{"id":90,"date":"2019-10-03T21:58:11","date_gmt":"2019-10-03T19:58:11","guid":{"rendered":"https:\/\/historiamatica.ca\/cine-histoire\/?p=90"},"modified":"2020-01-12T23:47:16","modified_gmt":"2020-01-12T22:47:16","slug":"the-gay-divorcee","status":"publish","type":"post","link":"https:\/\/historiamatica.ca\/cine-histoire\/2019\/10\/03\/the-gay-divorcee\/","title":{"rendered":"The Gay Divorcee"},"content":{"rendered":"\r\n\r\n\r\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1075\" src=\"https:\/\/historiamatica.ca\/cine-histoire\/wp-content\/uploads\/sites\/29\/2019\/12\/Rating-35-300x76.png\" alt=\"\" width=\"300\" height=\"76\" \/><\/p>\r\n<p><strong>Tr\u00e8s bonne collaboration entre Astaire et Rogers (leur 2<sup>e <\/sup>de plusieurs \u00e0 venir). Quelques sc\u00e8nes sont remarquables, notamment la chor\u00e9graphie de la chanson \u00ab\u00a0Continental\u00a0\u00bb. On passe un bon moment \u00e0 regarder l\u2019un des plus c\u00e9l\u00e8bres duos de l\u2019histoire du cin\u00e9ma. Il s\u2019appr\u00e9cie mieux comme regard vers le pass\u00e9 plut\u00f4t que divertissement contemporain.<\/strong><\/p>\r\n<table class=\"wp-block-table\">\r\n<tbody>\r\n<tr>\r\n<td>Interpr\u00e9tations<\/td>\r\n<td>4\/5<\/td>\r\n<td>&#8211; Fred Astaire et Ginger Rogers en grande forme<br \/>&#8211; Des chor\u00e9graphies tr\u00e8s soign\u00e9e<br \/>&#8211; Erik Rhodes assez comique<br \/>&#8211; Des personnages secondaires oubliables<br \/>&#8211; Alice Brady ordinaire<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Sc\u00e9nario<\/td>\r\n<td>3\/5<\/td>\r\n<td>&#8211; Quelques bonnes blagues<br \/>&#8211; Un sc\u00e9nario assez simpliste<br \/>&#8211; Des personnages peu d\u00e9velopp\u00e9s<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Aspects techniques (r\u00e9alisation, cin\u00e9matographie, montage, bruitage)<\/td>\r\n<td>4\/5<\/td>\r\n<td>&#8211; Chor\u00e9graphie sur \u00ab\u00a0Continental\u00a0\u00bb ambitieuse et tr\u00e8s dynamique<br \/>&#8211; De bons effets de montage<br \/>&#8211; Une r\u00e9alisation tr\u00e8s efficace<br \/>&#8211; Tr\u00e8s belle image<br \/>&#8211; Quelques probl\u00e8mes de sons (malgr\u00e9 la nomination aux Oscars)<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Univers (musique, d\u00e9cors, costumes, maquillages)<\/td>\r\n<td>4\/5<\/td>\r\n<td>&#8211; Tr\u00e8s bonnes chansons<br \/>&#8211; Excellentes chor\u00e9graphies<br \/>&#8211; Tr\u00e8s beaux d\u00e9cors<br \/>&#8211; Costumes trop simples<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Appr\u00e9ciation g\u00e9n\u00e9rale<\/td>\r\n<td>3\/5<\/td>\r\n<td>&#8211; Toujours plaisant de regarder le duo Astaire\/Rogers<br \/>&#8211; De belles chor\u00e9graphies<br \/>&#8211; Quelques longueurs<br \/>&#8211; Pas un grand fan des com\u00e9dies musicales<\/td>\r\n<\/tr>\r\n<tr>\r\n<td><strong>Total<\/strong><\/td>\r\n<td><strong>72%<\/strong><\/td>\r\n<td><strong>Tr\u00e8s bonne collaboration entre Astaire et Rogers (leur 2<sup>e <\/sup>de plusieurs \u00e0 venir). Quelques sc\u00e8nes sont remarquables, notamment la chor\u00e9graphie de la chanson \u00ab\u00a0Continental\u00a0\u00bb. On passe un bon moment \u00e0 regarder l\u2019un des plus c\u00e9l\u00e8bres duos de l\u2019histoire du cin\u00e9ma. Il s\u2019appr\u00e9cie mieux comme regard vers le pass\u00e9 plut\u00f4t que divertissement contemporain. <\/strong><\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n","protected":false},"excerpt":{"rendered":"<p>Tr\u00e8s bonne collaboration entre Astaire et Rogers (leur 2e de plusieurs \u00e0 venir). Quelques sc\u00e8nes sont remarquables, notamment la chor\u00e9graphie de la chanson \u00ab\u00a0Continental\u00a0\u00bb. On&#46;&#46;&#46;<\/p>\n","protected":false},"author":17,"featured_media":91,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","footnotes":""},"categories":[177,93,123,3],"tags":[84,83,81,82,85,86],"class_list":["post-90","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-177","category-comedie","category-comedie-musicale","category-critique","tag-alice-brady","tag-erik-rhodes","tag-fred-astaire","tag-ginger-rogers","tag-mark-sandrich","tag-the-gay-divorcee"],"jetpack_featured_media_url":"https:\/\/historiamatica.ca\/cine-histoire\/wp-content\/uploads\/sites\/29\/2019\/10\/the-gay-divorcee-e1576098537634.jpg","_links":{"self":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts\/90","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/comments?post=90"}],"version-history":[{"count":10,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts\/90\/revisions"}],"predecessor-version":[{"id":1095,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/posts\/90\/revisions\/1095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/media\/91"}],"wp:attachment":[{"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/media?parent=90"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/categories?post=90"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiamatica.ca\/cine-histoire\/wp-json\/wp\/v2\/tags?post=90"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}