{"id":83,"date":"2019-10-03T21:49:39","date_gmt":"2019-10-03T19:49:39","guid":{"rendered":"https:\/\/historiamatica.ca\/cine-histoire\/?p=83"},"modified":"2020-01-12T23:50:37","modified_gmt":"2020-01-12T22:50:37","slug":"octobre","status":"publish","type":"post","link":"https:\/\/historiamatica.ca\/cine-histoire\/2019\/10\/03\/octobre\/","title":{"rendered":"Octobre"},"content":{"rendered":"\r\n
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Interpr\u00e9tations<\/td>\r\n5\/5<\/td>\r\n– Le quatuor form\u00e9 de Luc Picard, Hugo Dub\u00e9, Pierre Rivard et Denis Trudel est excellent
– Serge Houde est tr\u00e8s cr\u00e9dible dans le r\u00f4le de Pierre Laporte
– Une bonne distribution secondaire<\/td>\r\n<\/tr>\r\n
Sc\u00e9nario<\/td>\r\n4.5\/5<\/td>\r\n– Tr\u00e8s bonne \u00ab\u00a0adaptation\u00a0\u00bb du livre de Francis Simard
– Excellent huis clos
– Belle \u00e9volution de personnages, qui permet de plonger dans leur psych\u00e9
– Un peu trop formel<\/td>\r\n<\/tr>\r\n
Aspects techniques (r\u00e9alisation, cin\u00e9matographie, montage, bruitage)<\/td>\r\n4.5\/5<\/td>\r\n– Falardeau au sommet de son art
– Excellent montage
– De bons choix artistiques
– Image terne mais somme toute ad\u00e9quate<\/td>\r\n<\/tr>\r\n
Univers (musique, d\u00e9cors, costumes, maquillages)<\/td>\r\n4\/5<\/td>\r\n– Une ambiance qui s\u2019alourdit au fil du r\u00e9cit
– De bons d\u00e9cors
– Musique de circonstance
– Huis-clos assum\u00e9<\/td>\r\n<\/tr>\r\n
Appr\u00e9ciation g\u00e9n\u00e9rale<\/td>\r\n4\/5<\/td>\r\n– Tr\u00e8s bonne reconstitution des \u00e9v\u00e9nements
– Huis clos int\u00e9ressant
– Une histoire et une \u00e9volution int\u00e9ressante
– Manque un peu de p\u00e9rip\u00e9ties<\/td>\r\n<\/tr>\r\n
Total<\/strong><\/td>\r\n88%<\/strong><\/td>\r\nOctobre<\/em><\/strong> est probablement le meilleur film de Pierre Falardeau. Projet de longue haleine, il aura fallu pr\u00e8s de 10 ans avant qu\u2019il obtienne le financement n\u00e9cessaire \u00e0 sa r\u00e9alisation. L\u2019humanisation des kidnappeurs de Pierre Laporte permet de comprendre pourquoi un tel geste a \u00e9t\u00e9 pos\u00e9, mais \u00e9galement comment ceux-ci ont v\u00e9cu l\u2019\u00e9v\u00e9nement de l\u2019int\u00e9rieur. Les remises en question sont nombreuses plus les jours avancent, et eux-m\u00eames se sentent d\u00e9pass\u00e9s par les \u00e9v\u00e9nements. L\u2019un des plus grands films qu\u00e9b\u00e9cois, sur l\u2019un des \u00e9v\u00e9nements les plus tragiques et complexes de notre histoire.<\/strong><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n","protected":false},"excerpt":{"rendered":"

Interpr\u00e9tations 5\/5 – Le quatuor form\u00e9 de Luc Picard, Hugo Dub\u00e9, Pierre Rivard et Denis Trudel est excellent– Serge Houde est tr\u00e8s cr\u00e9dible dans le...<\/p>\n","protected":false},"author":17,"featured_media":84,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":""},"categories":[237,3,100],"tags":[73,20,75,71,70,76,69,72,74],"class_list":["post-83","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-237","category-critique","category-drame","tag-denis-trudel","tag-film-quebecois","tag-francis-simard","tag-hugo-dube","tag-luc-picard","tag-octobre","tag-pierre-falardeau","tag-pierre-rivard","tag-serge-houde"],"jetpack_featured_media_url":"https:\/\/historiamatica.ca\/cine-histoire\/wp-content\/uploads\/sites\/29\/2019\/10\/octobre_falardeau-e1576097937667.jpg","_links":{"self":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts\/83","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/comments?post=83"}],"version-history":[{"count":3,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts\/83\/revisions"}],"predecessor-version":[{"id":1100,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts\/83\/revisions\/1100"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/media\/84"}],"wp:attachment":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/media?parent=83"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/categories?post=83"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/tags?post=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}