strong><\/td>\n<\/tr>\n
927<\/strong><\/td>\nEl Sur<\/strong><\/td>\n1983<\/strong><\/td>\n<\/td>\nVictor Erice<\/strong><\/td>\n<\/tr>\n
928<\/strong><\/td>\nBowling for Columbine<\/strong><\/td>\n2002<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMichael Moore<\/strong><\/td>\n<\/tr>\n
929<\/strong><\/td>\nFemale Trouble<\/strong><\/td>\n1974<\/strong><\/td>\n<\/td>\nJohn Waters<\/strong><\/td>\n<\/tr>\n
930<\/strong><\/td>\nDietrich & von Sternberg in Hollywood<\/strong><\/td>\n<\/td>\n<\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
931<\/strong><\/td>\nMorocco<\/strong><\/td>\n1930<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
932<\/strong><\/td>\nDishonored<\/strong><\/td>\n1931<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
933<\/strong><\/td>\nShanghai Express<\/strong><\/td>\n1932<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
934<\/strong><\/td>\nBlonde Venus<\/strong><\/td>\n1932<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
935<\/strong><\/td>\nThe Devil Is a Woman<\/strong><\/td>\n1935<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJosef von Sternberg<\/strong><\/td>\n<\/tr>\n
936<\/strong><\/td>\nBull Durham<\/strong><\/td>\n1988<\/strong><\/td>\n<\/td>\nRon Shelton<\/strong><\/td>\n<\/tr>\n
937<\/strong><\/td>\nDragon Inn<\/strong><\/td>\n1967<\/strong><\/td>\n<\/td>\nKing Hu<\/strong><\/td>\n<\/tr>\n
938<\/strong><\/td>\nSex, Lies, and Videotape<\/strong><\/td>\n1989<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSteven Soderbergh<\/strong><\/td>\n<\/tr>\n
939<\/strong><\/td>\nA Matter of Life and Death<\/strong><\/td>\n1946<\/strong><\/td>\n<\/td>\nMichael Powell et Emeric Pressburger<\/strong><\/td>\n<\/tr>\n
940<\/strong><\/td>\nThe Ballad of Gregorio Cortez<\/strong><\/td>\n1982<\/strong><\/td>\n<\/td>\nRobert M. Young<\/strong><\/td>\n<\/tr>\n
941<\/strong><\/td>\nSmithereens<\/strong><\/td>\n1982<\/strong><\/td>\n<\/td>\nSusan Seidelman<\/strong><\/td>\n<\/tr>\n
942<\/strong><\/td>\nThe Tree of Life<\/strong><\/td>\n2011<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nTerrence Malick<\/strong><\/td>\n<\/tr>\n
943<\/strong><\/td>\nMemories of Underdevelopment<\/strong><\/td>\n1968<\/strong><\/td>\n<\/td>\nTomas Gutierrez Alea<\/strong><\/td>\n<\/tr>\n
944<\/strong><\/td>\nCold Water<\/strong><\/td>\n1994<\/strong><\/td>\nFrance<\/strong><\/td>\nOlivier Assayas<\/strong><\/td>\n<\/tr>\n
945<\/strong><\/td>\nA Raisin in the Sun<\/strong><\/td>\n1961<\/strong><\/td>\n<\/td>\nDaniel Petrie<\/strong><\/td>\n<\/tr>\n
946<\/strong><\/td>\nEight Hours Don’t Make a Day<\/strong><\/td>\n1972<\/strong><\/td>\nAllemagne<\/strong><\/td>\nRainer Werner Fassbinder<\/strong><\/td>\n<\/tr>\n
947<\/strong><\/td>\nShampoo<\/strong><\/td>\n1975<\/strong><\/td>\n<\/td>\nHal Ashby<\/strong><\/td>\n<\/tr>\n
948<\/strong><\/td>\nThe Princess Bride<\/strong><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRob Reiner<\/strong><\/td>\n<\/tr>\n
949<\/strong><\/td>\nA Story from Chikamatsu<\/strong><\/td>\n1954<\/strong><\/td>\nJapon<\/strong><\/td>\nKenji Mizoguchi<\/strong><\/td>\n<\/tr>\n
950<\/strong><\/td>\nSome Like It Hot<\/strong><\/td>\n1959<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBilly Wilder<\/strong><\/td>\n<\/tr>\n
951<\/strong><\/td>\nTrue Stories<\/strong><\/td>\n1986<\/strong><\/td>\n<\/td>\nDavid Byrne<\/strong><\/td>\n<\/tr>\n
952<\/strong><\/td>\nThe Magnificent Ambersons<\/strong><\/td>\n1942<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nOrson Welles<\/strong><\/td>\n<\/tr>\n
953<\/strong><\/td>\nA Dry White Season<\/strong><\/td>\n1989<\/strong><\/td>\n<\/td>\nEuzhan Palcy<\/strong><\/td>\n<\/tr>\n
954<\/strong><\/td>\nForty Guns<\/strong><\/td>\n1957<\/strong><\/td>\n<\/td>\nSamuel Fuller<\/strong><\/td>\n<\/tr>\n
955<\/strong><\/td>\nPanique<\/strong><\/td>\n1946<\/strong><\/td>\nFrance<\/strong><\/td>\nJulien Duvivier<\/strong><\/td>\n<\/tr>\n
956<\/strong><\/td>\n24 Frames<\/strong><\/td>\n2017<\/strong><\/td>\n<\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
957<\/strong><\/td>\nMikey and Nicky<\/strong><\/td>\n1976<\/strong><\/td>\n<\/td>\nElaine May<\/strong><\/td>\n<\/tr>\n
958<\/strong><\/td>\n4 Months, 3 Weeks and 2 Days<\/strong><\/td>\n2007<\/strong><\/td>\nFrance<\/strong><\/td>\nCristian Mungiu<\/strong><\/td>\n<\/tr>\n
959<\/strong><\/td>\nIn the Heat of the Night<\/strong><\/td>\n1967<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nNorman Jewison<\/strong><\/td>\n<\/tr>\n
960<\/strong><\/td>\nLa v\u00e9rit\u00e9<\/strong><\/td>\n1960<\/strong><\/td>\nFrance<\/strong><\/td>\nHenri-Georges Clouzot<\/strong><\/td>\n<\/tr>\n
961<\/strong><\/td>\nShame<\/strong><\/td>\n1968<\/strong><\/td>\nSu\u00e8de<\/strong><\/td>\nIngmar Bergman<\/strong><\/td>\n<\/tr>\n
962<\/strong><\/td>\nDeath in Venice<\/strong><\/td>\n1972<\/strong><\/td>\nItalie<\/strong><\/td>\nLuchino Visconti<\/strong><\/td>\n<\/tr>\n
963<\/strong><\/td>\nTo Sleep with Anger<\/strong><\/td>\n1990<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharles Burnett<\/strong><\/td>\n<\/tr>\n
964<\/strong><\/td>\nThe Kid Brother<\/strong><\/td>\n1927<\/strong><\/td>\n<\/td>\nTed Wilde<\/strong><\/td>\n<\/tr>\n
965<\/strong><\/td>\nWanda<\/strong><\/td>\n1970<\/strong><\/td>\n<\/td>\nBarbara Loden<\/strong><\/td>\n<\/tr>\n
966<\/strong><\/td>\nDetour<\/strong><\/td>\n1945<\/strong><\/td>\n<\/td>\nEdgar G. Ulmer<\/strong><\/td>\n<\/tr>\n
967<\/strong><\/td>\nI Wanna Hold Your Hand<\/strong><\/td>\n1978<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nRobert Zemeckis<\/strong><\/td>\n<\/tr>\n
968<\/strong><\/td>\nJapon<\/strong><\/td>\n2002<\/strong><\/td>\n<\/td>\nCarlos Reygadas<\/strong><\/td>\n<\/tr>\n
969<\/strong><\/td>\nDiamonds of the Night<\/strong><\/td>\n1964<\/strong><\/td>\n<\/td>\nJan Nemec<\/strong><\/td>\n<\/tr>\n
970<\/strong><\/td>\nA Face in the Crowd<\/strong><\/td>\n1957<\/strong><\/td>\n<\/td>\nElia Kazan<\/strong><\/td>\n<\/tr>\n
971<\/strong><\/td>\nPolice Story<\/strong><\/td>\n1985<\/strong><\/td>\nChine<\/strong><\/td>\nJackie Chan<\/strong><\/td>\n<\/tr>\n
972<\/strong><\/td>\nPolice Story 2<\/strong><\/td>\n1988<\/strong><\/td>\nChine<\/strong><\/td>\nJackie Chan<\/strong><\/td>\n<\/tr>\n
973<\/strong><\/td>\nMy Brilliant Career<\/strong><\/td>\n1979<\/strong><\/td>\n<\/td>\nGillian Armstrong<\/strong><\/td>\n<\/tr>\n
974<\/strong><\/td>\nThe Heiress<\/strong><\/td>\n1949<\/strong><\/td>\n<\/td>\nWilliam Wyler<\/strong><\/td>\n<\/tr>\n
975<\/strong><\/td>\nFunny Games<\/strong><\/td>\n1997<\/strong><\/td>\n<\/td>\nMichael Haneke<\/strong><\/td>\n<\/tr>\n
976<\/strong><\/td>\nLet the Sunshine In<\/strong><\/td>\n2017<\/strong><\/td>\n<\/td>\nClaire Denis<\/strong><\/td>\n<\/tr>\n
977<\/strong><\/td>\nBlue Velvet<\/strong><\/td>\n1986<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDavid Lynch<\/strong><\/td>\n<\/tr>\n
978<\/strong><\/td>\nOne Sings, the Oter Doesn’t<\/strong><\/td>\n1977<\/strong><\/td>\nFrance<\/strong><\/td>\nAgn\u00e8s Varda<\/strong><\/td>\n<\/tr>\n
979<\/strong><\/td>\nSwing Time<\/strong><\/td>\n1936<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGeorge Stevens<\/strong><\/td>\n<\/tr>\n
980<\/strong><\/td>\nLa vie de J\u00e9sus<\/strong><\/td>\n1997<\/strong><\/td>\nFrance<\/strong><\/td>\nBruno Dumont<\/strong><\/td>\n<\/tr>\n
981<\/strong><\/td>\nL’humanit\u00e9<\/strong><\/td>\n1999<\/strong><\/td>\nFrance<\/strong><\/td>\nBruno Dumont<\/strong><\/td>\n<\/tr>\n
982<\/strong><\/td>\nHedwig and the Angry Inch<\/strong><\/td>\n2001<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cameron Mitchell<\/strong><\/td>\n<\/tr>\n
983<\/strong><\/td>\nWar and Peace<\/strong><\/td>\n1966<\/strong><\/td>\nRussie<\/strong><\/td>\nSergei Bondarchuk<\/strong><\/td>\n<\/tr>\n
984<\/strong><\/td>\n1984<\/strong><\/td>\n1984<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nMichael Radford<\/strong><\/td>\n<\/tr>\n
985<\/strong><\/td>\nEuropa Europa<\/strong><\/td>\n1990<\/strong><\/td>\nAllemagne<\/strong><\/td>\nAgnieszka Holland<\/strong><\/td>\n<\/tr>\n
986<\/strong><\/td>\nThe Baker’s Wife<\/strong><\/td>\n1938<\/strong><\/td>\nFrance<\/strong><\/td>\nMarcel Pagnol<\/strong><\/td>\n<\/tr>\n
987<\/strong><\/td>\nKlute<\/strong><\/td>\n1971<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlan J. Pakula<\/strong><\/td>\n<\/tr>\n
988<\/strong><\/td>\nThe Inland Sea<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLucille Carra<\/strong><\/td>\n<\/tr>\n
989<\/strong><\/td>\nThe Flavor of Green Tea over Rice<\/strong><\/td>\n1952<\/strong><\/td>\nJapon<\/strong><\/td>\nYasujiro Ozu<\/strong><\/td>\n<\/tr>\n
990<\/strong><\/td>\nWhere Is the Friend’s House?<\/strong><\/td>\n1987<\/strong><\/td>\nIran<\/strong><\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
991<\/strong><\/td>\nAnd Life Goes On<\/strong><\/td>\n1992<\/strong><\/td>\nIran<\/strong><\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
992<\/strong><\/td>\nThrough the Olive Trees<\/strong><\/td>\n1994<\/strong><\/td>\nIran<\/strong><\/td>\nAbbas Kiarostami<\/strong><\/td>\n<\/tr>\n
993<\/strong><\/td>\nThe Cloud-Capped Star<\/strong><\/td>\n1960<\/strong><\/td>\nInde<\/strong><\/td>\nRitwik Ghatak<\/strong><\/td>\n<\/tr>\n
994<\/strong><\/td>\nLocal Hero<\/strong><\/td>\n1983<\/strong><\/td>\nRoyaume-Uni<\/strong><\/td>\nBill Forsyth<\/strong><\/td>\n<\/tr>\n
995<\/strong><\/td>\nPolyester<\/strong><\/td>\n1981<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Waters<\/strong><\/td>\n<\/tr>\n
996<\/strong><\/td>\nThe Circus<\/strong><\/td>\n1928<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nCharles Chaplin<\/strong><\/td>\n<\/tr>\n
997<\/strong><\/td>\nCluny Brown<\/strong><\/td>\n1946<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nErnst Lubitsch<\/strong><\/td>\n<\/tr>\n
998<\/strong><\/td>\nWhen We Were Kings<\/strong><\/td>\n1996<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nLeon Gast<\/strong><\/td>\n<\/tr>\n
999<\/strong><\/td>\nMatewan<\/strong><\/td>\n1987<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Sayles<\/strong><\/td>\n<\/tr>\n
1000<\/strong><\/td>\nGodzilla: The Showa-Era Films, 1954-1975<\/strong><\/td>\n<\/td>\nJapon<\/strong><\/td>\n<\/td>\n<\/tr>\n
1001<\/strong><\/td>\nThe Daytrippers<\/strong><\/td>\n1996<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGreg Mottola<\/strong><\/td>\n<\/tr>\n
1002<\/strong><\/td>\nBetty Blue<\/strong><\/td>\n1986<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Jacques Beineix<\/strong><\/td>\n<\/tr>\n
1003<\/strong><\/td>\nAll About Eve<\/strong><\/td>\n1950<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJoseph L. Mankiewicz<\/strong><\/td>\n<\/tr>\n
1004<\/strong><\/td>\nNow, Voyager<\/strong><\/td>\n1942<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nIrving Rapper<\/strong><\/td>\n<\/tr>\n
1005<\/strong><\/td>\nCold War<\/strong><\/td>\n2018<\/strong><\/td>\nPologne<\/strong><\/td>\nPawel Pawlikowski<\/strong><\/td>\n<\/tr>\n
1006<\/strong><\/td>\nThe Story of Temple Drake<\/strong><\/td>\n1933<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nStephen Roberts<\/strong><\/td>\n<\/tr>\n
1007<\/strong><\/td>\nUntil the End of the World<\/strong><\/td>\n1991<\/strong><\/td>\nAllemagne<\/strong><\/td>\nWim Wenders<\/strong><\/td>\n<\/tr>\n
1008<\/strong><\/td>\nOld Joy<\/strong><\/td>\n2006<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nKelly Reichardt<\/strong><\/td>\n<\/tr>\n
1009<\/strong><\/td>\nHoliday<\/strong><\/td>\n1938<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGeorge Cukor<\/strong><\/td>\n<\/tr>\n
1010<\/strong><\/td>\nLe petit soldat<\/strong><\/td>\n1963<\/strong><\/td>\nFrance<\/strong><\/td>\nJean-Luc Godard<\/strong><\/td>\n<\/tr>\n
1011<\/strong><\/td>\nFail Safe<\/strong><\/td>\n1964<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSidney Lumet<\/strong><\/td>\n<\/tr>\n
1012<\/strong><\/td>\nAll About My Mother<\/strong><\/td>\n1999<\/strong><\/td>\nEspagne<\/strong><\/td>\nPedro Almodovar<\/strong><\/td>\n<\/tr>\n
1013<\/strong><\/td>\nTeorema<\/strong><\/td>\n1968<\/strong><\/td>\nItalie<\/strong><\/td>\nPier Paolo Pasolini<\/strong><\/td>\n<\/tr>\n
1014<\/strong><\/td>\nRoma<\/strong><\/td>\n2018<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nAlfonso Cuaron<\/strong><\/td>\n<\/tr>\n
1015<\/strong><\/td>\nJourney to the Beginning of Time<\/strong><\/td>\n1955<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nKarel Zeman<\/strong><\/td>\n<\/tr>\n
1016<\/strong><\/td>\nInvention for Destruction<\/strong><\/td>\n1958<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nKarel Zeman<\/strong><\/td>\n<\/tr>\n
1017<\/strong><\/td>\nThe Fabulous Baron Munchausen<\/strong><\/td>\n1962<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nKarel Zeman<\/strong><\/td>\n<\/tr>\n
1018<\/strong><\/td>\nParis Is Burning<\/strong><\/td>\n1990<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJennie Livingston<\/strong><\/td>\n<\/tr>\n
1019<\/strong><\/td>\nBamboozled<\/strong><\/td>\n2000<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nSpike Lee<\/strong><\/td>\n<\/tr>\n
1020<\/strong><\/td>\nLeave Her to Heaven<\/strong><\/td>\n1945<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn M. Stahl<\/strong><\/td>\n<\/tr>\n
1021<\/strong><\/td>\nShow Boat<\/strong><\/td>\n1936<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJames Whale<\/strong><\/td>\n<\/tr>\n
1022<\/strong><\/td>\nThe Prince of Tides<\/strong><\/td>\n1991<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nBarbra Steisand<\/strong><\/td>\n<\/tr>\n
1023<\/strong><\/td>\nThe Cremator<\/strong><\/td>\n1969<\/strong><\/td>\nR\u00e9publique Tch\u00e8que<\/strong><\/td>\nJuraj Herz<\/strong><\/td>\n<\/tr>\n
1024<\/strong><\/td>\nDestry Rides Again<\/strong><\/td>\n1939<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nGeorge Marshall<\/strong><\/td>\n<\/tr>\n
1025<\/strong><\/td>\nThe Grand Budapest Hotel<\/strong><\/td>\n2014<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nWes Anderson<\/strong><\/td>\n<\/tr>\n
1026<\/strong><\/td>\nMe and You and Everyone We Know<\/strong><\/td>\n2005<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMiranda July<\/strong><\/td>\n<\/tr>\n
1027<\/strong><\/td>\nThe Great Escape<\/strong><\/td>\n1963<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Sturges<\/strong><\/td>\n<\/tr>\n
1028<\/strong><\/td>\nDance, Girl, Dance<\/strong><\/td>\n1940<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nDorothy Arzner<\/strong><\/td>\n<\/tr>\n
1029<\/strong><\/td>\nHusbands<\/strong><\/td>\n1970<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nJohn Cassavetes<\/strong><\/td>\n<\/tr>\n
1030<\/strong><\/td>\nScorsese Shorts<\/strong><\/td>\n<\/td>\n\u00c9tats-Unis<\/strong><\/td>\nMartin Scorsese<\/strong><\/td>\n<\/tr>\n
1031<\/strong><\/td>\nWildlife<\/strong><\/td>\n2018<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Dano<\/strong><\/td>\n<\/tr>\n
1032<\/strong><\/td>\nAn Unmarried Woman<\/strong><\/td>\n1978<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nPaul Mazursky<\/strong><\/td>\n<\/tr>\n
1033<\/strong><\/td>\nThe Cameraman<\/strong><\/td>\n1928<\/strong><\/td>\n\u00c9tats-Unis<\/strong><\/td>\nEdward Sedgwick<\/strong><\/td>\n<\/tr>\n
1034<\/strong><\/td>\nPortrait of a Lady on Fire<\/a><\/strong><\/td>\n2019<\/strong><\/td>\nFrance<\/strong><\/td>\nC\u00e9line Sciamma<\/strong><\/td>\n<\/tr>\n
1035<\/strong><\/td>\nCome and See<\/strong><\/td>\n1985<\/strong><\/td>\nRussie<\/strong><\/td>\nElem Klimov<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Vous trouverez ici-bas tous les films faisant partie de la c\u00e9l\u00e8bre Collection Criterion, qui s’affaire \u00e0 pr\u00e9server et restaurer les films importants de l’Humanit\u00e9, que...<\/p>\n","protected":false},"author":17,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":"","footnotes":""},"class_list":["post-1871","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/pages\/1871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/comments?post=1871"}],"version-history":[{"count":41,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/pages\/1871\/revisions"}],"predecessor-version":[{"id":2898,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/pages\/1871\/revisions\/2898"}],"wp:attachment":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/media?parent=1871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}