Cette page recense les films inclus dans le livre « The 1001 Movies You Must See Before You Die » dirigé par Steven Jay Schneider. Le tableau suivant comprend les films dans l’édition actuelle du livre (2019, 13e édition). Le tableau suivant présente tous les autres films qui ont été retirés à un moment ou à un autre, parmi les 12 éditions antérieures)
1001 films à voir avant de mourir
| Année | Titre original | Réalisateur | Pays |
|---|---|---|---|
| 1902 | Le voyage dans la lune (A Trip to the Moon) | Georges Méliès | France |
| 1903 | The Great Train Robbery | Edwin S. Porter | États-Unis |
| 1915 | The Birth of a Nation | D. W. Griffith | États-Unis |
| 1915 | Les vampires (The Vampires) | Louis Feuillade | France |
| 1916 | Intolerance: Love's Struggle Throughout the Ages | D. W. Griffith | États-Unis |
| 1920 | Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari) | Robert Wiene | Allemagne |
| 1919 (mauvaise année dans le livre) | Broken Blossoms | D. W. Griffith | États-Unis |
| 1920 | Within Our Gates | Oscar Micheaux | États-Unis |
| 1921 | Orphans of the Storm | D. W. Griffith | États-Unis |
| 1921 | Körkarlen (The Phantom Carriage) | Victor Sjöström | Suède |
| 1923 (mauvaise année dans le livre) | La souriante Madame Beudet (The Smiling Madame Beudet) | Germaine Dulac | France |
| 1922 | Dr. Mabuse, der Spieler (Dr. Mabuse the Gambler) | Fritz Lang | Allemagne |
| 1922 | Nanook of the North | Robert J. Flaherty | États-Unis |
| 1922 | Nosferatu | F. W. Murnau | Allemagne |
| 1922 | Häxan | Benjamin Christensen | Suède, Danemark |
| 1922 | Foolish Wives | Erich von Stroheim | États-Unis |
| 1923 | Our Hospitality | Buster Keaton | États-Unis |
| 1923 | La roue (The Wheel) | Abel Gance | France |
| 1924 | Der letzte Mann (The Last Laugh) | F. W. Murnau | Allemagne |
| 1925 (mauvaise année dans le livre) | Stachka (Strike) | Sergei Eisenstein | U.R.S.S. |
| 1924 | Sherlock Jr. | Buster Keaton | États-Unis |
| 1924 | The Great White Silence | Herbert G. Ponting | Royaume-Uni |
| 1924 | Greed | Erich von Stroheim | États-Unis |
| 1924 | The Thief of Bagdad | Raoul Walsh | États-Unis |
| 1925 | The Eagle | Clarence Brown | États-Unis |
| 1925 | The Phantom of the Opera | Rupert Julian | États-Unis |
| 1925 | Bronenosets Potyomkin (Battleshio Potemkin) | Sergei Eisenstein | U.R.S.S. |
| 1925 | The Gold Rush | Charlie Chaplin | États-Unis |
| 1925 | The Big Parade | King Vidor | États-Unis |
| 1926 | Die Abenteuer des Prinzen Achmed (The Adventures of Prince Achmed) | Lotte Reiniger | Allemagne |
| 1927 | Metropolis | Fritz Lang | Allemagne |
| 1927 | Sunrise: A Song of Two Humans | F. W. Murnau | États-Unis |
| 1926 | The General | Buster Keaton, Clyde Bruckman | États-Unis |
| 1927 | The Unknown | Tod Browning | États-Unis |
| 1928 (mauvaise année dans le livre) | Oktyabr (October (Ten Days that Shook the World)) | Sergei M. Eisenstein | U.R.S.S. |
| 1927 | The Jazz Singer | Alan Crosland | États-Unis |
| 1927 | Napoléon | Abel Gance | France, Italie, Allemagne, Espagne, Suède, République tchèque |
| 1927 | The Kid Brother | Ted Wilde | États-Unis |
| 1928 | The Crowd | King Vidor | États-Unis |
| 1928 | The Docks of New York | Josef von Sternberg | États-Unis |
| 1928 | La passion de Jeanne d'Arc (The Passion of Jeanne d'Arc) | Carl Theodor Dreyer | France |
| 1929 (mauvaise année dans le livre) | Un chien andalou (An Andalousian Dog) | Luis Buñuel | France |
| 1928 | Steamboat Bill, Jr. | Charles Reisner | États-Unis |
| 1928 | Potomok Chingis-Khana (Storm Over Asia) | Vsevolod Pudovkin | U.R.S.S. |
| 1929 | Prapancha Pash (A Throw of Dice) | Franz Osten | Royaume-Uni, Inde, Allemagne |
| 1929 | Chelovek s kino-apparatom (The Man with a Movie Camera) | Dziga Vertov | U.R.S.S. |
| 1929 | Die Büchse der Pandora (Pandora's Box) | G. W. Pabst | Allemagne |
| 1929 | Blackmail | Alfred Hitchcock | Royaume-Uni |
| 1931 (mauvaise année dans le livre) | Little Caesar | Mervyn LeRoy | États-Unis |
| 1930 | Der blaue Engel (The Blue Angel) | Josef von Sternberg | Allemagne |
| 1930 | All Quiet on the Western Front | Lewis Milestone | États-Unis |
| 1930 | L'âge d'or (The Golden Age) | Luis Buñuel | France |
| 1930 | Zemlya (Earth) | Alexander Dovzhenko | U.R.S.S. (Ukraine) |
| 1931 | À nous la liberté (Liberty for Us) | René Clair | France |
| 1931 | Limite | Mário Peixoto | Brésil |
| 1931 | Tabu: A Story of the South Seas | F.W. Murnau | États-Unis |
| 1931 | City Lights | Charlie Chaplin | États-Unis |
| 1931 | Dracula | Tod Browning | États-Unis |
| 1931 | Frankenstein | James Whale | États-Unis |
| 1931 | The Public Enemy | William A. Wellman | États-UnisUnited States |
| 1931 | M – Eine Stadt sucht einen Mörder (M) | Fritz Lang | Allemagne |
| 1932 | Vampyr | Carl Theodor Dreyer | Allemagne, France |
| 1932 | I Am a Fugitive from a Chain Gang | Mervyn LeRoy | États-Unis |
| 1932 | Boudu sauvé des eaux (Boudu Saved from Drowning) | Jean Renoir | France |
| 1932 | Love Me Tonight | Rouben Mamoulian | États-Unis |
| 1932 | Shanghai Express | Josef von Sternberg | États-Unis |
| 1932 | Trouble in Paradise | Ernst Lubitsch | États-Unis |
| 1932 | Scarface : The Shame of the Nation | Howard Hawks | États-Unis |
| 1932 | Freaks | Tod Browning | États-Unis |
| 1933 | 42nd Street | Lloyd Bacon | États-Unis |
| 1933 | Footlight Parade | Lloyd Bacon | États-Unis |
| 1933 | The Bitter Tea of General Yen | Frank Capra | États-Unis |
| 1933 | She Done Him Wrong | Lowell Sherman | États-Unis |
| 1933 | Duck Soup | Leo McCarey | États-Unis |
| 1933 | Zéro de conduite: Jeunes diables au collège | Jean Vigo | France |
| 1933 | Gold Diggers of 1933 | Mervyn LeRoy | États-Unis |
| 1933 | King Kong | Merian C. Cooper, Ernest B. Schoedsack | États-Unis |
| 1933 | Las Hurdes (Land Without Bread) | Luis Buñuel | Espagne |
| 1933 | Sons of the Desert | William A. Seiter | États-Unis |
| 1933 | Queen Christina | Rouben Mamoulian | États-Unis |
| 1935 (mauvaise année dans le livre) | Triumph des Willens (The Triumph of the Will) | Leni Riefenstahl | Allemagne |
| 1934 | It's a Gift | Norman Z. McLeod | États-Unis |
| 1934 | Shen nu (The Godess) | Yonggang Wu | Chine |
| 1934 | It Happened One Night | Frank Capra | États-Unis |
| 1934 | L'Atalante | Jean Vigo | France |
| 1934 | The Black Cat | Edgar G. Ulmer | États-Unis |
| 1934 | The Thin Man | W. S. Van Dyke | États-Unis |
| 1935 | Mutiny on the Bounty | Frank Lloyd | États-Unis |
| 1935 | The 39 Steps | Alfred Hitchcock | Royaume-Uni |
| 1935 | A Night at the Opera | Sam Wood | États-Unis |
| 1935 | Bride of Frankenstein | James Whale | États-Unis |
| 1935 | Captain Blood | Michael Curtiz | États-Unis |
| 1935 | Top Hat | Mark Sandrich | États-Unis |
| 1935 | Peter Ibbetson | Henry Hathaway | États-Unis |
| 1936 | Modern Times | Charlie Chaplin | États-Unis |
| 1936 | Swing Time | George Stevens | États-Unis |
| 1936 | Mr. Deeds Goes to Town | Frank Capra | États-Unis |
| 1936 | My Man Godfrey | Gregory La Cava | États-Unis |
| 1936 | Le roman d'un tricheur (Confessions of a Cheat) | Sacha Guitry | France |
| 1936 | Camille | George Cukor | États-Unis |
| 1936 | Things to Come | William Cameron Menzies | Royaume-Uni |
| 1936 | Dodsworth | William Wyler | États-Unis |
| 1936 | Partie de campagne | Jean Renoir | France |
| 1937 | Pépé le Moko | Julien Duvivier | France |
| 1937 | Make Way for Tomorrow | Leo McCarey | États-Unis |
| 1937 | La Grande Illusion | Jean Renoir | France |
| 1937 | Stella Dallas | King Vidor | États-Unis |
| 1937 | Ye ban ge sheng (Song at Midnight) | Weibang Ma-Xu | Chine |
| 1937 | Snow White and the Seven Dwarfs | David Hand | États-Unis |
| 1937 | Captains Courageous | Victor Fleming | États-Unis |
| 1937 | The Awful Truth | Leo McCarey | États-Unis |
| 1937 | The Life of Emile Zola | William Dieterle | États-Unis |
| 1938 | Jezebel | William Wyler | États-Unis |
| 1938 | The Adventures of Robin Hood | Michael Curtiz, William Keighley | États-Unis |
| 1938 | Angels with Dirty Faces | Michael Curtiz | États-Unis |
| 1938 | La femme du boulanger (The Baker's Wife) | Marcel Pagnol | France |
| 1938 | Bringing Up Baby | Howard Hawks | États-Unis |
| 1938 | Olympia | Leni Riefenstahl | Allemagne |
| 1938 | The Lady Vanishes | Alfred Hitchcock | Royaume-Uni |
| 1939 | Wuthering Heights | William Wyler | États-Unis |
| 1939 | Mr. Smith Goes to Washington | Frank Capra | États-Unis |
| 1939 | Stagecoach | John Ford | États-Unis |
| 1939 | Only Angels Have Wings | Howard Hawks | États-Unis |
| 1939 | Destry Rides Again | George Marshall | États-Unis |
| 1939 | Gone with the Wind | Victor Fleming | États-Unis |
| 1939 | Le jour se lève | Marcel Carné | France |
| 1939 | Gunga Din | George Stevens | États-Unis |
| 1939 | Ninotchka | Ernst Lubitsch | États-Unis |
| 1939 | The Wizard of Oz | Victor Fleming | États-Unis |
| 1939 | La règle du jeu (The Rules of the Game) | Jean Renoir | France |
| 1939 | Zangiku monogatari (The Story of the Last Chrysanthemums) | Kenji Mizoguchi | Japon |
| 1940 | His Girl Friday | Howard Hawks | États-Unis |
| 1940 | Fantasia | Ben Sharpsteen | États-Unis |
| 1940 | Rebecca | Alfred Hitchcock | États-Unis |
| 1940 | The Philadelphia Story | George Cukor | États-Unis |
| 1940 | The Grapes of Wrath | John Ford | États-Unis |
| 1940 | The Mortal Storm | Frank Borzage | États-Unis |
| 1940 | The Bank Dick | Edward F. Cline | États-Unis |
| 1940 | Pinocchio | Ben Sharpsteen | États-Unis |
| 1941 | Citizen Kane | Orson Welles | États-Unis |
| 1941 | Sergeant York | Howard Hawks | États-Unis |
| 1941 | The Lady Eve | Preston Sturges | États-Unis |
| 1941 | The Wolf Man | George Waggner | États-Unis |
| 1941 | High Sierra | Raoul Walsh | États-Unis |
| 1941 | How Green Was My Valley | John Ford | États-Unis |
| 1941 | Sullivan's Travels | Preston Sturges | États-Unis |
| 1941 | The Maltese Falcon | John Huston | États-Unis |
| 1941 | Dumbo | Ben Sharpsteen | États-Unis |
| 1942 | The Palm Beach Story | Preston Sturges | États-Unis |
| 1942 | Now, Voyager | Irving Rapper | États-Unis |
| 1942 | To Be or Not to Be | Ernst Lubitsch | États-Unis |
| 1942 | The Magnificent Ambersons | Orson Welles, Fred Fleck | États-Unis |
| 1942 | Yankee Doodle Dandy | Michael Curtiz | États-Unis |
| 1942 | Mrs. Miniver | William Wyler | États-Unis |
| 1942 | Casablanca | Michael Curtiz | États-Unis |
| 1942 | Cat People | Jacques Tourneur | États-Unis |
| 1943 | Fires Were Started | Humphrey Jennings | Royaume-Uni |
| 1943 | The Ox-Bow Incident | William A. Wellman | États-Unis |
| 1943 | The Life and Death of Colonel Blimp | Michael Powell, Emeric Pressburger | Royaume-Uni |
| 1943 | Meshes of the Afternoon | Maya Deren, Alexander Hammid | États-Unis |
| 1943 | The Seventh Victim | Mark Robson | États-Unis |
| 1943 | The Man in Grey | Leslie Arliss | Royaume-Uni |
| 1943 | Shadow of a Doubt | Alfred Hitchcock | États-Unis |
| 1943 | Ossessione (Obsession) | Luchino Visconti | Italie |
| 1944 | Laura | Otto Preminger | États-Unis |
| 1944 | Meet Me in St. Louis | Vincente Minnelli | États-Unis |
| 1944 | To Have and Have Not | Howard Hawks | États-Unis |
| 1944 | Gaslight | George Cukor | États-Unis |
| 1944 | Henry V | Laurence Olivier | Royaume-Uni |
| 1944 | Double Indemnity | Billy Wilder | États-Unis |
| 1944 | Murder, My Sweet | Edward Dmytryk | États-Unis |
| 1945 | Ivan Groznyy (Ivan the Terrible) | Sergei M. Eisenstein | U.R.S.S. |
| 1945 | Mildred Pierce | Michael Curtiz | États-Unis |
| 1945 | Detour | Edgar G. Ulmer | États-Unis |
| 1945 | I Know Where I'm Going! | Michael Powell, Emeric Pressburger | Royaume-Uni |
| 1945 | The Lost Weekend | Billy Wilder | États-Unis |
| 1945 | Les enfants du paradis (Children of Paradise) | Marcel Carné | France |
| 1945 | San Pietro | John Huston | États-Unis |
| 1945 | Brief Encounter | David Lean | Royaume-Uni |
| 1945 | Roma città aperta (Rome, Open City) | Roberto Rossellini | Italie |
| 1946 | The Best Years of Our Lives | William Wyler | États-Unis |
| 1946 | Paisà (Paisan) | Roberto Rossellini | Italie |
| 1946 | The Postman Always Rings Twice | Tay Garnett | États-Unis |
| 1946 | La Belle et la Bête | Jean Cocteau | France |
| 1946 | The Killers | Robert Siodmak | États-Unis |
| 1946 | It's a Wonderful Life | Frank Capra | États-Unis |
| 1946 | The Big Sleep | Howard Hawks | États-Unis |
| 1946 | Gilda | Charles Vidor | États-Unis |
| 1946 | A Matter of Life and Death | Michael Powell, Emeric Pressburger | Royaume-Uni |
| 1946 | Great Expectations | David Lean | Royaume-Uni |
| 1946 | My Darling Clementine | John Ford | États-Unis |
| 1946 | Notorious | Alfred Hitchcock | États-Unis |
| 1947 | Black Narcissus | Michael Powell, Emeric Pressburger | Royaume-Uni |
| 1947 | Out of the Past | Jacques Tourneur | États-Unis |
| 1947 | Monsieur Verdoux | Charlie Chaplin | États-Unis |
| 1947 | Odd Man Out | Carol Reed | Royaume-Uni |
| 1948 | Ladri di biciclette (Bicycle Thieves) | Vittorio De Sica | Italie |
| 1948 | Letter from an Unknown Woman | Max Ophüls | États-Unis |
| 1947 (mauvaise année dans le livre) | Secret Beyond the Door... | Fritz Lang | États-Unis |
| 1948 | Force of Evil | Abraham Polonsky | États-Unis |
| 1948 | Xiao cheng zhi chun (Spring in a Small Town) | Fei Mu | Chine |
| 1948 | Red River | Howard Hawks | États-Unis |
| 1948 | The Paleface | Norman Z. McLeod | États-Unis |
| 1948 | The Snake Pit | Anatole Litvak | États-Unis |
| 1947 (mauvaise année dans le livre) | The Lady from Shanghai | Orson Welles | États-Unis |
| 1948 | Rope | Alfred Hitchcock | États-Unis |
| 1948 | The Red Shoes | Michael Powell, Emeric Pressburger | Royaume-Uni |
| 1948 | The Treasure of the Sierra Madre | John Huston | États-Unis |
| 1948 | Louisiana Story | Robert J. Flaherty | États-Unis |
| 1950 (mauvaise année dans le livre) | Gun Crazy | Joseph H. Lewis | États-Unis |
| 1949 | The Reckless Moment | Max Ophüls | États-Unis |
| 1949 | White Heat | Raoul Walsh | États-Unis |
| 1949 | Adam's Rib | George Cukor | États-Unis |
| 1949 | The Heiress | William Wyler | États-Unis |
| 1949 | The Third Man | Carol Reed | Royaume-Uni |
| 1949 | Kind Hearts and Coronets | Robert Hamer | Royaume-Uni |
| 1949 | Whisky Galore! | Alexander Mackendrick | Royaume-Uni |
| 1949 | On the Town | Leonard Bernstein, Roger Edens | États-Unis |
| 1950 | Orphée (Orpheus) | Jean Cocteau | France |
| 1950 | The Asphalt Jungle | John Huston | États-Unis |
| 1950 | Rashômon | Akira Kurosawa | Japon |
| 1950 | All About Eve | Joseph L. Mankiewicz | États-Unis |
| 1950 | Winchester '73 | Anthony Mann | États-Unis |
| 1950 | Rio Grande | John Ford | États-Unis |
| 1950 | Sunset Blvd. | Billy Wilder | États-Unis |
| 1950 | Los olvidados (The Young and the Damned) | Luis Buñuel | Mexique |
| 1950 | In a Lonely Place | Nicholas Ray | États-Unis |
| 1951 | Ace in the Hole | Billy Wilder | États-Unis |
| 1951 | Strangers on a Train | Alfred Hitchcock | États-Unis |
| 1951 | A Streetcar Named Desire | Elia Kazan | États-Unis |
| 1951 | An American in Paris | Vincente Minnelli | États-Unis |
| 1951 | Pandora and the Flying Dutchman | Albert Lewin | Royaume-Uni |
| 1951 | The African Queen | John Huston | États-Unis |
| 1951 | A Place in the Sun | George Stevens | États-Unis |
| 1951 | The Lavender Hill Mob | Charles Crichton | Royaume-Uni |
| 1951 | Journal d'un curé de campagne (Diary of a Country Priest) | Robert Bresson | France |
| 1951 | The Day the Earth Stood Still | Robert Wise | États-Unis |
| 1952 | The Quiet Man | John Ford | États-Unis |
| 1952 | Jeux interdits (Forbidden Games) | René Clément | France |
| 1952 | Europa '51 | Roberto Rossellini | Italie |
| 1952 | Singin' in the Rain | Gene Kelly, Stanley Donen | États-Unis |
| 1952 | The Bad and the Beautiful | Vincente Minnelli | États-Unis |
| 1952 | Ikiru | Akira Kurosawa | Japon |
| 1952 | Umberto D. | Vittorio De Sica | Italie |
| 1952 | High Noon | Fred Zinnemann | États-Unis |
| 1952 | Le carrosse d'or (The Golden Coach) | Jean Renoir | Italie, France |
| 1953 | Sommaren med Monika (Summer with Monika) | Ingmar Bergman | Suède |
| 1953 | Pickup on South Street | Samuel Fuller | États-Unis |
| 1953 | The Band Wagon | Vincente Minnelli | États-Unis |
| 1953 | Les vacances de Monsieur Hulot (Monsieur Hulot's Holiday) | Jacques Tati | France |
| 1953 | Madame de... (The Earrings of Madame de...) | Max Ophüls | France, Italie |
| 1953 | Le salaire de la peur (The Wages of Fear) | Henri-Georges Clouzot | France, Italie |
| 1953 | The Bigamist | Ida Lupino | États-Unis |
| 1953 | The Naked Spur | Anthony Mann | États-Unis |
| 1953 | Tôkyô monogatari (Tokyo Story) | Yasujirō Ozu | Japon |
| 1953 | From Here to Eternity | Fred Zinnemann | États-Unis |
| 1953 | Ugetsu monogatari (Ugetsu) | Kenji Mizoguchi | Japon |
| 1954 | Viaggio in Italia (Journey to Italy) | Roberto Rossellini | France, Italie |
| 1953 | Shane | George Stevens | États-Unis |
| 1953 | Gentlemen Prefer Blondes | Howard Hawks | États-Unis |
| 1953 | Roman Holiday | William Wyler | États-Unis |
| 1953 | The Big Heat | Fritz Lang | États-Unis |
| 1954 | On the Waterfront | Elia Kazan | États-Unis |
| 1954 | La strada | Federico Fellini | Italie |
| 1955 (mauvaise année dans le livre) | Les Diaboliques | Henri-Georges Clouzot | France |
| 1954 | A Star Is Born | George Cukor | États-Unis |
| 1954 | Rear Window | Alfred Hitchcock | États-Unis |
| 1954 | Senso | Luchino Visconti | Italie |
| 1954 | Sanshô dayû (Sancho the Bailif) | Kenji Mizoguchi | Japon |
| 1954 | Silver Lode | Allan Dwan | États-Unis |
| 1954 | The Barefoot Contessa | Joseph L. Mankiewicz | États-Unis, Italie |
| 1954 | Seven Samurai | Akira Kurosawa | Japon |
| 1954 | Carmen Jones | Otto Preminger | États-Unis |
| 1954 | Johnny Guitar | Nicholas Ray | États-Unis |
| 1954 | Salt of the Earth | Herbert J. Biberman | États-Unis |
| 1955 | Lola Montès | Max Ophüls | France, Allemagne |
| 1955 | Pather Panchali | Satyajit Ray | Inde |
| 1955 | Ordet | Carl Theodor Dreyer | Danemark |
| 1955 | Marty | Delbert Mann | États-Unis |
| 1955 | Artists and Models | Frank Tashlin | États-Unis |
| 1955 | Rebel Without a Cause | Nicholas Ray | États-Unis |
| 1955 | Les maîtres fous (The Mad Masters) | Jean Rouch | États-Unis |
| 1955 | Giv'a 24 Eina Ona (Hill 24 Doesn't Answer) | Thorold Dickinson | Israël |
| 1955 | Bad Day at Black Rock | John Sturges | États-Unis |
| 1956 (mauvaise année dans le livre) | Nuit et brouillard (Night and Fog) | Alain Resnais | France |
| 1955 | The Phenix City Story | Phil Karlson | États-Unis |
| 1955 | The Man with the Golden Arm | Otto Preminger | États-Unis |
| 1955 | Kiss Me Deadly | Robert Aldrich | États-Unis |
| 1955 | Guys and Dolls | Joseph L. Mankiewicz | États-Unis |
| 1955 | The Night of the Hunter | Charles Laughton | États-Unis |
| 1955 | The Ladykillers | Alexander Mackendrick | Royaume-Uni |
| 1955 | Oklahoma! | Fred Zinnemann | États-Unis |
| 1955 | Sommarnattens leende (Smiles of a Summer Night) | Ingmar Bergman | Suède |
| 1956 | Bob le flambeur | Jean-Pierre Melville | France |
| 1955 (mauvaise année dans le livre) | All That Heaven Allows | Douglas Sirk | États-Unis |
| 1956 | The Ten Commandments | Cecil B. DeMille | États-Unis |
| 1956 | The Searchers | John Ford | États-Unis |
| 1956 | Biruma no tategoto (The Burmese Harp) | Kon Ichikawa | Japon |
| 1956 | Forbidden Planet | Fred M. Wilcox | États-Unis |
| 1956 | Written on the Wind | Douglas Sirk | États-Unis |
| 1956 | Un condamné à mort s'est échappé (A Man Escaped) | Robert Bresson | France |
| 1956 | Bigger Than Life | Nicholas Ray | États-Unis |
| 1956 | Invasion of the Body Snatchers | Don Siegel | États-Unis |
| 1956 | Giant | George Stevens | États-Unis |
| 1956 | The Wrong Man | Alfred Hitchcock | États-Unis |
| 1956 | High Society | Charles Walters | États-Unis |
| 1957 | Kumonosu-jô (The Throne of Blood) | Akira Kurosawa | Japon |
| 1957 | Paths of Glory | Stanley Kubrick | États-Unis |
| 1957 | An Affair to Remember | Leo McCarey | États-Unis |
| 1957 | The Seventh Seal | Ingmar Bergman | Suède |
| 1957 | 12 Angry Men | Sidney Lumet | États-Unis |
| 1957 | Smultronstället (Wild Strawberries) | Ingmar Bergman | Suède |
| 1957 | The Incredible Shrinking Man | Jack Arnold | États-Unis |
| 1957 | Gunfight at the O.K. Corral | John Sturges | États-Unis |
| 1957 | Le notti di Cabiria (Nights of Cabiria) | Federico Fellini | Italie, France |
| 1957 | Letyat zhuravli (The Cranes Are Flying) | Mikhail Kalatozov | U.R.S.S. |
| 1956 (mauvaise année dans le livre) | Aparajito | Satyajit Ray | Inde |
| 1957 | The Bridge on the River Kwai | David Lean | Royaume-Uni |
| 1957 | Sweet Smell of Success | Alexander Mackendrick | États-Unis |
| 1957 | Mother India | Mehboob Khan | Inde |
| 1958 | Touch of Evil | Orson Welles | États-Unis |
| 1958 | Gigi | Vincente Minnelli | États-Unis |
| 1958 | The Defiant Ones | Stanley Kramer | États-Unis |
| 1958 | Man of the West | Anthony Mann | États-Unis |
| 1958 | Vertigo | Alfred Hitchcock | États-Unis |
| 1958 | Popiół i diament (Ashes and Diamonds) | Andrzej Wajda | Pologne |
| 1958 | Bab el hadid (The Iron Gate) | Youssef Chahine | Égypte |
| 1958 | Jalsaghar | Satyajit Ray | Inde |
| 1958 | Mon oncle | Jacques Tati | France, Italie |
| 1958 | Some Came Running | Vincente Minnelli | États-Unis |
| 1958 | Dracula | Terence Fisher | Royaume-Uni |
| 1959 | Some Like It Hot | Billy Wilder | États-Unis |
| 1959 | North by Northwest | Alfred Hitchcock | États-Unis |
| 1959 | Les 400 coups | François Truffaut | France |
| 1959 | Pickpocket | Robert Bresson | France |
| 1959 | Hiroshima mon amour (Hiroshima, My Love) | Alain Resnais | France |
| 1959 | Ride Lonesome | Budd Boetticher | États-Unis |
| 1959 | Orfeu Negro (Black Orpheus) | Marcel Camus | France, Brésil |
| 1959 | Ben-Hur | William Wyler | États-Unis |
| 1959 | Anatomy of a Murder | Otto Preminger | États-Unis |
| 1959 | Shadows | John Cassavetes | États-Unis |
| 1959 | Apur Sansar (The World of Apu) | Satyajit Ray | Inde |
| 1959 | Rio Bravo | Howard Hawks | États-Unis |
| 1959 | Ukikusa (Floating Weeds) | Yasujirō Ozu | Japon |
| 1960 | Les yeux sans visage (Eyes Without a Face) | Georges Franju | France, Italie |
| 1960 | Saturday Night and Sunday Morning | Karel Reisz | Royaume-Uni |
| 1960 | La dolce vita | Federico Fellini | Italie, France |
| 1960 | Le trou | Jacques Becker | France, Italie |
| 1960 | Rocco e i suoi fratelli (Rocco and His Brothers) | Luchino Visconti | Italie |
| 1960 | L'avventura | Michelangelo Antonioni | Italie, France |
| 1960 | À bout de souffle (Breathless) | Jean-Luc Godard | France |
| 1960 | Spartacus | Stanley Kubrick | États-Unis |
| 1960 | The Apartment | Billy Wilder | États-Unis |
| 1960 | Hanyo (The Housemaid) | Ki-young Kim | Corée du Sud |
| 1960 | Meghe Dhaka Tara (The Cloud-Capped Star) | Ritwik Ghatak | Inde |
| 1960 | Psycho | Alfred Hitchcock | États-Unis |
| 1960 | Tirez sur le pianiste (Shoot the Piano Player) | François Truffaut | France |
| 1960 | Peeping Tom | Michael Powell | Royaume-Uni |
| 1960 | La maschera del demonio (Black Sunday) | Mario Bava | Italie |
| 1961 | Splendor in the Grass | Elia Kazan | États-Unis |
| 1961 | Viridiana | Luis Buñuel | Espagne, Mexique |
| 1962 (mauvaise année dans le livre) | La jetée | Chris Marker | France |
| 1961 | Breakfast at Tiffany's | Blake Edwards | États-Unis |
| 1961 | Lola | Jacques Demy | France, Italie |
| 1961 | The Exiles | Kent Mackenzie | États-Unis |
| 1961 | La notte (The Night) | Michelangelo Antonioni | Italie, France |
| 1961 | West Side Story | Robert Wise, Jerome Robbins | États-Unis |
| 1961 | The Hustler | Robert Rossen | États-Unis |
| 1961 | The Ladies Man | Jerry Lewis | États-Unis |
| 1961 | Såsom i en spegel (Through a Glass Darkly) | Ingmar Bergman | Suède |
| 1961 | Chronique d'un été (Chronicle of a Summer) | Jean Rouch, Edgar Morin | France |
| 1961 | L'année dernière à Marienbad (Last Year at Marienbad) | Alain Resnais | France, Italie |
| 1962 | Cléo de 5 à 7 (Cléo form 5 to 7) | Agnès Varda | France, Italie |
| 1962 | Dog Star Man: Part 1 | Stan Brakhage | États-Unis |
| 1962 | Vivre sa vie: Film en douze tableaux | Jean-Luc Godard | France |
| 1962 | Sanma no aji (An Autumn Afternoon) | Yasujirō Ozu | Japon |
| 1962 | Lolita | Stanley Kubrick | États-Unis, Royaume-Uni |
| 1962 | The Man Who Shot Liberty Valance | John Ford | États-Unis |
| 1962 | Heaven and Earth Magic | Harry Everett Smith | États-Unis |
| 1962 | Lawrence of Arabia | David Lean | Royaume-Uni |
| 1962 | To Kill a Mockingbird | Robert Mulligan | États-Unis |
| 1962 | O Pagador de Promessas (The Given Word) | Anselmo Duarte | Brésil, Portugal |
| 1962 | L'eclisse | Michelangelo Antonioni | Italie, France |
| 1962 | Mondo cane | Paolo Cavara, Franco Prosperi, Gualtiero Jacopetti | Italie |
| 1962 | El Ángel Exterminador (The Exterminating Angel) | Luis Buñuel | Mexique |
| 1962 | Jules et Jim (Jules and Jim) | François Truffaut | France |
| 1962 | The Manchurian Candidate | John Frankenheimer | États-Unis |
| 1962 | What Ever Happened to Baby Jane? | Robert Aldrich | États-Unis |
| 1963 | 8½ | Federico Fellini | Italie, France |
| 1963 | The Birds | Alfred Hitchcock | États-Unis |
| 1963 | Pasazerka (Passenger) | Andrzej Munk | Pologne |
| 1963 | The Servant | Joseph Losey | Royaume-Uni |
| 1963 | Flaming Creatures | Jack Smith | États-Unis |
| 1963 | Khaneh siah ast (The House Is Black) | Forough Farrokhzad | Iran |
| 1963 | Hud | Martin Ritt | États-Unis |
| 1963 | Il gattopardo (The Leopard) | Luchino Visconti | Italie, France |
| 1963 | Vidas Secas (Barren Lives) | Nelson Pereira dos Santos | Brésil |
| 1963 | Shock Corridor | Samuel Fuller | États-Unis |
| 1963 | Le mépris (Contempt) | Jean-Luc Godard | France, Italie |
| 1963 | Blonde Cobra | Ken Jacobs | États-Unis |
| 1963 | The Cool World | Shirley Clarke | États-Unis |
| 1963 | The Nutty Professor | Jerry Lewis | États-Unis |
| 1963 | The Great Escape | John Sturges | États-Unis |
| 1963 | Méditerranée (Mediterranean) | Jean-Daniel Pollet | France |
| 1963 | Yukinojô henge (An Actor's Revenge) | Kon Ichikawa | Japon |
| 1963 | The Haunting | Robert Wise | Royaume-Uni |
| 1964 | Goldfinger | Guy Hamilton | Royaume-Uni |
| 1964 | My Fair Lady | George Cukor | États-Unis |
| 1964 | Il deserto rosso (Red Desert) | Michelangelo Antonioni | Italie, France |
| 1964 | Suna no onna (Woman of the Sands) | Hiroshi Teshigahara | Japon |
| 1965 (mauvaise année dans le livre) | Tini zabutykh predkiv (Shadows of Forgotten Ancestors) | Sergei Parajanov | U.R.S.S. (Ukraine) |
| 1965 (mauvaise année dans le livre) | Scorpio Rising | Kenneth Anger | États-Unis |
| 1964 | Marnie | Alfred Hitchcock | États-Unis |
| 1964 | The Masque of the Red Death | Roger Corman | Royaume-Uni |
| 1964 | Prima della rivoluzione (Before the Revolution) | Bernardo Bertolucci | Italie |
| 1964 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Stanley Kubrick | Royaume-Uni |
| 1964 | Deus e o Diabo na Terra do Sol (Black God, White Devil) | Glauber Rocha | Brésil |
| 1964 | A Hard Day's Night | Richard Lester | Royaume-Uni |
| 1964 | Les parapluies de Cherbourg (The Umbrellas of Cherbourg | Jacques Demy | France, Allemagne |
| 1964 | Gertrud | Carl Theodor Dreyer | Danemark |
| 1964 | Mary Poppins | Robert Stevenson | États-Unis |
| 1964 | Onibaba | Kaneto Shindo | Japon |
| 1964 | Il vangelo secondo Matteo (The Gospel According to St. Matthew) | Pier Paolo Pasolini | France, Italie |
| 1965 | Obchod na korze (The Shop on Main Street) | Ján Kadár, Elmar Klos | Tchécoslovaquie (République tchèque, Slovaquie) |
| 1965 | Doctor Zhivago | David Lean | États-Unis |
| 1965 | The War Game | Peter Watkins | Royaume-Uni |
| 1965 | Tôkyô orinpikku (Tokyo Olympiad) | Kon Ichikawa | Japon |
| 1965 | Giulietta degli spiriti (Juliet of the Spirits) | Federico Fellini | Italie, France, Allemagne |
| 1966 (mauvaise année dans le livre) | La battaglia di Algeri (The Battle of Algiers) | Gillo Pontecorvo | Algérie, Italie |
| 1965 | The Sound of Music | Robert Wise | États-Unis |
| 1966 | De man die zijn haar kort liet knippen (The Man Who Had His Hair Cut Short) | André Delvaux | Belgique |
| 1965 | Alphaville, une étrange aventure de Lemmy Caution (Alphaville) | Jean-Luc Godard | France, Italie |
| 1965 | Falstaff (Chimes at Midnight) | Orson Welles | Espagne, Suisse |
| 1965 | Faster, Pussycat! Kill! Kill! | Russ Meyer | États-Unis |
| 1965 | Vinyl | Andy Warhol | États-Unis |
| 1965 | Rekopis znaleziony w Saragossie (The Saragossa Manuscript) | Wojciech Jerzy Has | Pologne |
| 1965 | Repulsion | Roman Polanski | Royaume-Uni |
| 1965 | Pierrot le fou | Jean-Luc Godard | France, Italie |
| 1965 | Subarnarekha | Ritwik Ghatak | Inde |
| 1966 | Hold Me While I'm Naked | George Kuchar | États-Unis |
| 1966 | Who's Afraid of Virginia Woolf? | Mike Nichols | États-Unis |
| 1966 | Blow-Up | Michelangelo Antonioni | Royaume-Uni, Italie |
| 1966 | Sedmikrásky (Daisies) | Věra Chytilová | Tchécoslovaquie (République tchèque) |
| 1966 | Da zui xia (Come Drink with Me) | King Hu | Hong Kong |
| 1966 | Seconds | John Frankenheimer | États-Unis |
| 1966 | Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly) | Sergio Leone | Italie, Espagne |
| 1966 | Persona | Ingmar Bergman | Suède |
| 1966 | Au hasard Balthazar | Robert Bresson | France, Suède |
| 1966 | Masculin féminin | Jean-Luc Godard | France, Suède |
| 1967 | Report | Bruce Conner | États-Unis |
| 1967 | 2 ou 3 choses que je sais d'elle (2 or 3 Things I Know About Her) | Jean-Luc Godard | France |
| 1967 | Belle de jour | Luis Buñuel | France, Italie |
| 1967 | Cool Hand Luke | Stuart Rosenberg | États-Unis |
| 1967 | Playtime | Jacques Tati | France, Italie |
| 1967 | Csillagosok, katonák (The Red and the White) | Miklós Jancsó | U.R.S.S. (Hongrie, Russie) |
| 1967 | The Graduate | Mike Nichols | États-Unis |
| 1967 | Point Blank | John Boorman | États-Unis |
| 1967 | Les demoiselles de Rochefort (The Young Girls of Rochefort) | Jacques Demy | France |
| 1967 | Le samouraï | Jean-Pierre Melville | France, Italie |
| 1967 | Wavelength | Michael Snow | États-Unis, Canada |
| 1966 (mauvaise année dans le livre) | Ostře sledované vlaky (Closely Watched Trains) | Jiří Menzel | Tchécoslovaquie (République Tchèque) |
| 1967 | Terra em Transe (Entranced Earth) | Glauber Rocha | Brésil |
| 1967 | In the Heat of the Night | Norman Jewison | États-Unis |
| 1967 | Marketa Lazarová | František Vláčil | Tchécoslovaquie |
| 1967 | Horí, má panenko (The Firemen's Ball | Miloš Forman | Tchécoslovaquie, Italie |
| 1967 | The Jungle Book | Wolfgang Reitherman | États-Unis |
| 1967 | Bonnie and Clyde | Arthur Penn | États-Unis |
| 1967 | Viy | Konstantin Yershov, Georgi Kropachyov | U.R.S.S. |
| 1969 (mauvaise année dans le livre) | Gaav (The Cow) | Dariush Mehrjui | Iran |
| 1968 | C'era una volta il West (Once Upon a Time in the West) | Sergio Leone | États-Unis |
| 1968 | Faces | John Cassavetes | États-Unis |
| 1968 | Planet of the Apes | Franklin J. Schaffner | États-Unis |
| 1968 | Rosemary's Baby | Roman Polanski | États-Unis |
| 1968 | If.... | Lindsay Anderson | Royaume-Uni |
| 1967 (mauvaise année dans le livre) | David Holzman's Diary | Jim McBride | États-Unis |
| 1968 | Memorias del subdesarrollo (Memories of Underdevelopment) | Tomás Gutiérrez Alea | Cuba |
| 1968 | High School | Frederick Wiseman | États-Unis |
| 1968 | Vargtimmen (Hour of the Wolf) | Ingmar Bergman | Suède |
| 1968 | 2001: A Space Odyssey | Stanley Kubrick | Royaume-Uni |
| 1968 | Night of the Living Dead | George A. Romero | États-Unis |
| 1968 | Targets | Peter Bogdanovich | États-Unis |
| 1968 | Skammen (Shame) | Ingmar Bergman | Suède |
| 1967 (mauvaise année dans le livre) | The Producers | Mel Brooks | États-Unis |
| 1969 | Z | Costa-Gavras | France, Algérie |
| 1969 | Fellini's Satyricon | Federico Fellini | Italie |
| 1966 | Andrei Rublev | Andrei Tarkovsky | U.R.S.S. |
| 1968 | Sayat Nova (The Color of Pomegranates) | Sergei Parajanov | U.R.S.S. (Arménie) |
| 1969 | Midnight Cowboy | John Schlesinger | États-Unis |
| 1969 | Butch Cassidy and the Sundance Kid | George Roy Hill | États-Unis |
| 1971 (mauvaise année dans le livre) | Xia nü (A Touch of Zen) | King Hu | Taïwan |
| 1969 | Easy Rider | Dennis Hopper | États-Unis |
| 1969 | Kes | Ken Loach | Royaume-Uni |
| 1968 | Lucía | Humberto Solás | Cuba |
| 1968 | In the Year of the Pig | Emile de Antonio | États-Unis |
| 1969 | The Wild Bunch | Sam Peckinpah | États-Unis |
| 1969 | Ma nuit chez Maud (My Night at Maud's) | Éric Rohmer | France |
| 1970 | Tristana | Luis Buñuel | France, Italie, Espagne |
| 1970 | Il conformista (The Conformist) | Bernardo Bertolucci | Italie, France |
| 1970 | Le boucher | Claude Chabrol | France |
| 1970 | El topo | Alejandro Jodorowsky | Mexique |
| 1970 | Five Easy Pieces | Bob Rafelson | États-Unis |
| 1970 | Deep End | Jerzy Skolimowski | Royaume-Uni, Pologone, Allemagne |
| 1970 | Strategia del ragno (The Spider's Stratagem) | Bernardo Bertolucci | Italie |
| 1970 | Ucho (The Ear) | Karel Kachyňa | Tchécoslovaquie |
| 1970 | Little Big Man | Arthur Penn | États-Unis |
| 1970 | Patton | Franklin J. Schaffner | États-Unis |
| 1970 | L'uccello dalle piume di cristallo (The Bird with the Crystal Plumage) | Dario Argento | Italie, Allemagne |
| 1970 | M.A.S.H. | Robert Altman | États-Unis |
| 1970 | Zabriskie Point | Michelangelo Antonioni | États-Unis |
| 1970 | Performance | Donald Cammell, Nicolas Roeg | Royaume-Uni |
| 1970 | Woodstock | Michael Wadleigh | États-Unis |
| 1970 | Gimme Shelter | Albert and David Maysles, Charlotte Zwerin | États-Unis |
| 1970 | Il giardino dei Finzi Contini (The Garden of the Finzi-Continis) | Vittorio de Sica | Italie, Allemagne |
| 1971 | Dirty Harry | Don Siegel | États-Unis |
| 1971 | A Clockwork Orange | Stanley Kubrick | Royaume-Uni |
| 1971 | McCabe & Mrs. Miller | Robert Altman | États-Unis |
| 1969 | Le chagrin et la pitié | Marcel Ophüls | France, Allemagne, Suisse |
| 1971 | Willy Wonka & the Chocolate Factory | Mel Stuart | États-Unis |
| 1971 | The Devils | Ken Russell | Royaume-Uni |
| 1971 | The Hired Hand | Peter Fonda | États-Unis |
| 1971 | W.R. - Misterije organizma (WR: Mysteries of the Organism) | Dušan Makavejev | Yougoslavie (Serbie), Allemagne |
| 1971 | Walkabout | Nicolas Roeg | Royaume-Uni |
| 1971 | Klute | Alan J. Pakula | États-Unis |
| 1971 | Harold and Maude | Hal Ashby | États-Unis |
| 1971 | The French Connection | William Friedkin | États-Unis |
| 1972 | Még kér a nép (Red Psalm) | Miklós Jancsó | Hongrie |
| 1971 | Get Carter | Mike Hodges | Royaume-Uni |
| 1971 | Shaft | Gordon Parks | États-Unis |
| 1971 | Sweet Sweetback's Baadasssss Song | Melvin Van Peebles | États-Unis |
| 1971 | The Last Picture Show | Peter Bogdanovich | États-Unis |
| 1970 (mauvaise année dans le livre) | Wanda | Barbara Loden | États-Unis |
| 1971 | Le souffle au coeur (Murmur of the Heart) | Louis Malle | France, Italie, Allemagne |
| 1971 | Straw Dogs | Sam Peckinpah | Royaume-Uni |
| 1971 | Two-Lane Blacktop | Monte Hellman | États-Unis |
| 1971 | Wake in Fright | Ted Kotcheff | Australie, États-Unis |
| 1972 | Deliverance | John Boorman | États-Unis |
| 1972 | Aguirre, der Zorn Gottes (Aguirre, the Wrath of God) | Werner Herzog | Allemagne, Pérou, Mexique |
| 1972 | Cabaret | Bob Fosse | États-Unis |
| 1972 | Solyaris (Solaris) | Andrei Tarkovsky | U.R.S.S. |
| 1972 | Viskningar och rop (Cries and Whispers) | Ingmar Bergman | Suède |
| 1972 | Le charme discret de la bourgeoisie (The Discreet Charm of the Bourgeoisie) | Luis Buñuel | France, Italie, Espagne |
| 1972 | The Godfather | Francis Ford Coppola | États-Unis |
| 1972 | Ultimo tango a Parigi (Last Tango in Paris) | Bernardo Bertolucci | Italie, France |
| 1972 | Die bitteren Tränen der Petra von Kant (The Bitter Tears of Petra con Kant) | Rainer Werner Fassbinder | Allemagne |
| 1972 | Fat City | John Huston | États-Unis |
| 1972 | The Heartbreak Kid | Elaine May | États-Unis |
| 1972 | Frenzy | Alfred Hitchcock | Royaume-Uni |
| 1972 | Pink Flamingos | John Waters | États-Unis |
| 1972 | Sleuth | Joseph L. Mankiewicz | États-Unis |
| 1972 | Super Fly | Gordon Parks, Jr. | États-Unis |
| 1973 | The Sting | George Roy Hill | États-Unis |
| 1973 | La maman et la putain (The Mother and the Whore) | Jean Eustache | France |
| 1973 | High Plains Drifter | Clint Eastwood | États-Unis |
| 1973 | Badlands | Terrence Malick | États-Unis |
| 1973 | American Graffiti | George Lucas | États-Unis |
| 1973 | Papillon | Franklin J. Schaffner | États-Unis, France |
| 1973 | The Long Goodbye | Robert Altman | États-Unis |
| 1973 | The Wicker Man | Robin Hardy | Royaume-Uni |
| 1973 | Enter the Dragon | Robert Clouse | Hong Kong, États-Unis |
| 1973 | Serpico | Sidney Lumet | États-Unis, Italie |
| 1973 | Don't Look Now | Nicolas Roeg | Royaume-Uni, Italie |
| 1973 | La nuit américaine (Day for Night) | François Truffaut | France |
| 1973 | Mean Streets | Martin Scorsese | États-Unis |
| 1973 | Sleeper | Woody Allen | États-Unis |
| 1973 | The Exorcist | William Friedkin | États-Unis |
| 1973 | F for Fake | Orson Welles | France, Iran, Allemagne |
| 1973 | Pat Garrett & Billy the Kid | Sam Peckinpah | États-Unis |
| 1973 | Turks fruit (Turkish Delight) | Paul Verhoeven | Pays-Bas |
| 1973 | El espíritu de la colmena (The Spirit of the Beehive) | Víctor Erice | Espagne |
| 1972 (mauvaise année dans le livre) | The Harder They Come | Perry Henzell | Jamaïque |
| 1973 | La planète sauvage (Fantasy Planet) | René Laloux | Thcécoslovaquie, France |
| 1973 | Amarcord | Federico Fellini | Italie, France |
| 1974 | The Towering Inferno | John Guillermin | États-Unis |
| 1974 | Bring Me the Head of Alfredo Garcia | Sam Peckinpah | États-Unis, Mexique |
| 1975 (mauvaise année dans le livre) | Dersu Uzala | Akira Kurosawa | U.R.S.S., Japon |
| 1974 | The Godfather: Part II | Francis Ford Coppola | États-Unis |
| 1974 | The Conversation | Francis Ford Coppola | États-Unis |
| 1975 (mauvaise année dans le livre) | Zerkalo (The Mirror) | Andrei Tarkovsky | U.R.S.S. |
| 1974 | Chinatown | Roman Polanski | États-Unis |
| 1974 | A Woman Under the Influence | John Cassavetes | États-Unis |
| 1974 | Young Frankenstein | Mel Brooks | États-Unis |
| 1974 | The Texas Chain Saw Massacre | Tobe Hooper | États-Unis |
| 1974 | Blazing Saddles | Mel Brooks | États-Unis |
| 1974 | Céline et Julie vont en bateau (Celine and Julie Go Boating) | Jacques Rivette | France |
| 1974 | Angst essen Seele auf (Fear Eats the Soul) | Rainer Werner Fassbinder | Allemagne |
| 1975 | Barry Lyndon | Stanley Kubrick | Royaume-Uni, États-Unis |
| 1975 | The Rocky Horror Picture Show | Jim Sharman | Royaume-Uni, États-Unis |
| 1975 | Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles | Chantal Akerman | Belgique, France |
| 1975 | O thiasos (The Travelling Players) | Theodoros Angelopoulos | Grèce |
| 1975 | Monty Python and the Holy Grail | Terry Gilliam, Terry Jones | Royaume-Uni |
| 1975 | Deewaar (The Wall) | Yash Chopra | Inde |
| 1975 | Dog Day Afternoon | Sidney Lumet | États-Unis |
| 1975 | One Flew Over the Cuckoo's Nest | Miloš Forman | États-Unis |
| 1975 | Maynila: Sa mga kuko ng liwanag (Manila in the Claws of Light) | Lino Brocka | Philippines |
| 1975 | Faustrecht der Freiheit (Fox and His Friends) | Rainer Werner Fassbinder | Allemagne |
| 1975 | Nashville | Robert Altman | États-Unis |
| 1975 | Salò o le 120 giornate di Sodoma | Pier Paolo Pasolini | Italie, France |
| 1976 (mauvaise année dans le livre) | Cría cuervos | Carlos Saura | Espagne |
| 1975 | Picnic at Hanging Rock | Peter Weir | Australie |
| 1975 | India Song | Marguerite Duras | France |
| 1975 | Jaws | Steven Spielberg | United States |
| 1975 | Le vieux fusil | Robert Enrico | France, Germany |
| 1976 | Ai no korîda | Nagisa Oshima | Japan, France |
| 1976 | All the President's Men | Alan J. Pakula | United States |
| 1976 | The Man Who Fell to Earth | Nicolas Roeg | United Kingdom |
| 1976 | The Outlaw Josey Wales | Clint Eastwood | United States |
| 1976 | The Killing of a Chinese Bookie | John Cassavetes | United States |
| 1976 | Network | Sidney Lumet | United States |
| 1976 | Carrie | Brian De Palma | United States |
| 1976 | Taxi Driver | Martin Scorsese | United States |
| 1976 | Rocky | John G. Avildsen | United States |
| 1977 | Der amerikanische Freund | Wim Wenders | Germany, France |
| 1977 | Annie Hall | Woody Allen | United States |
| 1977 | Voskhozhdenie | Larisa Shepitko | Russia (USSR) |
| 1977 | Close Encounters of the Third Kind | Steven Spielberg | United States |
| 1977 | The Last Wave | Peter Weir | Australia |
| 1977 | Star Wars | George Lucas | United States |
| 1977 | Stroszek | Werner Herzog | Germany |
| 1977 | Ceddo | Ousmane Sembène | Senegal |
| 1977 | Suspiria | Dario Argento | Italy, Germany |
| 1977 | Sleeping Dogs | Roger Donaldson | New Zealand |
| 1977 | Last Chants for a Slow Dance | Jon Jost | United States |
| 1977 | Czlowiek z marmuru | Andrzej Wajda | Poland |
| 1977 | Saturday Night Fever | John Badham | United States |
| 1977 | Eraserhead | David Lynch | United States |
| 1977 | Soldaat van Oranje | Paul Verhoeven | Belgium, Netherlands |
| 1977 | The Hills Have Eyes | Wes Craven | United States |
| 1978 | Days of Heaven | Terrence Malick | United States |
| 1978 | Halloween | John Carpenter | United States |
| 1978 | L'albero degli zoccoli | Ermanno Olmi | Italy, France |
| 1978 | The Chant of Jimmie Blacksmith | Fred Schepisi | Australia |
| 1978 | The Deer Hunter | Michael Cimino | United States |
| 1978 | Dawn of the Dead | George A. Romero | United States, Italy |
| 1978 | Up in Smoke | Lou Adler | United States |
| 1978 | Grease | Randal Kleiser | United States |
| 1978 | Shao Lin san shi liu fang | Liu Chia-Liang | Hong Kong |
| 1978 | Killer of Sheep | Charles Burnett | United States |
| 1979 | Alien | Ridley Scott | United States |
| 1979 | All That Jazz | Bob Fosse | United States |
| 1979 | Apocalypse Now | Francis Ford Coppola | United States |
| 1979 | Die Ehe der Maria Braun | Rainer Werner Fassbinder | Germany |
| 1979 | Nosferatu: Phantom der Nacht | Werner Herzog | Germany, France |
| 1979 | Stalker | Andrei Tarkovsky | Germany, Russia (USSR) |
| 1979 | Life of Brian | Terry Jones | United Kingdom |
| 1979 | Real Life | Albert Brooks | United States |
| 1979 | Breaking Away | Peter Yates | United States |
| 1979 | Being There | Hal Ashby | United States, United Kingdom, Germany, Japan |
| 1979 | Manhattan | Woody Allen | United States |
| 1979 | The Muppet Movie | James Frawley | United States, United Kingdom |
| 1979 | Cristo si è fermato a Eboli | Francesco Rosi | Italy |
| 1979 | Mad Max | George Miller | Australia |
| 1979 | Die Blechtrommel | Volker Schlöndorff | Germany, France, Poland, Yugoslavia |
| 1979 | The Jerk | Carl Reiner | United States |
| 1979 | Kramer vs. Kramer | Robert Benton | United States |
| 1980 | Airplane! | Jim Abrahams, David Zucker, Jerry Zucker | United States |
| 1980 | Atlantic City, USA | Louis Malle | United States, Canada, France |
| 1980 | Ordinary People | Robert Redford | United States |
| 1980 | The Empire Strikes Back | Irvin Kershner | United States |
| 1980 | Le dernier métro | François Truffaut | France |
| 1980 | The Shining | Stanley Kubrick | United Kingdom |
| 1980 | The Elephant Man | David Lynch | United Kingdom, United States |
| 1980 | The Big Red One | Samuel Fuller | United States |
| 1980 | Loulou | Maurice Pialat | France |
| 1980 | Raging Bull | Martin Scorsese | United States |
| 1981 | An American Werewolf in London | John Landis | United States, United Kingdom |
| 1981 | Diva | Jean-Jacques Beineix | France |
| 1981 | Raiders of the Lost Ark | Steven Spielberg | United States |
| 1981 | Das Boot | Wolfgang Petersen | Germany |
| 1981 | Gallipoli | Peter Weir | Australia |
| 1981 | Chariots of Fire | Hugh Hudson | United Kingdom |
| 1981 | Body Heat | Lawrence Kasdan | United States |
| 1981 | Le Professionnel | Georges Lautner | France |
| 1981 | Czlowiek z zelaza | Andrzej Wajda | Poland |
| 1981 | Reds | Warren Beatty | United States |
| 1981 | The Evil Dead | Sam Raimi | United States |
| 1982 | E.T. the Extra-Terrestrial | Steven Spielberg | United States |
| 1982 | Fast Times at Ridgemont High | Amy Heckerling | United States |
| 1982 | Trop tôt/Trop tard | Jean-Marie Straub, Danièle Huillet | France |
| 1982 | Poltergeist | Tobe Hooper | United States |
| 1982 | Yol | Yılmaz Güney, Şerif Gören | Turkey, Switzerland, France |
| 1982 | Blade Runner | Ridley Scott | United States |
| 1982 | Diner | Barry Levinson | United States |
| 1982 | Tootsie | Sydney Pollack | United States |
| 1982 | Fitzcarraldo | Werner Herzog | Germany, Peru |
| 1982 | Gandhi | Richard Attenborough | United Kingdom, India |
| 1982 | The Thing | John Carpenter | United States |
| 1982 | Fanny och Alexander | Ingmar Bergman | Sweden |
| 1982 | La notte di San Lorenzo | Paolo Taviani, Vittorio Taviani | Italy |
| 1982 | De stilte rond Christine M. | Marleen Gorris | Netherlands |
| 1982 | The Draughtsman's Contract | Peter Greenaway | United Kingdom |
| 1982 | Koyaanisqatsi | Godfrey Reggio | United States |
| 1982 | The King of Comedy | Martin Scorsese | United States |
| 1983 | A Christmas Story | Bob Clark | United States, Canada |
| 1983 | L'argent | Robert Bresson | France, Switzerland |
| 1983 | The Right Stuff | Philip Kaufman | United States |
| 1983 | The Big Chill | Lawrence Kasdan | United States |
| 1983 | Sans soleil | Chris Marker | France |
| 1983 | Return of the Jedi | Richard Marquand | United States |
| 1983 | Narayama bushikô | Shōhei Imamura | Japan |
| 1983 | Terms of Endearment | James L. Brooks | United States |
| 1983 | El Norte | Gregory Nava | United States, United Kingdom |
| 1983 | De vierde man | Paul Verhoeven | Netherlands |
| 1983 | Videodrome | David Cronenberg | United States, Canada |
| 1983 | Scarface | Brian De Palma | United States |
| 1983 | Local Hero | Bill Forsyth | United Kingdom |
| 1984 | Amadeus | Miloš Forman | United States |
| 1984 | Once Upon a Time in America | Sergio Leone | United States, Italy |
| 1984 | The Terminator | James Cameron | United States |
| 1984 | The Natural | Barry Levinson | United States |
| 1984 | Ghostbusters | Ivan Reitman | United States |
| 1984 | Paris, Texas | Wim Wenders | United Kingdom, Germany, France |
| 1984 | A Nightmare on Elm Street | Wes Craven | United States |
| 1984 | This Is Spinal Tap | Rob Reiner | United States |
| 1984 | A Passage to India | David Lean | United Kingdom |
| 1984 | Beverly Hills Cop | Martin Brest | United States |
| 1984 | The Killing Fields | Roland Joffé | United Kingdom |
| 1984 | Stranger Than Paradise | Jim Jarmusch | United States, Germany |
| 1985 | Back to the Future | Robert Zemeckis | United States |
| 1985 | Prizzi's Honor | John Huston | United States |
| 1985 | Tóngnián wangshì | Hou Hsiao-hsien | Taiwan |
| 1985 | The Breakfast Club | John Hughes | United States |
| 1985 | Idi i smotri | Elem Klimov | Russia (USSR), Belarus (USSR) |
| 1985 | Mishima: A Life in Four Chapters | Paul Schrader | United States |
| 1985 | Out of Africa | Sydney Pollack | United States |
| 1985 | Ran | Akira Kurosawa | Japan, France |
| 1985 | Brazil | Terry Gilliam | United Kingdom |
| 1985 | Kiss of the Spider Woman | Héctor Babenco | Brazil, United States, Argentina |
| 1985 | The Quiet Earth | Geoff Murphy | New Zealand |
| 1985 | The Purple Rose of Cairo | Woody Allen | United States |
| 1985 | Sans toit ni loi | Agnès Varda | United Kingdom, France |
| 1985 | Shoah | Claude Lanzmann | France |
| 1985 | The Color Purple | Steven Spielberg | United States |
| 1985 | A Room with a View | James Ivory | United Kingdom |
| 1985 | Sherman's March | Ross McElwee | United States |
| 1985 | Tampopo | Juzo Itami | Japan |
| 1986 | Aliens | James Cameron | United States, United Kingdom |
| 1986 | Manhunter | Michael Mann | United States |
| 1986 | Blue Velvet | David Lynch | United States |
| 1986 | Hannah and Her Sisters | Woody Allen | United States |
| 1986 | She's Gotta Have It | Spike Lee | United States |
| 1986 | Children of a Lesser God | Randa Haines | United States |
| 1986 | Caravaggio | Derek Jarman | United Kingdom |
| 1986 | Salvador | Oliver Stone | United States |
| 1986 | Platoon | Oliver Stone | United States |
| 1986 | Down by Law | Jim Jarmusch | United States, Germany |
| 1986 | Le déclin de l'empire américain | Denys Arcand | Canada |
| 1986 | Do ma daan | Tsui Hark | Hong Kong |
| 1986 | Ferris Bueller's Day Off | John Hughes | United States |
| 1986 | The Fly | David Cronenberg | United States |
| 1986 | Top Gun | Tony Scott | United States |
| 1986 | Stand by Me | Rob Reiner | United States |
| 1986 | Dao ma zei | Tian Zhuangzhuang | China |
| 1986 | Henry: Portrait of a Serial Killer | John McNaughton | United States |
| 1987 | Au revoir les enfants | Louis Malle | France, Germany |
| 1987 | Babettes gæstebud | Gabriel Axel | Denmark |
| 1987 | Raising Arizona | Joel Coen | United States |
| 1987 | Yeelen | Souleymane Cissé | Mali |
| 1987 | Der Himmel über Berlin | Wim Wenders | Germany, France |
| 1987 | Withnail & I | Bruce Robinson | United Kingdom |
| 1987 | The Princess Bride | Rob Reiner | United States |
| 1987 | Sien nui yau wan | Ching Siu-Tung | Hong Kong |
| 1987 | Full Metal Jacket | Stanley Kubrick | United States |
| 1987 | Broadcast News | James L. Brooks | United States |
| 1987 | Good Morning, Vietnam | Barry Levinson | United States |
| 1987 | Moonstruck | Norman Jewison | United States |
| 1987 | Wall Street | Oliver Stone | United States |
| 1987 | The Untouchables | Brian De Palma | United States |
| 1987 | Hong gao liang | Zhang Yimou | China |
| 1987 | Fatal Attraction | Adrian Lyne | United States |
| 1987 | The Dead | John Huston | United States |
| 1987 | RoboCop | Paul Verhoeven | United States |
| 1987 | Akira | Katsuhiro Otomo | Japan |
| 1987 | Neco z Alenky | Jan Švankmajer | Czechia (Czechoslovakia) |
| 1988 | Ariel | Aki Kaurismäki | Finland |
| 1988 | Bull Durham | Ron Shelton | United States |
| 1988 | Hôtel Terminus | Marcel Ophüls | France, United States |
| 1988 | Mujeres al borde de un ataque de nervios | Pedro Almodóvar | Spain |
| 1988 | Spoorloos | George Sluizer | Netherlands, France |
| 1988 | The Thin Blue Line | Errol Morris | United States |
| 1988 | A Fish Called Wanda | Charles Crichton | United States |
| 1988 | Une histoire de vent | Joris Ivens, Marceline Loridan | Netherlands, United Kingdom, France, Germany |
| 1988 | The Naked Gun: From the Files of Police Squad! | David Zucker | United States |
| 1988 | Nuovo Cinema Paradiso | Giuseppe Tornatore | Italy, France |
| 1988 | Hotaru no haka | Isao Takahata | Japan |
| 1988 | Big | Penny Marshall | United States |
| 1988 | Who Framed Roger Rabbit | Robert Zemeckis | United States |
| 1988 | Rain Man | Barry Levinson | United States |
| 1988 | Die Hard | John McTiernan | United States |
| 1988 | Dangerous Liaisons | Stephen Frears | United States, United Kingdom |
| 1988 | Dead Ringers | David Cronenberg | Canada, United States |
| 1988 | Distant Voices, Still Lives | Terence Davies | United Kingdom |
| 1989 | Dekalog | Krzysztof Kieślowski | Poland |
| 1989 | When Harry Met Sally... | Rob Reiner | United States |
| 1989 | Crimes and Misdemeanors | Woody Allen | United States |
| 1989 | Batman | Tim Burton | United States |
| 1989 | Field of Dreams | Phil Alden Robinson | United States |
| 1989 | Glory | Edward Zwick | United States |
| 1989 | The Cook, the Thief, His Wife & Her Lover | Peter Greenaway | France, Netherlands, United Kingdom, |
| 1989 | My Left Foot | Jim Sheridan | Ireland, United Kingdom |
| 1989 | Dip huet seung hung (The Killer) | John Woo | Hong Kong |
| 1989 | Drugstore Cowboy | Gus Van Sant | United States |
| 1989 | Do the Right Thing | Spike Lee | United States |
| 1989 | The Unbelievable Truth | Hal Hartley | United States |
| 1989 | Roger & Me | Michael Moore | United States |
| 1989 | Sex, Lies, and Videotape | Steven Soderbergh | United States |
| 1989 | Beiqíng chéngshì | Hou Hsiao-hsien | Taiwan |
| 1989 | Tongues Untied | Marlon Riggs | United States |
| 1990 | Astenicheskiy sindrom | Kira Muratova | Ukraine (USSR) |
| 1990 | Archangel | Guy Maddin | Canada |
| 1990 | Cyrano de Bergerac | Jean-Paul Rappeneau | France, Hungary |
| 1990 | Trust | Hal Hartley | United States, United Kingdom |
| 1990 | S'en fout la mort | Claire Denis | France, Germany |
| 1990 | Goodfellas | Martin Scorsese | United States |
| 1990 | Nema-ye Nazdik | Abbas Kiarostami | Iran |
| 1990 | King of New York | Abel Ferrara | United States, Italy |
| 1990 | Pretty Woman | Garry Marshall | United States |
| 1990 | Dances with Wolves | Kevin Costner | United States |
| 1990 | Total Recall | Paul Verhoeven | United States |
| 1990 | Edward Scissorhands | Tim Burton | United States |
| 1990 | Europa Europa | Agnieszka Holland | Germany, France, Poland |
| 1991 | Ruan Lingyu | Stanley Kwan | Hong Kong |
| 1991 | Boyz n the Hood | John Singleton | United States |
| 1991 | La belle noiseuse | Jacques Rivette | France, Switzerland |
| 1991 | The Rapture | Michael Tolkin | United States |
| 1991 | Gu ling jie shao nian sha ren shi jian | Edward Yang | Taiwan |
| 1991 | JFK | Oliver Stone | United States |
| 1991 | Slacker | Richard Linklater | United States |
| 1991 | Wong Fei Hung | Tsui Hark | Hong Kong |
| 1991 | Thelma & Louise | Ridley Scott | United States |
| 1991 | My Own Private Idaho | Gus Van Sant | United States |
| 1991 | The Silence of the Lambs | Jonathan Demme | United States |
| 1991 | Terminator 2: Judgment Day | James Cameron | United States, France |
| 1991 | Delicatessen | Jean-Pierre Jeunet, Marc Caro | France |
| 1991 | La double vie de Veronique | Krzysztof Kieślowski | France, Poland, Norway |
| 1991 | Da hong deng long gao gao gua | Zhang Yimou | China, Hong Kong, Taiwan |
| 1991 | Hearts of Darkness: A Filmmaker's Apocalypse | Fax Bahr, George Hickenlooper, Eleanor Coppola | United States |
| 1992 | Romper Stomper | Geoffrey Wright | Australia |
| 1992 | Strictly Ballroom | Baz Luhrmann | Australia |
| 1992 | The Player | Robert Altman | United States |
| 1992 | Reservoir Dogs | Quentin Tarantino | United States |
| 1992 | Glengarry Glen Ross | James Foley | United States |
| 1992 | Conte d'hiver | Éric Rohmer | France |
| 1992 | Unforgiven | Clint Eastwood | United States |
| 1992 | C'est arrivé près de chez vous | Rémy Belvaux, André Bonzel, Benoît Poelvoorde | Belgium |
| 1992 | The Crying Game | Neil Jordan | United Kingdom, Japan |
| 1993 | Ba wang bie ji | Chen Kaige | China |
| 1993 | Les Visiteurs | Jean-Marie Poiré | France |
| 1993 | Lan feng zheng | Tian Zhuangzhuang | China |
| 1993 | Philadelphia | Jonathan Demme | United States |
| 1993 | Xi meng ren sheng | Hou Hsiao-hsien | Taiwan |
| 1993 | Short Cuts | Robert Altman | United States |
| 1993 | Schindler's List | Steven Spielberg | United States |
| 1993 | Trois couleurs: Bleu | Krzysztof Kieślowski | France, Poland, Switzerland |
| 1993 | Groundhog Day | Harold Ramis | United States |
| 1993 | The Piano | Jane Campion | Australia, New Zealand, France |
| 1993 | Xi yan | Ang Lee | Taiwan, United States |
| 1993 | Thirty Two Short Films About Glenn Gould | François Girard | Canada, Portugal, Netherlands, Finland |
| 1993 | Jurassic Park | Steven Spielberg | United States |
| 1993 | Caro diario | Nanni Moretti | Italy, France |
| 1994 | The Adventures of Priscilla, Queen of the Desert | Stephan Elliott | Australia |
| 1994 | The Lion King | Roger Allers, Rob Minkoff | United States |
| 1994 | The Last Seduction | John Dahl | United States |
| 1994 | Les roseaux sauvages | André Téchiné | France |
| 1994 | Crumb | Terry Zwigoff | United States |
| 1994 | Heavenly Creatures | Peter Jackson | United Kingdom, Germany, New Zealand |
| 1994 | Pulp Fiction | Quentin Tarantino | United States |
| 1994 | Trois couleurs: Rouge | Krzysztof Kieślowski | France, Poland, Switzerland |
| 1994 | Natural Born Killers | Oliver Stone | United States |
| 1994 | Muriel's Wedding | P. J. Hogan | Australia, France |
| 1994 | Hoop Dreams | Steve James | United States |
| 1994 | Sátántangó | Béla Tarr | Hungary, Germany, Switzerland |
| 1994 | Clerks | Kevin Smith | United States |
| 1994 | Four Weddings and a Funeral | Mike Newell | United Kingdom |
| 1994 | Forrest Gump | Robert Zemeckis | United States |
| 1994 | Zire darakhatan zeyton | Abbas Kiarostami | France, Iran |
| 1994 | The Shawshank Redemption | Frank Darabont | United States |
| 1994 | Chung Hing sam lam | Wong Kar-wai | Hong Kong |
| 1994 | Riget | Lars von Trier | Denmark, France, Germany, Sweden |
| 1994 | Léon: The Professional | Luc Besson | France |
| 1995 | Babe | Chris Noonan | Australia, United States |
| 1995 | Braveheart | Mel Gibson | United States |
| 1995 | Deseret | James Benning | United States |
| 1995 | Se7en | David Fincher | United States |
| 1995 | Smoke | Wayne Wang | United States, Germany |
| 1995 | Badkonake sefid | Jafar Panahi | Iran |
| 1995 | Underground | Emir Kusturica | France, Serbia (Yugoslavia), Germany, Hungary |
| 1995 | Dilwale Dulhania Le Jayenge | Aditya Chopra | India |
| 1995 | Xích lô | Trần Anh Hùng | Vietnam, France |
| 1995 | Clueless | Amy Heckerling | United States |
| 1995 | Safe | Todd Haynes | United States, United Kingdom |
| 1995 | Heat | Michael Mann | United States |
| 1995 | Toy Story | John Lasseter | United States |
| 1995 | Dead Man | Jim Jarmusch | United States, Germany, Japan |
| 1995 | The Usual Suspects | Bryan Singer | United States, Germany |
| 1995 | Kjærlighetens kjøtere | Hans Petter Moland | Norway, Sweden |
| 1996 | Trainspotting | Danny Boyle | United Kingdom |
| 1996 | Fargo | Joel Coen | United States, United Kingdom |
| 1996 | Gabbeh | Mohsen Makhmalbaf | Iran, France |
| 1996 | Trois vies et une seule mort | Raúl Ruiz | France, Portugal |
| 1996 | Shine | Scott Hicks | Australia |
| 1996 | Scream | Wes Craven | United States |
| 1996 | Secrets & Lies | Mike Leigh | France, United Kingdom |
| 1996 | The English Patient | Anthony Minghella | United States |
| 1996 | Lone Star | John Sayles | United States |
| 1996 | Breaking the Waves | Lars von Trier | Denmark, Sweden, France, Netherlands, Norway |
| 1996 | Independence Day | Roland Emmerich | United States |
| 1997 | Abre los ojos | Alejandro Amenábar | Spain, France, Italy |
| 1997 | The Ice Storm | Ang Lee | United States |
| 1997 | Hana-bi | Takeshi Kitano | Japan |
| 1997 | Boogie Nights | Paul Thomas Anderson | United States |
| 1997 | L.A. Confidential | Curtis Hanson | United States |
| 1997 | Funny Games | Michael Haneke | Austria |
| 1997 | The Sweet Hereafter | Atom Egoyan | Canada |
| 1997 | Titanic | James Cameron | United States |
| 1997 | Ta'm e guilass | Abbas Kiarostami | Iran |
| 1998 | Saving Private Ryan | Steven Spielberg | United States |
| 1998 | Lola rennt | Tom Tykwer | Germany |
| 1998 | Rushmore | Wes Anderson | United States |
| 1998 | Festen | Thomas Vinterberg | Denmark |
| 1998 | Buffalo '66 | Vincent Gallo | United States |
| 1998 | Ringu | Hideo Nakata | Japan |
| 1998 | Happiness | Todd Solondz | United States |
| 1998 | The Thin Red Line | Terrence Malick | Canada, United States |
| 1999 | Todo sobre mi madre | Pedro Almodóvar | Spain, France |
| 1999 | American Beauty | Sam Mendes | United States |
| 1999 | Ôdishon | Takashi Miike | Japan, South Korea |
| 1999 | Toy Story 2 | John Lasseter | United States |
| 1999 | The Blair Witch Project | Daniel Myrick, Eduardo Sánchez | United States |
| 1999 | Being John Malkovich | Spike Jonze | United States |
| 1999 | The Sixth Sense | M. Night Shyamalan | United States |
| 1999 | Three Kings | David O. Russell | United States |
| 1999 | Magnolia | Paul Thomas Anderson | United States |
| 1999 | Fight Club | David Fincher | United States |
| 1999 | Beau travail | Claire Denis | France |
| 1999 | The Matrix | The Wachowskis | United States |
| 2000 | Les glaneurs et la glaneuse | Agnès Varda | France |
| 2000 | Faa yeung nin wa | Wong Kar-wai | France, Hong Kong |
| 2000 | Gladiator | Ridley Scott | United Kingdom, United States |
| 2000 | Kippur | Amos Gitai | France, Israel |
| 2000 | Yi yi | Edward Yang | Taiwan, Japan |
| 2000 | Requiem for a Dream | Darren Aronofsky | United States |
| 2000 | Amores perros | Alejandro G. Iñárritu | Mexico |
| 2000 | Memento | Christopher Nolan | United States |
| 2000 | Wo hu cang long | Ang Lee | United States, Hong Kong, China, Taiwan |
| 2001 | The Lord of the Rings : The Fellowship of the Ring | Peter Jackson | United States, New Zealand |
| 2001 | Sen to Chihiro no kamikakushi | Hayao Miyazaki | United States, Japan |
| 2001 | No Man's Land | Danis Tanović | Bosnia, Slovenia, Italy, France, United Kingdom, Belgium |
| 2002 | The Lord of the Rings: The Two Towers | Peter Jackson | United States, New Zealand |
| 2002 | Gangs of New York | Martin Scorsese | United States |
| 2002 | Russkiy kovcheg | Alexander Sokurov | Russia |
| 2002 | Asterix & Obelix: Mission Cleopatra | Alain Chabat | France, Italy |
| 2002 | Bowling for Columbine | Michael Moore | United States |
| 2002 | Cidade de Deus | Fernando Meirelles, Kátia Lund | Brazil, France |
| 2002 | Hable con ella | Pedro Almodóvar | Spain |
| 2003 | Aileen: Life and Death of a Serial Killer | Nick Broomfield | United Kingdom |
| 2003 | The Lord of the Rings: The Return of the King | Peter Jackson | United States, New Zealand |
| 2003 | Elephant | Gus Van Sant | United States |
| 2003 | Oldeuboi | Park Chan-wook | South Korea |
| 2003 | Good Bye Lenin! | Wolfgang Becker | Germany |
| 2003 | Osama | Siddiq Barmak | Afghanistan |
| 2004 | Gegen die Wand | Fatih Akın | Germany, Turkey |
| 2004 | Le conseguenze dell'amore | Paolo Sorrentino | Italy |
| 2004 | Moolaadé | Ousmane Sembène | Senegal |
| 2004 | Der Untergang | Oliver Hirschbiegel | Germany, Italy, Austria |
| 2005 | Tsotsi | Gavin Hood | South Africa |
| 2005 | Brokeback Mountain | Ang Lee | United States |
| 2006 | El laberinto del fauno | Guillermo del Toro | Mexico, Spain, United States |
| 2006 | Das Leben der Anderen | Florian Henckel von Donnersmarck | Germany |
| 2007 | Paranormal Activity | Oren Peli | United States |
| 2007 | There Will Be Blood | Paul Thomas Anderson | United States |
| 2008 | The Hurt Locker | Kathryn Bigelow | United States |
| 2008 | The Dark Knight | Christopher Nolan | United States |
| 2008 | Låt den rätte komma in | Tomas Alfredson | Sweden |
| 2009 | District 9 | Neill Blomkamp | United States, New Zealand, Canada, South Africa |
| 2009 | Avatar | James Cameron | United States |
| 2010 | Toy Story 3 | Lee Unkrich | United States |
| 2010 | Inception | Christopher Nolan | United States, United Kingdom |
| 2010 | Nostalgia de la luz | Patricio Guzmán | Chile |
| 2010 | The Social Network | David Fincher | United States |
| 2011 | The Artist | Michel Hazanavicius | France |
| 2012 | The Cabin in the Woods | Drew Goddard | United States |
| 2012 | Lincoln | Steven Spielberg | United States |
| 2012 | Wadjda | Haifaa al-Mansour | Saudi Arabia |
| 2013 | 12 Years a Slave | Steve McQueen | United States, United Kingdom |
| 2013 | La grande bellezza | Paolo Sorrentino | Italy |
| 2013 | Gravity | Alfonso Cuarón | United States |
| 2013 | La vie d'Adèle | Abdellatif Kechiche | France |
| 2013 | American Hustle | David O. Russell | United States |
| 2013 | Inside Llewyn Davis | Coen Brothers | United States |
| 2013 | Nebraska | Alexander Payne | United States |
| 2013 | A Touch of Sin | Zhangke Jia | China |
| 2013 | The Wolf of Wall Street | Martin Scorsese | United States |
| 2013 | Ida | Pawel Pawlikowski | Poland |
| 2013 | Under the Skin | Jonathan Glazer | United States |
| 2014 | Boyhood | Richard Linklater | United States |
| 2014 | Birdman | Alejandro G. Iñárritu | United States |
| 2014 | The Grand Budapest Hotel | Wes Anderson | United States |
| 2014 | The Look of Silence | Joshua Oppenheimer | Indonesia |
| 2014 | The Theory of Everything | James Marsh | United Kingdom |
| 2014 | Whiplash | Damien Chazelle | United States |
| 2014 | Guardians of the Galaxy | James Gunn | United States |
| 2014 | Leviathan | Andrey Zvyagintsev | Russia |
| 2014 | Citizenfour | Laura Poitras | United States |
| 2015 | Star Wars: The Force Awakens | J. J. Abrams | United States |
| 2015 | The Revenant | Alejandro G. Iñárritu | United States |
| 2015 | Saul fia | László Nemes | Hungary |
| 2015 | Spotlight | Tom McCarthy | United States |
| 2015 | Tangerine | Sean Baker | United States |
| 2015 | Mad Max: Fury Road | George Miller | Australia |
| 2015 | Victoria | Sebastian Schipper | Germany |
| 2015 | Straight Outta Compton | F. Gary Gray | United States |
| 2015 | Bridge of Spies | Steven Spielberg | Germany |
| 2015 | The Big Short | Adam McKay | United States |
| 2016 | La La Land | Damien Chazelle | United States |
| 2016 | Hell or High Water | David Mackenzie | United States |
| 2016 | The Jungle Book | Jon Favreau | United States |
| 2016 | Jackie | Pablo Larraín | United States |
| 2016 | Toni Erdmann | Maren Ade | Germany, Austria |
| 2016 | Under the Shadow | Babak Anvari | Iran |
| 2016 | Manchester by the Sea | Kenneth Lonergan | United States |
| 2016 | 13th | Ava DuVernay | United States |
| 2016 | I, Daniel Blake | Ken Loach | United Kingdom |
| 2016 | Arrival | Denis Villeneuve | United States |
| 2016 | Moonlight | Barry Jenkins | United States |
| 2016 | The Handmaiden | Park Chan-Wook | South Korea |
| 2016 | Lady Macbeth | William Oldroyd | United Kingdom |
| 2016 | Dawson City: Frozen Time | Bill Morrison | Canada |
| 2017 | Call Me By Your Name | Luca Guadagnino | Italy |
| 2017 | Get Out | Jordan Peele | United States |
| 2017 | Lady Bird | Greta Gerwig | United States |
| 2017 | The Shape Of Water | Guillermo Del Toro | United States |
| 2017 | Three Billboards Outside Ebbing, Missouri | Martin McDonagh | United States |
| 2017 | Mother! | Darren Aronofsky | United States |
| 2017 | Blade Runner 2049 | Denis Villeneuve | United States |
| 2017 | The Greatest Showman | Michael Gracey | United States |
| 2017 | Phantom Thread | Paul Thomas Anderson | United States |
| 2018 | Sorry to Bother You | Boots Riley | United States |
| 2018 | Hereditary | Ari Aster | United States |
| 2018 | Black Panther | Ryan Coogler | United States |
| 2018 | Avengers:Infinity War | Anthony Russo | United States |
| 2018 | BlacKkKlansman | Spike Lee | United States |
| 2018 | Capernaum | Nadine Labaki | Lebanon |
| 2018 | Crazy Rich Asians | John M. Chu | United States |
| 2018 | Roma | Alfonso Cuarón | Mexico |
| 2018 | The Favourite | Yorgos Lanthimos | United Kingdom |
| 2018 | A Star Is Born | Bradley Cooper | United States |
| 2018 | Vice | Adam McKay | United States |
